Det ene af C. Millers værker om 1. Verdenskrig i Afrika - "Lunatic Express" haves ikke.

This book revisits some of the most significant guerrilla struggles of the late 19th century, all set in Africa, and remind readers, in light of current events, the difficulties involved in engaging in this type of conflict.

This monograph analyzed whether Lieutenant Colonel Paul von Lettow-Vorbeck used operational art to defeat British forces in the East African campaign of World War I. British forces were superior in quantity of men and equipment, but slow moving and heavily dependent on secure lines of communication. Lettow-Vorbeck’s forces maintained an asymmetric advantage in mobility, knowledge of terrain, and responsive logistics. An analogy was suggested that the U.S. Army in the twenty-first century is similar to British forces in 1914, and the nation’s future adversaries could potentially use Lettow-Vorbeck’s unconventional warfare and asymmetric tactics woven together in a comprehensive campaign plan. This monograph reviewed the origins and characteristics of operational art. The Army’s emerging doctrine, Student Text 3-0, Operations defines operational art as the “use of military force to achieve strategic goals through the design, organization, integration, and conduct of theater strategic, campaigns, major operations, and battles” and serves as the entry point for discussion. A synthesis of Shimon Naveh and James Schneider’s theories revealed five primary characteristics of operational art and was used as the criteria to evaluate the research question. The five characteristics were: operational objectives, operational maneuver, disruption, operational approach, and operational logistics. The East African campaign was analyzed from the perspective of Lettow-Vorbeck linking his strategic aim of forcing the British to commit forces to a secondary theater of operations to his limited resources. The four-year campaign was divided into three phases based on Lettow-Vorbeck’s operational objectives and the correlation of forces. Significant tactical vignettes were examined as part of an overarching campaign plan. Finally, this monograph considered how the U.S. Army would fight an asymmetric enemy in a similar environment.

In the summer of 1914, Major Paul von Lettow-Vorbeck was the commander of the German Protective Force in German East Africa, with a mere 2,000 troops -- most of them Black Askaris -- and weapons that dated back to the Franco-Prussian War of the 1870's. When World War I began in August, Governor Heinrich Schnee surrendered to the British at Dar-es-Salaam, but von Lettow refused to accept the surrender. Instead he took up arms against the British, and after the war was over, it was evident he could have beaten the British in Africa if the Germans had not lost in Europe

The Greater War is an international history of the First World War. Comprising of thirteen chapters this collection of essays covers new aspects of the French, German, Italian and American efforts in the First World War, as well as aspects of Britain's colonial campaigns.

This volume brings together an international cast of scholars from a variety of fields to examine the racial and colonial aspects of the First World War, and show how issues of race and empire shaped its literature and culture. The global nature of the First World War is fast becoming the focus of intense enquiry. This book analyses European discourses about colonial participation and recovers the war experience of different racial, ethnic and national groups, including the Chinese, Vietnamese, Indians, Maori, West Africans and Jamaicans. It also investigates testimonial and literary writings, from war diaries and nursing memoirs to Irish, New Zealand and African American literature, and analyses processes of memory and commemoration in the former colonies and dominions. Drawing upon archival, literary and visual material, the book provides a compelling account of the conflict's reverberations in Europe and its empires and reclaims the multiracial dimensions of war memory.