Caution: Contains incidents of insane motorcycle antics, drug use and swearing. 'Boris has more fun on two wheels than should be legally possible.' - Richard Fidler, ABC His mother may not know it but Boris Mihailovic has lived a fast, furious, often politically incorrect life chasing the epiphanies of speed (the sensation not the drug). For Boris, motorbike riding was the rite of passage into manhood he'd been searching for. Now, nearly 40 years since he first rode a bike, the wisdom of age has provided the perspective for Boris to look back and realise some pretty wild shit went down. At the Altar of the Road Gods is about popping your motorcycle-buying cherry with an XJ650 Yamaha. It's about fines, feuds and fractures, high-sides, tank-slappers, angry police, even angrier young men, crashing, getting up, cranky girlfriends, riding faster, outlaws, and partaking in copious amounts of alcohol and drugs. It is about mateship and motorcycles. Ultimately, it is about four decades of two-wheel-related mayhem. Just don't tell Boris's mum! Be warned: may cause laughter, sleeplessness and the desire to buy a Lucifer-black Katana.

If you're reading this, we're still alive. The end of the world has not occurred. But it can't be long now, can it? For two thousand years, the Book of Revelation has inspired countless conspiracy theorists, film-makers, writers and artists, as well as theologians and teachers. But why are we so bothered? After all, the end of the world still hasn't turned up, and it's been quite a while now. When Nick Page wanted to get to the bottom of what this mysterious book is really all about, he realised there was only one way to go about it: he had to go to the land of apocalypse. Travelling to Patmos via the ruined cities of the seven churches of Revelation, determined to seek out a revelation of his own, Nick explores the culture behind Revelation, who wrote it, why they wrote it, and what it means for us today. Mixing history, commentary, creative reconstruction and sun-crazed travelogue, here at last is the (perhaps not quite) final word on heaven, hell, the four horsemen of the apocalypse - and why the end of the world never does turn up when it's supposed to.

My Mother Warned Me About Blokes Like Me is Boris Mihailovic's frank, fearless and fast account of a life of motorcycles, brotherhood, demons, dirt and danger. Whether you're into dirt bikes, road bikes, ride a Yamaha, scooter or Laverda: if you've ever experienced the primal rush of riding a motor bike, the pain of crashing, the suffering of healing and the epiphanies of speed, then this book is for you. My Mother Warned Me About Blokes Like Me is about friendship, treachery, girls in tight pants and motorcycles that have been possessed by Satan. It's about brotherhood, camaraderie, drugs, alcohol and being hounded by the police for daring to combine them all at once. It's about breaking the law, and racing 1000 kilometres through the night for money and thrills. It's about massive amputations, bovine stupidity, maniacal genius and the wisdom of the old. It's about chance and fate and suffering, being two people at once and being handcuffed in a Melbourne gutter. It's about being cold and crazy and hopeful and irredeemably lost. It's about impossible highs and soul-crushing lows, about demons and brothers and dirt and danger, and houses with iron bars instead of glass in their windows. Essentially it's about Boris Mihailovic's life. With motorcycles. 'His love of motorcycling, mateship and frequent, subsequent mayhem is matched by a natural writing ability that graphically, often hilariously, brings to life the two-wheeled experiences that have shaped his life... Highly recommended' - 4 x 4 Magazine 'There is no requirement to love everything on two wheels to enjoy this book but it would seriously help, as our resident bike nut said about Boris: This guy lives and breathes motorbikes. He's the epitome of two wheel freedom' - Mining Chronicle

This handbook engages key debates in Australian and New Zealand criminology over the last 50 years. In six sections, containing 56 original chapters, leading researchers and practitioners investigate topics such as the history of criminology; crime and justice data; law reform; gangs; youth crime; violent, white collar and rural crime; cybercrime; terrorism; sentencing; Indigenous courts; child witnesses and children of prisoners; police complaints processes; gun laws; alcohol policies; and criminal profiling. Key sections highlight criminological theory and, crucially, Indigenous issues and perspectives on criminal justice. Contributors examine the implications of past and current trends in official data collection, crime policy, and academic investigation to build up an understanding of under-researched and emerging problem areas for future research. An authoritative and comprehensive text, this handbook constitutes a long-awaited and necessary resource for dedicated academics, public policy analysts, and university students.

Adventure. Trust. Brotherhood. When you measure your day by tanks instead of miles as an alpha in a pack of alphas, sometimes tempers can get as hot as a Badlands highway, but it is the words left unspoken that end up leaving scars. This is the story of brothers on a pilgrimage to Sturgis, site of the annual Bike Week gathering. Part memoir, part New Journalism story of how the Harley Davidson ethos created bonds stronger than steel among the men and women who tour this country atop their iconic motors and keep the dream of personal freedom healthy.

Silk Road: The Study of Drama Culture is the translated edition of the Chinese academic book of the same title written by Professor LI Qiang from Shaanxi Normal University, China. The book breaks through the concept of regarding Han Drama as the center, yet elaborates the Silk Road drama as an inclusive culture and a prevailing literary art form in human civilization. Relying on his extensive experience and broad vision, the author conducts the thorough study by means of literature, artifacts and academic fieldwork. The book studies the drama culture of all ethnic groups from Asia, Europe and Africa and touches upon the cultural exchanges between China and its neighboring countries, between the East and the West. The carefully presented details in this book are aimed to explore all the related fields such as dramaturgy, philology, phonology, religion, history, geography, archeology, ethnology, and folklore between the East and the West from the perspective of cultural anthropology. The explanations in the book contribute to an in-depth study on the origins of the Silk Road and the drama culture along the Silk Road.