Ah, "beach week": a time-honored tradition in which the D.C. suburbs' latest herd of high school grads flocks to Chelsea Beach for seven whole days of debauched celebration. In this dark comedy, ten teenage girls plan an unhinged blowout the likes of which their young lives have never seen. They smuggle vodka in water bottles and horde prescription drugs by the dozen. Meanwhile, their misguided, affluent parents are too busy worrying about legal liabilities to fret over some missing pills or random hookups. For Jordan Adler and her family, though, this rite of passage threatens to become more than just frivolous fun. The teen's parents, Leah and Charles, might not let their only child go at all. Their marriage is in shambles, their old house is languishing on the market, and the bills are stacking up. With all that stress, it soon seems they're behaving as irresponsibly as their daughter and her friends. With the wit of Nora Ephron and the insight of Tom Perrotta, Susan Coll satirizes a new teenage rite of passage, in the process dismantling the lives of families in transition. Beach Week is a hilarious, well-observed look at the end of childhood and the human need to commemorate it—expensively.

Thanks to a scandalous affair, NYC girls Chrissy and Cami were banished from their usual beach vacation in the Hamptons. Needing to get away, Chrissy begged her stepfather for the keys to his family's Outer Banks beach house. Darren needed to get out of LA, and his best friend Nick was delegated to keep an eye on him. Hoping to stay out of trouble, the boys flew off to the Outer Banks to spend a week at the family beach house. When the boys discover that the house is already occupied by two beautiful NYC girls, the fun begins. What happens when these four very different, and very headstrong, people are forced to share a beach house? Will wild child Chrissy set her sights on one of the eligible bachelors? Has Darren learned his lesson and learned to behave himself? Will Cami and Nick survive the week with their undisciplined friends? More importantly, what will they each take with them from their week at the beach?

When photojournalist and writer Roby Page first started trekking to Daytona Beach, Florida, for Bike Week in 1985, the counterculture gathering was dominated by rogues, ruffians, and rebels. Now the leather-clad biker rumbling down Atlantic Avenue might be a doctor or a lawyer. More than a half-million enthusiasts arrive at Daytona Beach every March, a number swelled by new bikers from the American mainstream. In Bike Week at Daytona Beach: Bad Boys and Fancy Toys, Page sets out on his Harley-Davidson to search for what it really means to be a biker. Part memoir, part narrative history, and part photo essay, the book not only chronicles Bike Week, but also vividly documents the evolution of two American icons-the Harley and the Biker. Braving wintry weather on his way to sunny Florida, Page gives us an understanding of the visceral, even elemental thrills of traveling by motorcycle. He tracks the history of the outlaw biker image from its origins in the wake of World War II and the parallel history of the Harley-Davidson Motor Company, creator of the machine favored by bikers. Arriving in Daytona Beach, the author shares the changing carnival of Bike Week through his prose and through black-and-white photographs. Finally, Page joins long-time bikers Jinks and Wolfpup to get perspective on how Bike Week has changed and on how the dramatic increase in new bikers has transformed their culture forever. Roby Page, Roanoke, Virginia, is a sociologist and photographer whose work has been featured in such periodicals as Visual Sociology and Contexts and in the St. Petersburg Times, the Gainesville Sun, and many other newspapers.

The intricate, interlocking stories of Jensen Beach's extraordinarily poised story collection are set in a Swedish village on the Baltic Sea as well as in Stockholm over the course of two eventful years. In Swallowed by the Cold, people are besieged and haunted by disasters both personal and national: a fatal cycling accident, a drowned mother, a fire on a ferry, a mysterious arson, the assassination of the Swedish foreign minister, and, decades earlier, the Soviet bombing of Stockholm. In these stories, a drunken, lonely woman is convinced that her new neighbor is the daughter of her dead lover; a one-armed tennis player and a motherless girl reckon with death amid a rainstorm; and happening upon a car crash, a young woman is unaccountably drawn to the victim, even as he slides into a coma and her marriage falls into jeopardy. Again and again, Beach's protagonists find themselves unable to express their innermost feelings to those they are closest to, but at the same time they are drawn to confide in strangers. In its confidence and subtle precision, Beach’s prose evokes their reticence but is supple enough to reveal deeper passions and intense longing. Shot through with loss and the regret of missed opportunities, Swallowed by the Cold is a searching and crystalline book by a startlingly talented young writer.

"Groundbreaking and provocative, Judy Chicago's iconic sculptures, paintings, and installations helped bridge the gap between feminism and art during the 1960s, 70s, and beyond. Using imagery inspired by the female body and references to historical female figures, Chicago forged a new, women-focused visual language that continues to influence the aesthetics of feminist art today. This book traces Chicago's career from her emergence on the Los Angeles art scene in the 1960s through her mature work in the 1990s. Featuring illustrations of six distinct bodies of works, this book includes Chicago's masterpiece The Dinner Party as well as other lesser-known works. With informative essays that situate Chicago's oeuvre in the context of contemporary Southern Californian art and scholarship that reflects Chicago's current work, this comprehensive book provides a breathtaking look at one of the quintessential figures of American feminist art" --

THE INSTANT NEW YORK TIMES BESTSELLER FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF PEOPLE WE MEET ON VACATION! "Original, sparkling bright, and layered with feeling."--Sally Thorne, author of The Hating Game A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters. Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast. They're polar opposites. In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses, broke, and bogged down with writer's block. Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She'll take him on field trips worthy of any rom-com montage, and he'll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really.

A companion to "The South Beach Diet" presents more than two hundred recipes that demonstrate how to eat healthfully without compromising taste, outlining the diet's basic philosophies and sharing personal success stories.