The insular Pacific is a region saturated with great cultural diversity and poignant memories of colonial and Christian intrusion. Considering authenticity and authorship in the area, this book looks at how these ideas have manifested themselves in Pacific peoples and cultures. Through six rich complementary case studies, a theoretical introduction, and a critical afterword, this volume explores authenticity and authorship as “traveling concepts.” The book reveals diverse and surprising outcomes which shed light on how Pacific identity has changed from the past to the present.

In 2014, the island of Ahamb in Vanuatu became the scene of a startling Christian revival movement led by thirty children with ‘spiritual vision’. However, it ended dramatically when two men believed to be sorcerers and responsible for much of the society’s problems were hung by persons fearing for the island’s future security. Based on twenty months of ethnographic fieldwork on Ahamb between 2010 and 2017, this book investigates how upheavals like the Ahamb revival can emerge to address and sometimes resolve social problems, but also carry risks of exacerbating the same problems they arise to address.

Based on over a decade of research, this book connects dream studies to cognitive anthropology, to perspectives in the humanities on mimesis, ambiguity, and metaphor, to current dream research in psychology, and to recent work in economic and political relations. Traveling the dreamscapes of a variety of young people, Mimesis and the Dream explores their encounters with American cultures and the identities that derive from these encounters. While ethnographies typically concern shared social habits and practices, this book concerns shared aspects of subjectivity and how people represent and think about them in dreams. Each chapter grounds theory in actual cases. It will be compelling to scholars in multiple disciplines and illustrates how dreaming offers insights into twenty-first century debates and problems within these disciplines, bringing a vital theoretically eclectic approach to dream studies.

This book examines how Mexican artisans and diverse actors participate in translations of aesthetics, politics, and history through the field of craft.

Drawing on twenty years of research, this book examines the historical perspective of a Pacific people who saw “globalization” come and go. Suau people encountered the leading edge of missionization and colonialism in Papua New Guinea and were active participants in the Second World War. In Memory of Times to Come offers a nuanced account of how people assess their own experience of change over the course of a critical century. It asks two key questions: What does it mean to claim that global connections are in the past rather than the present or the future, and what does it mean to claim that one has lost one’s culture, but not because anyone else took it away or destroyed it?

The practice of affiliating the female child with the mother and the male child with the father was considered a rare and inexplicable practice in Papua New Guinean ethnography at the time the original data was collected some forty years ago. Marta Rohatynskyj undertakes a shift in her analytical concepts of kinship studies to reveal the deep-seated disjuncture between female and male that this practice represents. The author argues that this practice is associated with a totemic/animistic ontology and has currency in a particular type of Melanesian society.

The Yolngu Indigenous people in the Northeast Arnhem Land of Australia respond to neo-colonial challenges by continuing to affirm their political autonomy and transmit ‘Yolngu Law’, which are ways of knowing and being with the younger generation. They deal with non-indigenous institutions, through participation of bodies, language, things, images of movement and notions of mutual care, feelings and accountability. This book explores the Yolngu relational ontology and epistemology in the context of everyday practices, ritual ceremonies, bicultural education, vernacular Christianity and the production of popular music.