'O let them be left, wildness and wet' As Kingfishers Catch Fire is a selection of Gerard Manley Hopkins' incomparably brilliant poetry, ranging from the ecstasy of 'The Windhover' and 'Pied Beauty' to the heart-wrenching despair of the 'sonnets of desolation'. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Gerard Manley Hopkins (1844-1889). Hopkins' Poems and Prose is available in Penguin Classics.

'A magical book: an inimitable fusion of ornithology, literary anthology and autobiography.' Tom Holland When Alex Preston was 15, he stopped being a birdwatcher. Adolescence and the scorn of his peers made him put away his binoculars, leave behind the hides and the nature reserves and the quiet companionship of his fellow birders. His love of birds didn't disappear though. Rather, it went underground, and he began birdwatching in the books that he read, creating his own personal anthology of nature writing that brought the birds of his childhood back to brilliant life. Looking for moments 'when heart and bird are one', Preston weaves the very best writing about birds into a personal and eccentric narrative that is as much about the joy of reading and writing as it is about the thrill of wildlife. Moving from the 'high requiem' of Keats's nightingale to the crow-strewn sky at the end of Alan Garner's The Weirdstone of Brisingamen, from Ted Hughes's brooding 'Hawk in the Rain' to the giddy anthropomorphism of Jonathan Livingstone Seagull, this is a book that will make you look at birds, at the world, in a newer, richer light. Beautifully illustrated and illuminated by the celebrated graphic artist Neil Gower, As Kingfishers Catch Fire is a book to love and to hold, to return to again and again, to marvel at the way that authors across the centuries have captured the endless grace and variety of birds. 'A joyful and a wondrous book' the Guardian

Living Out the Word Made Flesh “Sixty years ago I found myself distracted,” Eugene Peterson wrote. “A chasm had developed between the way I was preaching from the pulpit and my deepest convictions on what it meant to be a pastor.” And so began Peterson’s journey to live and teach a life of congruence—congruence between preaching and living, between what we do and the way we do it, between what is written in Scripture and how we live out that truth. Nothing captures the biblical foundation for this journey better than Peterson’s teachings over his twenty-nine years as a pastor. As Kingfishers Catch Fire offers a never-before-published collection of these teachings to anyone longing for a richer, truer spirituality. Peterson’s strikingly beautiful prose and deeply grounded insights usher us into a new understanding of how to live out the good news of the Word made flesh. This is one man’s compelling quest to discover not only how to be a pastor but how to be a human being.

This book provides specially commissioned in-depth discussions of the poetry of Catullus from ten leading Latin scholars.

What is more direct and intimate than one-to-one conversation? Here two forces in American poetry, the Kenyon Review and the University of Arkansas Press, bring together discussions between one of America's leading poets and editors, David Baker, and nine of the most exciting poets of our day. The poets, who represent a wide array of vocations and aesthetic positions, open up about their writing processes, their reading and education, their hopes for and discontents with the contemporary scene, and much more, treating readers to a view of the range and capacity of contemporary American poetry.

This long-awaited complete edition of the poetry offers the most up-to-date guidance available. Headnotes to each poem include a wealth of quotations from Hopkins's letters, journals, and other writings.

Terada describes this approach as one of the most ancient and critical oppositions in Western culture. She considers the ways in which Walcott's poetry, written from this ambiguous vantage point, illuminates the relationship of American poetry to Old World culture, as well as the ways in which American languages relate to one another and to the material world. While mimetic theories of art hold that culture is a representation of something original (nature), Walcott's does not. Thus, he must re-examine the relationship between culture and nature. Beginning broadly with Walcott's mental map of the world, Terada demonstrates how his "geographic imagination" is played out in Omeros. She goes on to explore Walcott's unusual openness to his poetic precursors, among them Homer, Beaudelaire, John Donne, William Butler Yeats, and Robert Lowell, which for some critics is as problematic as his adoption of the creoles and dialects of the Caribbean.