This book is a translation, accurate and readable, of one of the wittiest pieces of medieval Arabic prose — Abu ‘Uthman al-Jahiz’s Avarice and the Avaricious. In the opinion of most Arab literary critics, Abu ‘Uthman al-Jahiz is one of the finest writers of Arabic of all time, described as the "sultan of style" and the very symbol of literary ability. He was a native of the city of Basra in southern Iraq, then the commercial and intellectual centre of the recently established Abbasid caliphate and the crucible where Islamic culture crystallised and assumed its form. Jahiz is characterised by wit, satire, irony and a wide-ranging erudition pinned to sharp observation of character. His language is agile and vigorous, lucid and precise. It is formally literary but inspired by the rhythms of ordinary speech. Digression and anecdote are commonplace as he passes seamlessly from the serious to the entertaining (and back again) for the improvement and pleasure of his readers. Hypocrisy and pretension are his targets. Reason, good sense, and a wholly uncynical good humour — the very salt of mirth — are his weapons. These qualities can all be found in the present work; one of his best-known books and, as the title suggests, an expose of the vice of miserliness among his contemporaries.

Why did people talk so much about avarice in late Renaissance France, nearly a century before Moliere's famous comedy, L'Avare? As wars and economic crises ravaged France on the threshold of modernity, avarice was said to be flourishing as never before. Yet by the late sixteenth century, a number of French writers would argue that in some contexts, avaricious behaviour was not straightforwardly sinful or harmful. Considerations of social rank, gender, object pursued, time, and circumstance led some to question age-old beliefs. Traditionally reviled groups (rapacious usurers, greedy lawyers, miserly fathers, covetous women) might still exhibit unmistakable signs of avarice -- but perhaps not invariably, in an age of shifting social, economic and intellectual values. Across a large, diverse corpus of French texts, Jonathan Patterson shows how a range of flexible genres nourished by humanism tended to offset traditional condemnation of avarice and avares with innovative, mitigating perspectives, arising from subjective experience. In such writings, an avaricious disposition could be re-described as something less vicious, excusable, or even expedient. In this word history of avarice, close readings of well-known authors (Marguerite de Navarre, Ronsard, Montaigne), and of their lesser-known contemporaries are connected to broader socio-economic developments of the late French Renaissance (c.1540-1615). The final chapter situates key themes in relation to Moliere's L'Avare. As such, Representing Avarice in Late Renaissance France newly illuminates debates about avarice within broader cultural preoccupations surrounding gender, enrichment and status in early modern France.

Professor Rees here re-examines the evidence for the Pelagian controversy. The second part of the book consists of Pelagius' letters, which provide the clearest and most succinct statements of Pelagian theology, but few of which have ever been translated into English before. --from publisher description.

An updated edition of the highly acclaimed contribution to African-American scholarship, Slave Culture considers how various African peoples interacted on the plantations of the South to achieve a common culture, tracing of the roots of black nationalist feelings in America over several centuries.

One of the greatest works of world literature, Dante Alighieri’s The Divine Comedy has, despite its enormous popularity and importance, often stymied readers with its multitudinous characters, references, and themes. But until now, students of the Inferno have lacked a suitable resource to guide their reading. Welcome to Danteworlds, the first substantial guide to the Inferno in English. Guy P. Raffa takes readers on a geographic journey through Dante’s underworld circle by circle—from the Dark Wood down to the ninth circle of Hell—in much the same way Dante and Virgil proceed in their infernal descent. Each chapter—or “region”—of the book begins with a summary of the action, followed by detailed entries, significant verses, and useful study questions. The entries, based on a close examination of the poet’s biblical, classical, and medieval sources, help locate the characters and creatures Dante encounters and assist in decoding the poem’s vast array of references to religion, philosophy, history, politics, and other works of literature. Written by an established Dante scholar and tested in the fire of extensive classroom experience, Danteworlds will be heralded by readers at all levels of expertise, from students and general readers to teachers and scholars.