Bagley's Crystal Glass Company was one of the most prolific English makers of art deco pressed glass from the 1920s until 1975 but until now it was hard to identify. This book has hundreds of pictures to help you identify Bagley glass! Knowing what to look for, spotting a bargain that others have missed, and building up a complete collection. These are some of the joys of collecting. And if you are a collector of pressed glass or a Bagley Glass collector, you need the information offered here.Bagley Glass answers these questions: Who were the Bagleys, where was Bagley's Crystal Glass Company, what did they make and when did they make it? Did Bagley make your piece of glass? Whether its a vase or a bowl, a jug, a plate, or a boudoir set, there's a section that shows the patterns Bagley made.This book shows almost the full range for each pattern, with an index to locate them easily. It lists all the patent numbers registered by Bagley and shows what those patterns looks like.We don't claim to have covered absolutely every Bagley item, but we know we come close. This is a really useful book for identifying Bagley patterns and items.

The only comprehensive reference book regarding internationally produced glassware for the home, "20th Century Factory Glass" is required reading for glass collectors and enthusiasts alike. Featuring every great designer, from Louis Comfort Tiffany to Alvar Aalto, as well as companies from Baccarat to Steuben, this volume provides clues to identifying marks, codes, and labels.

The second in the London Lampworkers series, this book offers a definitive guide to identify and learn more about Pirelli Glass.Chapter 1 - the people who worked at Pirelli Glass and the history of the company and its products. Chapter 2 - how Pirelli came to work so closely with the famous Scottish paperweight makers Vasart, including the range of Pirelli/Vasart products.Chapter 3 - all the Pirelli glass models from the 1959 company catalogue.Chapter 4 - the glass animal cartoon figures made under license from Disney; and commissions for the Guinness Company, Ferguson and others. Chapter 5 - later glass models from the 60s/70s, known from a later catalogue, from Pirelli advertisements, by their Pirelli labels, or confirmed by the glass artists who made them (Bob Martin/Mick Munns).Chapter 6 - Pirelli Glass decorated tableware and barware. Appendix A- the original 1959 Pirelli Glass catalogue pages. Appendix B - Pirelli Glass original prices.

The massacre at Mountain Meadows on September 11, 1857, was the single most violent attack on a wagon train in the thirty-year history of the Oregon and California trails. Yet it has been all but forgotten. Will Bagley’s Blood of the Prophets is an award-winning, riveting account of the attack on the Baker-Fancher wagon train by Mormons in the local militia and a few Paiute Indians. Based on extensive investigation of the events surrounding the murder of over 120 men, women, and children, and drawing from a wealth of primary sources, Bagley explains how the murders occurred, reveals the involvement of territorial governor Brigham Young, and explores the subsequent suppression and distortion of events related to the massacre by the Mormon Church and others.

In The Politics of White Rights, Joseph Bagley recounts the history of school desegregation litigation in Alabama, focusing on the malleability and durability of white resistance. He argues that the litigious battles of 1954–73 taught Alabama’s segregationists how to fashion a more subtle defense of white privilege, placing them in the vanguard of a new conservatism oriented toward the Sunbelt, not the South. Scholars have recently begun uncovering the ways in which segregationists abandoned violent backlash and overt economic reprisal and learned how to rearticulate their resistance and blind others to their racial motivations. Bagley is most interested in a creedal commitment to maintaining “law and order,” which lay at the heart of this transition. Before it was a buzz phrase meant to conjure up fears of urban black violence, “law and order” represented a politics that allowed self-styled white moderates to begrudgingly accept token desegregation and to begin to stake their own claims to constitutional rights without forcing them to repudiate segregation or white supremacy. Federal courts have, as recently as 2014, agreed that Alabama’s property tax system is crippling black education. Bagley argues that this is because, in the late 1960s, the politics of law and order became a politics of white rights, which supported not only white flight to suburbs and private schools but also nominally color-blind changes in the state’s tax code. These changes were designed to shield white money from the needs of increasingly black public education. Activists and courts have been powerless to do anything about them, because twenty years of desperate litigious combat finally taught Alabama lawmakers how to erect constitutional bulwarks that could withstand a legal assault.