A quirky collection of short sci-fi stories for fans of Kij Johnson and Kelly Link Assimilation is founded on surrender and being broken; this collection of short stories features people who have assimilated, but are actively trying to reclaim their lives. There is a concert pianist who defies death by uploading his soul into his piano. There is the person who draws his mother's ghost out of the bullet hole in the wall near where she was executed. Another character has a horn growing out of the center of his forehead—punishment for an affair. But he is too weak to end it, too much in love to be moral. Another story recounts a panda breeder looking for tips. And then there's a border patrol agent trying to figure out how to process undocumented visitors from another galaxy. Poignant by way of funny, and philosophical by way of grotesque, Hernandez's stories are prayers for self-sovereignty.

Best-selling author Rick Riordan presents a brilliant sci-fi romp with Cuban influence that poses this question: What would you do if you had the power to reach through time and space and retrieve anything you want, including your mother, who is no longer living (in this universe, anyway)? How did a raw chicken get inside Yasmany's locker? When Sal Vidon meets Gabi Real for the first time, it isn't under the best of circumstances. Sal is in the principal's office for the third time in three days, and it's still the first week of school. Gabi, student council president and editor of the school paper, is there to support her friend Yasmany, who just picked a fight with Sal. She is determined to prove that somehow, Sal planted a raw chicken in Yasmany's locker, even though nobody saw him do it and the bloody poultry has since mysteriously disappeared. Sal prides himself on being an excellent magician, but for this sleight of hand, he relied on a talent no one would guess . . . except maybe Gabi, whose sharp eyes never miss a trick. When Gabi learns that he's capable of conjuring things much bigger than a chicken--including his dead mother--and she takes it all in stride, Sal knows that she is someone he can work with. There's only one slight problem: their manipulation of time and space could put the entire universe at risk. A sassy entropy sweeper, a documentary about wedgies, a principal who wears a Venetian bauta mask, and heaping platefuls of Cuban food are just some of the delights that await in his mind-blowing novel gift-wrapped in love and laughter.

Best-selling author Rick Riordan presents the sequel to the critically acclaimed Sal and Gabi Break the Universe, a brilliant sci-fi romp with Cuban influence. Among many other challenges, Sal and Gabi have to try to make everything right with our world when there is a rogue Gabi from another universe running loose. Sal Vidon doesn't want to live a Mami-free life. Pulling different versions of his mother from other universes is how he copes with missing his own, who died years ago. But Sal's father, a calamity physicist, is trying to shut down all the wormholes Sal creates, because Papi thinks they are eroding the very fabric of our world. All of Papi's efforts are in vain, however, because a Gabi from another universe has gone rogue and is popping up all over the place, seeking revenge for the fact that her world has been destroyed. While Sal and Gabi work together to keep both Papi and Rogue Gabi under control, they also have to solve the mystery of Yasmany, who has gone missing from school. Could it have something to do with the wormhole in the back of his locker? Readers who enjoyed Sal and Gabi Break the Universe will relish being back in the world of Culeco Academy and the Coral Castle along with such unforgettable characters as American Stepmom, the Gabi-Dads, Principal Torres, and the sassy entropy sweeper. With multiple Sals and Gabis in charge, it's no wonder this sequel offers even more hilarious weirdness and love than the first book.

The New Routledge Companion to Science Fiction provides an overview of the study of science fiction across multiple academic fields. It offers a new conceptualisation of the field today, marking the significant changes that have taken place in sf studies over the past 15 years. Building on the pioneering research in the first edition, the collection reorganises historical coverage of the genre to emphasise new geographical areas of cultural production and the growing importance of media beyond print. It also updates and expands the range of frameworks that are relevant to the study of science fiction. The periodisation has been reframed to include new chapters focusing on science fiction produced outside the Anglophone context, including South Asian, Latin American, Chinese and African diasporic science fiction. The contributors use both well- established critical and theoretical approaches and embrace a range of new ones, including biopolitics, climate crisis, critical ethnic studies, disability studies, energy humanities, game studies, medical humanities, new materialisms and sonic studies. This book is an invaluable resource for students and established scholars seeking to understand the vast range of engagements with science fiction in scholarship today.

The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.

