A “refreshing,” (Kirkus Reviews) unpretentious, and uplifting story about a father and son reconnecting and finding happiness in the most unlikely circumstances—for fans of Nick Hornby and The Rosie Project. Danny’s life is falling apart. His eleven-year-old son, Will, hasn’t spoken since the death of his mother in a car crash a year earlier, and Danny has just been fired from his construction job. He’s behind on the rent and his nasty landlord is threatening to break his legs if he doesn’t pay soon. Danny needs money, and fast. After observing street performers in a local park, Danny spends his last few dollars on a tattered panda costume, impulsively deciding to become a dancing bear. While performing one day, Danny spots his son being taunted by a group of older boys. Danny chases them off, and Will opens up for the first time since his mom died, unaware that the man in the panda costume is his father. Afraid of disclosing his true identity, Danny comforts his son. But will Danny lose Will’s trust once he reveals who he is? And will he be able to dance his way out of despair? Filled with a delightful cast of characters, Bear Necessity is “a moving, sensitive story that is also very funny, and a perfect literary antidote to anxious, troubled times” (Shelf Awareness).

"Danny's life is falling apart. He's become a single father to eleven-year-old Will--who hasn't spoken since the death of his mother in a car crash a year earlier--and Danny has just been fired from his construction job. To make matters worse, he's behind on the rent and his nasty landlord is threatening to break his legs if he doesn't pay soon. Danny needs money, and fast. After observing local street performers in a nearby park, Danny spends his last few dollars on a tattered panda costume, impulsively deciding to become a dancing bear."--

If you liked Susanna Clarke's Jonathan Strange & Mr Norrell-or Christopher Priest's The Prestige-or Iain Pears' An Instance of the Fingerpost-here is a classic of magic-tinged adventure you may have missed.

This book is also available in paperback. What is it like to rehabilitate sun bears in the rainforests of Malaysia? Why are sloth bears trained to dance? How is traditional Chinese medicine implicated in the deaths of black bears in North America? Bear Necessities answers all of these questions, and many more. Through the voices of activists, scientists, and educators, readers walk alongside those who pull sun bears from Vietnamese bile farms, track Andean bears in the rugged hills of Ecuador, work to protect Montana’s grizzlies in the courtroom, and gently heal the many wounded bears who live in sanctuaries around the world. Though almost every bear species is endangered or severely threatened, Bear Necessities offers hope through knowledge and understanding, which reside at the heart of change.

Backpacker brings the outdoors straight to the reader's doorstep, inspiring and enabling them to go more places and enjoy nature more often. The authority on active adventure, Backpacker is the world's first GPS-enabled magazine, and the only magazine whose editors personally test the hiking trails, camping gear, and survival tips they publish. Backpacker's Editors' Choice Awards, an industry honor recognizing design, feature and product innovation, has become the gold standard against which all other outdoor-industry awards are measured.

Dorothy Parker’s complete weekly New Yorker column about books and people and the rigors of reviewing. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell—does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”). Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post