Sinceits founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.

Ascetic practices are a common feature of religion in Japan, practiced by different religious traditions. This book looks at these ascetic practices in an inter-sectarian and inter-doctrinal fashion, in order to highlight the underlying themes common to all forms of asceticism. It does so by employing a multidisciplinary methodology, which integrates participant fieldwork – the author himself engaged extensively in ascetic practices – with a hermeneutical interpretation of the body as the primary locus of transmission of the ascetic ‘embodied tradition’. By unlocking this ‘bodily data’, the book unveils the human body as the main tool and text of ascetic practice. This book includes discussion of the many extraordinary rituals practiced by Japanese ascetics.

The Hermit’s Hut offers an original insight into the profound relationship between architecture and asceticism. Although architecture continually responds to ascetic compulsions, as in its frequent encounter with the question of excess and less, it is typically considered separate from asceticism. In contrast, this innovative book explores the rich and mutual ways in which asceticism and architecture are played out in each other’s practices. The question of asceticism is also considered—as neither a religious discourse nor a specific cultural tradition but as a perennial issue in the practice of culture. The work convincingly traces the influences from early Indian asceticism to Zen Buddhism to the Japanese teahouse—the latter opening the door to modern minimalism. As the book’s title suggests, the protagonist of the narrative is the nondescript hermit’s hut. Relying primarily on Buddhist materials, the author provides a complex narrative that stems from this simple structure, showing how the significance of the hut resonates widely and how the question of dwelling is central to ascetic imagination. In exploring the conjunctions of architecture and asceticism, he breaks new ground by presenting ascetic practice as fundamentally an architectural project, namely the fabrication of a “last” hut. Through the conception of the last hut, he looks at the ascetic challenge of arriving at the edge of civilization and its echoes in the architectural quest for minimalism. The most vivid example comes from a well-known Buddhist text where the Buddha describes the ultimate ascetic moment, or nirvana, in cataclysmic terms using architectural metaphors: “The roof-rafters will be shattered,” the Buddha declares, and the architect will “no longer build the house again.” As the book compellingly shows, the physiological and spiritual transformation of the body is deeply intertwined with the art of building. The Hermit’s Hut weaves together the fields of architecture, anthropology, religion, and philosophy to offer multidisciplinary and historical insights. Written in an engaging and accessible manner, it will appeal to readers with diverse interests and in a variety of disciplines—whether one is interested in the history of ascetic architecture in India, the concept of “home” in ancient India, or the theme of the body as building.

This brief survey tells the story of Buddhism as it unfolds through the narrative of the Brahmanical cosmology from which Buddhism emerged, the stories and myths surrounding the Buddha's birth, the Buddha's path to enlightenment, and the eventual spread of his teachings throughout India and the world. Jacob N. Kinnard helps readers understand complex concepts such as the natural law of cause and effect (Karma), the birth/life/death/rebirth cycle (samsara), the everchanging state of suffering (dukkha), and salvation or the absence of all states (Mivana). Several illustrations, together with biographical sketches and primary sources, help to illuminate the extraordinary richness of the Buddhist traditon. "At last, a textbook on Buddhism that integrates new and old methods for telling the story of Buddhism's development in India and its expansion into other parts of Asia; this book is a jewel. Kinnard's skill as an interpreter of material culture in the history of South Asian religions gives him insight into content students of Buddhism should know. Students will appreciate the towering personalities and dramatic choices of the men and women who shaped the story of buddhism in India and Other parts of Asia." Elizabeth Wilson Professor and Chair of comparative Religion Maimi University, Ohio "In an admirably succint fashion, Jacob Kinnard traces the development of Buddhism in India during the first fifteen hundred years of its history there. In so doing he sets the stage for the consideration of Buddhist traditions elsewhere, always attened to the Social, economic, political, and relious contexts in which this development occurred, the author pays particular attention to the lifestory of the buddha and to the evolution of his ongoing presence in his teachings, his relics, his images, and the pilgrimage sites associated with him. All of this is nicely complemented by brief teachings his relics, his images, and the pilgrimages sites associated with him. All of this is nicely complemented by brief biographics of prominent Buddhist historical figures and by a judicious selections of translations of pali and Sanskrit texts. Clearly and engagingly written, this classroom-friendly volume will also be of interest to scholars of religion. John Strong Charles A. Dana Professor of Asian Studies, Bates College Author of The Experience of Buddhism and The Buddha: A Beginner's Guide

Taking a comparative approach which considers characters that are shared across the narrative traditions of early Indian religions (Brahmanical Hinduism, Jainism and Buddhism) Shared Characters in Jain, Buddhist and Hindu Narrative explores key religious and social ideals, as well as points of contact, dialogue and contention between different worldviews. The book focuses on three types of character - gods, heroes and kings - that are of particular importance to early South Asian narrative traditions because of their relevance to the concerns of the day, such as the role of deities, the qualities of a true hero or good ruler and the tension between worldly responsibilities and the pursuit of liberation. Characters (incuding character roles and lineages of characters) that are shared between traditions reveal both a common narrative heritage and important differences in worldview and ideology that are developed in interaction with other worldviews and ideologies of the day. As such, this study sheds light on an important period of Indian religious history, and will be essential reading for scholars and postgraduate students working on early South Asian religious or narrative traditions (Jain, Buddhist and Hindu) as well as being of interest more widely in the fields of Religious Studies, Classical Indology, Asian Studies and Literary Studies.

This project at the interface of Buddhist-Christian studies, comparative theology, and Christian systematic theology proceeds by way of exploring questions related to the presence and activity of the Holy Spirit in a 21st century world of many faiths.