A collection of 17th and 18th century music transcribed for solo mandolin with selections from Couperin, Handel, Baltzer, Biber, Reusner, Marais, Gallot, Rameau, Weiss, Torelli, Telemann, Pachelbel and Vivaldi; 25 in all. All pieces are in standard notation and TAB. A companion CD for listening is included for ten of the songs.

The name "mandolin" was used to refer to two quite different instruments: the gut-stringed mandolino, played with the fingers, and the later metal-stringed Neapolitan mandoline, which was played with a plectrum. This is the first book devoted exclusively to these two early instruments about which information in reference books is scant and often erroneous. The authors uncover their rich and varied musical history, examining contemporary playing techniques and revealing the full extent of the instruments' individual repertories, which include works by Vivaldi, Sammartini, Stamitz, and Beethoven. The book's ultimate aim is to help today's players to produce artistically satisfying performances through an understanding of the nature and historical playing style of these unjustly neglected instruments.

Mandolin Picking Tunes: Early Music Gems by Dix Bruce is a collection of 34 wonderful songs from the 1200s to the 1600s especially arranged for intermediate and advanced mandolinists. The titles span the Medieval, Renaissance, and Baroque eras and the sounds of the individual songs reflect those years. The music includes standard notation, accompaniment chords, and tablature. Includes access to online audio recordings of each piece for listening and playing along.

(Berklee Guide). Learn the techniques, common practices, and essential repertoire of the classical mandolin. You will learn long-established mandolin techniques and their contemporary applications. You will discover gems from the classical mandolin literature, and familiar classical melodies arranged for mandolin. You will also gain insights into how to arrange your own musical ideas, including classical melodies, for solo mandolin. This book and its online videos and play-along audio tracks will help to enhance your understanding of the greater context of mandolin traditions. Additional notation is provided for arrangements of small mandolin and guitar ensembles. Online audio and video are accessed at halleonard.com/mylibrary

These arrangements of many pieces by J.S. Bach make a great composer's works accessible to the mandolinist. Since the bulk of the music has been adapted from various suites, sonatas, and partitas, the authors provides an explanation of each dance form and other similar pieces. Includes: 'Bauree Angloise' from Partita in A Minor for solo flute; 'Marche' from Anna Magdalena Back Book; 'Fantasie' from Partita No. 3 in A Minor; and more. In notation and tablature. Includes a CD which contains 13 of the 26 solos.

Most of the music in this book comes from editions or manuscripts from England in the late 1500's. There are also a few French pieces. the cittern was popular in Italy, England and France. Aside from various tunings, there were two main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings), and the 6 course cittern with several editions of music to go along with both. the pieces I have chosen for this book were all written for the 4 course instrument and fall into three main categories: dance music, song arrangements and free pieces. the free pieces are basically preludes that explore the melodic range of the instrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. the dance pieces are not really meant to be danced to, but rather take their form and rhythm from the popular court dances of the time. These can be played with a wide range of overall tempo, but once a tempo is chosen, should be strictly adhered to. the song arrangements are settings of popular songs of the time as well as more formal vocal settings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same, John Holenko has kept the melodies intact. Because of the difference in tuning however, the voicing of the harmonies have been changed so as to fit on the mandolin.

The octave mandolin is valued for its rich tone and wide range of potential use in a variety of musical settings. This book contains 27 easy to intermediate pieces from the Baroque era that have been carefully chosen and arranged to benefit from the longer scale and deeper voice of the big mandolin. The music is presented in both standard notation and tablature, making it easily playable on the mandocello, mandola or standard mandolin. Thirteen composers are represented, including six pieces by J. S. Bach, four by G. F. Handel and three by G. P. Telemann.