Retirees Dottie and Joe Loudermilk, who cruise the land in a trailer home, hit Washington, D.C., to visit their son Eddie in this humorous second entry in the series after @Going Nowhere Fast.^

Family secrets become a blackmailer's deadly weapon in this pulse-pounding thriller by the Amazon Charts bestselling author of No Good Deed. The shocking suicide of Beth Daniels's father--a prominent surgeon--has thrown the FBI agent into a tailspin. But when Beth heads to Saint Augustine, Florida, for the funeral, she'll need more than the emotional support of her boyfriend, retired detective Jon Lancaster. She'll need his gut instinct for solving a mystery. No sooner do they arrive than suspicions are aroused. There's the pair of Russians who seem to be watching every move the family makes. A final, cryptic phone call Martin Daniels made to his granddaughter. Strange blood evidence on his estate. More than $1 million missing from Martin's account. And his cell phone, wiped clean, along with clues to a double life. To Beth, it's disturbingly clear: the man she loved was a stranger. As she and Jon delve into Martin's past, they have no idea where the secrets will take them. Or how dangerous it will be to expose the conspiracies, the cover-ups, and the terrible truths of Martin's life--and death.

In these ten dazzling interrelated stories Atwood traces the course of a life and also the lives intertwined with it, while evoking the drama and the humour that colour common experiences—the birth of a baby, divorce and remarriage, old age and death. With settings ranging from Toronto, northern Quebec, and rural Ontario, the stories begin in the present, as a couple no longer young situate themselves in a larger world no longer safe. Then the narrative goes back in time to the forties and moves chronologically forward toward the present. In “The Art of Cooking and Serving,” the twelve-year-old narrator does her best to accommodate the arrival of a baby sister. After she boldly declares her independence, we follow the narrator into young adulthood and then through a complex relationship. In “The Entities,” the story of two women haunted by the past unfolds. The magnificent last two stories reveal the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage. This is vintage Atwood, writing at the height of her powers.

The author of the acclaimed Stringer: A Reporter’s Journey in the Congo now moves on to Rwanda for a gripping look at a country caught still in political and social unrest, years after the genocide that shocked the world. Bad News is the story of Anjan Sundaram's time running a journalist's training program out of Kigali, the capital city of one of Africa's most densely populated countries, Rwanda. President Kagame’s regime, which seized power after the genocide that ravaged its population in 1994, is often held up as a beacon for progress and modernity in Central Africa and is the recipient of billions of dollars each year in aid from Western governments and international organizations. Lurking underneath this shining vision of a modern, orderly state, however, is the powerful climate of fear springing from the government's brutal treatment of any voice of dissent. "You can't look and write," a policeman ominously tells Sundaram, as he takes notes at a political rally. In Rwanda, the testimony of the individual—the evidence of one's own experience—is crushed by the pensée unique: the single way of thinking and speaking, proscribed by those in power. A vivid portrait of a country at an extraordinary and dangerous place in its history, Bad News is a brilliant and urgent parable on freedom of expression, and what happens when that power is seized.