Selected as one of the Best Books of the Year in science fiction and fantasy by Amazon.com. Delving deeper into the genre-spanning territory explored in Interfictions, the Interstitial Arts Foundation’s first groundbreaking anthology, Interfictions 2 showcases twenty-one original and innovative writers. It includes contributions from authors from six countries, including the United States, Poland, Norway, Australia, France, and Great Britain. Newcomers such as Alaya Dawn Johnson, Theodora Goss, and Alan DeNiro rub shoulders with established visionaries such as Jeffrey Ford (The Drowned Life), Brian Francis Slattery (Liberation), Nin Andrews (The Book of Orgasms), and M. Rickert (Map of Dreams). Also featured are works by Will Ludwigsen, Cecil Castellucci, Ray Vukcevich, Carlos Hernandez, Lavie Tidhar, Elizabeth Ziemska, Peter M. Ball, Camilla Bruce, Amelia Beamer, William Alexander, Shira Lipkin, Lionel Davoust, Stephanie Shaw, and David J. Schwartz. Colleen Mondor, of the well-known blog Chasing Ray, interviews the editors for the afterword. Henry Jenkins, ex-director of MIT’s Comparative Media Studies program and now a member of USC’s Annenberg School for Communication and School of Cinematic Arts, provides a fantastic introduction sure to set readers’ imaginations alight. Interfictions 2 is here and ready to be read, discussed, taught, blogged, taken apart, and re-interpreted. Delia Sherman was born in Tokyo, Japan, and brought up in New York City. She earned a PhD in Renaissance Studies at Brown University and taught at Boston University and Northeastern University. She is the author of the novels Through a Brazen Mirror, The Porcelain Dove, Changeling, and The Magic Mirror of the Mermaid Queen. A co-founder of the Interstitial Arts Foundation, she lives in New York City. Christopher Barzak is the author of the novels One for Sorrow and The Love We Share Without Knowing. His stories have appeared in Nerve.com, Pindeldyboz, Strange Horizons, Descant, and the first volume of Interfictions. He teaches writing at Youngstown State University.

• 2017 World Fantasy Award finalist for Best Anthology • Contains “The Fall Shall Further the Flight in Me” by Rachael K. Jones, 2017 World Fantasy Award finalist for Best Short Fiction • Contains “Sabbath Wine” by Barbara Krasnoff, 2016 Nebula Award finalist for Best Short Story • 2016 Locus Recommended Reading List, Best Anthology “Allen’s strange and lovely fifth genre-melding fantasy anthology selects 20 new short stories of unusual variety, texture, compassion, and perception. . . . All the stories afford thought-provoking glimpses into alternative realities that linger, sparking unconventional thoughts, long after they are first encountered.” —Publishers Weekly, starred review “The arrangement is superb. This anthology of 20 stories can resemble a symphony of themes and variations in a wide range of keys, or a tapestry whose elements form patterns of imagery and meaning that shift and offer new insights throughout the book.” —Locus The Clockwork Phoenix anthologies offer homes to “well-written stories occupying multiple subgenres, usually in the same story, often ambiguously,” as Locus Magazine once put it. The ground-breaking, boundary-pushing, award-nominated series has returned for a fifth incarnation, triumphantly risen from the ashes after another successful Kickstarter campaign. This is the largest installment yet, holding twenty new tales of beauty and strangeness. With original fiction from Jason Kimble, Rachael K. Jones, Patricia Russo, Marie Brennan, Benjanun Sriduangkaew, Rob Cameron, A. C. Wise, Gray Rinehart, Sam Fleming, Sunil Patel, C. S. E. Cooney and Carlos Hernandez, Holly Heisey, Barbara Krasnoff, Sonya Taaffe, Alex Dally MacFarlane, Shveta Thakrar, Cassandra Khaw, Keffy R. M. Kehrli, Rich Larson, and Beth Cato. Cover art by Paula Arwen Owen. “And then there is that secret restaurant . . . It is perfection on a plate! And you feel better about yourself and your life and the world every time you go there. Clockwork Phoenix is the name of this restaurant, and Mike Allen is the restaurateur. One sublime dish after another, and yet I still have my favorites that I keep coming back to.” —Little Red Reviewer Table of contents: “The Wind at His Back” by Jason Kimble “The Fall Shall Further the Flight in Me” by Rachael K. Jones “The Perfect Happy Family” by Patricia Russo “The Mirror-City” by Marie Brennan “The Finch’s Wedding and the Hive That Sings” by Benjanun Sriduangkaew “Squeeze” by Rob Cameron “A Guide to Birds by Song (After Death)” by A.C. Wise “The Sorcerer of Etah” by Gray Rinehart “The Prime Importance of a Happy Number” by Sam Fleming “Social Visiting” by Sunil Patel “The Book of May” by C.S.E. Cooney and Carlos Hernandez “The Tiger’s Silent Roar” by Holly Heisey “Sabbath Wine” by Barbara Krasnoff “The Trinitite Golem” by Sonya Taaffe “Two Bright Venuses” by Alex Dally MacFarlane “By Thread of Night and Starlight Needle” by Shveta Thakrar “The Games We Play” by Cassandra Khaw “The Road, and the Valley, and the Beasts” by Keffy R.M. Kehrli “Innumerable Glimmering Lights” by Rich Larson “The Souls of Horses” by Beth Cato