Over 300 finely engraved designs for parlor chairs, claw tables, sideboards, desks, bookcases, writing tables, candlestands, couches, and much more. A magnificent sourcebook for antique collectors, craftworkers, artists, and cultural historians.

Illus. on lining papers.

This handsome reproduction of Majorelle Fregrave;res & Cie.'s 1910 furnishings catalog includes 192 illustrations of finished products, among them Art Nouveau-styled bowls and vases, hanging lamps, wrought-iron staircase railings - including the magnificent stairway in the Galeries Lafayette in Paris - end tables, desks, cabinets, sofas, armchairs, armoires, beds, dining room sets, and more.

With over 200 detailed illustrations and descriptions, these two catalogs are essential reading and reference materials and identification guides for Stickley furniture. Among the items depicted and described are chairs, rockers, stools, settles, desks, library tables, music cabinets, drop-leaf tables, nests of tables, chests of drawers, sideboards, china cabinets and dressing tables.

594 illustrations, including 277 photos, of authentic, prized, Craftsman furniture as shown in two catalogs (circa 1910) by foremost manufacturers. Numerous settles, rockers, armchairs, bookcases, plus many other kinds of pieces. 594 illustrations. Captions.

100 different types of Windsor chairs and other furniture. Full-page photos of side chairs, armchairs, comb-backs, writing-arm chairs, babies' high-backs and low chairs, settees, love seats, stools, and tables. Informative text.

This book is a full-color catalogue raisonne interprets the distinctive furniture made by John Shearer, one of the most accomplished and intriguing furniture makers during the post-Revolutionary period. Shearer emigrated from Scotland in the late 18th century and retained loyalist sympathies throughout his life, evidenced by the imagery and inscriptions sympathetic to various British causes_such as the suppression of the Irish rebellion in 1798 and the British victory in the Battle of Trafalgar in 1805_that he worked into his furniture. Davison provides insight into the furniture's appeal to Anglo-American patrons, not secret loyalists, but men still culturally tied to Great Britain. Shearer's pieces are scattered among various collections, and many of them have been identified only in the last 25 years. This catalog is the only work in which all of Shearer's known pieces of furniture are presented in a single volume.