A sexy, propulsive novel that confronts the limits of empathy and the perils of appropriation through the eyes of a disgraced small-town librarian. Now that her brilliant botanist daughter is off at college, buttoned-up Maeve Cosgrove loves her job at a quiet Maine public library more than anything. But when a teenager accuses Maeve—Maeve!—of spying on her romantic escapades in the mezzanine bathroom, she winds up laid off and humiliated. Stuck at home in a tailspin, Maeve cares for the mysterious plants in her daughter’s greenhouse while obsessing over the clearly troubled girl at the source of the rumor. She hopes to have a powerful ally in her attempts to clear her name: her favorite author, Harrison Riddles, who has finally responded to her adoring letters and accepted an invitation to speak at the library. Riddles, meanwhile, arrives in town with his own agenda. He announces a plan to write a novel about another young library patron, Sudanese refugee Willie, and enlists Maeve’s help in convincing him to participate. Maeve wants to look out for Willie, but Riddles’s charisma and the sheen of literary glory he promises are difficult to resist. A scheme to get her job back draws Maeve further into Riddles’s universe—where shocking questions about sex, morality, and the purpose of literature threaten to upend her orderly life. A writer of “savage compassion” (Salvatore Scibona, author of The Volunteer), Sarah Braunstein constructs a shrewd, page-turning caper that explores one woman’s search for agency and ultimate reckoning with the kind of animal she is.

Joel Yanofsky tried for years to start this memoir. “It’s not just going to be about autism,” he told his wife, Cynthia. “It’s going to be about parenthood and marriage, about hope and despair, and storytelling, too.” “Marriage?” Cynthia said. “What about marriage?” A veteran book reviewer, Yanofsky has spent a lifetime immersed in literature (not to mention old movies and old jokes), which he calls shtick. This account of a year in the life of a family describes a father’s struggle to enter his son’s world, the world of autism, using the materials he knows best: self-help books, feel-good memoirs, literary classics from the Bible to Dr. Seuss, old movies, and, yes, shtick. Funny, wrenching, and unfailingly candid, Bad Animals is both an exploration of a baffling condition and a quirky love story told by a gifted writer.

A sexy, propulsive novel that confronts the limits of empathy and the perils of appropriation through the eyes of a disgraced small-town librarian.

We all have a certain creature that makes our skin scrawl and give us the ‘heebie jeebies’. Spiders that make us scream, mice that make us jump on top of furniture until the coast is clear, or bats that make us shudder at the thought of them flapping around our hair. There are creatures big and small all over the world that make us squirm and wriggle in our seats just at the mere thought of them. But what did these animals ever do to deserve such a bad reputation? Most of the time it’s humans that have labelled them ugly, dangerous and downright gross. But it’s one false acquisition too many for these little guys. They’ve had enough of being called scary, slimy, nasty and ewwy. They’re here to dispel these false acquisitions and set the record straight once and for all! "You humans have given us a BAD rep! You've been spreading rumours about us - you think we're scary and spooky and dangerous and icky. Well we're here to set the record straight because we're fed up with the lies you've been spreading. We're not bad animals at all -we're just misunderstood!" With laugh-out-loud illustrations from the immensely talented Sophie Corrigan, uncover the truth behind the animal and learn all about how each creature plays an important role in our world. With bitesize text that will leave you giggling and a fact box about each misrepresented creature, this is the perfect introduction to over 30 critters big and small who really aren’t all that bad at all!

2016. The Bright Side Sanctuary for Animals is in trouble. Ariel discovers that her mother Mona's animal sanctuary in Western Kansas has not only been the target of anti-Semitic hate crimes, it is also for sale, due to hidden financial ruin. Ariel, living a new life in progressive Lawrence, and estranged from her mother for six years, returns to her childhood home - and finds her first love, a ranch hand named Gideon, still working at the Bright Side. Back in Lawrence, Ariel's fiancé, Dex, sets out to confront Ariel and finds her questioning the meaning of her life in Lawrence--and whether she belongs with Dex or with someone else, somewhere else.

"Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child--that has haunted her every waking moment--while forging the power to finally strike back."--

Wong May’s poems are concerned with the ultimate loneliness, the inarticulateness and the inability to communicate fully that are the marks of human life. “My poems,” says Wong May, “are about wordlessness rather than words. I feel that we must recognize our ultimate wordlessness.” What is most impressive about Wong May’s poems is her mastery of the implicit, her marvelously effective elliptical style that nevertheless strikes sharp blows of beauty and clarity. —Harcourt, Brace &World Wong May’s startlingly original poetry gleams with wit; her delicate but acute irony balances its lucid seriousness with a fizzing verbal lightness. —Windham-Campbell Prize First published in the US in 1969, and reissued in Singapore 54 years later, A Bad Girl’s Book of Animals continues to astound, intrigue, and endure.