Publisher Description

Wilfrid Mellers is a composer, musician and author. Honorary Fellow of Downing College, Cambridge. This is his classic book on Bach.

This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.

Bach & God explores the religious character of the music of Johann Sebastian Bach. Noted musicologist Michael Marissen offers wide-ranging insights from detailed investigations of both words and music. Bach is inexhaustible, and Bach & God suggests that through close contextual study there is always more to discover and learn.

Participating in God claims that a doctrine of the Trinity cannot be developed in isolation from pastoral experience. It is not sufficient to view the persons of the Trinity as offering a mere example for human relationships; actual participation in this triune communication shapes both our knowledge of God and the pastoral practices that flow from it. Paul S. Fiddes develops a radical understanding of the "persons" in God as nothing other than relations, or as movements of divine relationship into which we are drawn. This important new book engages in conversation with recent thought about the Trinity in Catholic, Protestant, and Orthodox theology. But it does so always through theological reflection on pastoral concerns. Fiddes brings the doctrine of the Trinity into dialogue with key issues, including the relation of the individual to community, the nature of power and authority, the effect of intercessory prayer, the problems of suffering, the power of forgiveness, the threat of death, the use of spiritual gifts, and the living of a sacramental life. Participating in God is essential reading for all those interested in Christian doctrine and pastoral care.

Heaney traces the hidden history of music's presence in Christian thought, including its often unrecognized influence on key figures such as von Balthasar, Barth and Bonhoeffer. She uses Lonergan's theological framework to explore musical composition as a theological act, showing why, when and how music is a useful symbolic form. The book introduces eleven ground-breaking theologians, and each chapter offers an entry point into the thought of the theologian being presented through an original piece of music, which can be found on the companion website: https://bloomsbury.pub/suspended-god. Heaney argues that music is a universally important means of making sense of life with which theology needs to engage as a means of expression and of development. Musical composition is presented as an appropriate and even necessary form of doing theology in its quest to engage with the past, mediate truth to the present and tradition it into the future.