Artistic Creation and Ethical Criticism
Title | Artistic Creation and Ethical Criticism PDF eBook |
Author | Ted Nannicelli |
Publisher | Oxford University Press, USA |
Total Pages | 289 |
Release | 2020-06-02 |
Genre | Philosophy |
ISBN | 0197507247 |
Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.
Artistic Creation and Ethical Criticism
Title | Artistic Creation and Ethical Criticism PDF eBook |
Author | Ted Nannicelli |
Publisher | |
Total Pages | |
Release | 2020 |
Genre | Art criticism |
ISBN | 9780197507278 |
Art and Ethical Criticism
Title | Art and Ethical Criticism PDF eBook |
Author | Garry L. Hagberg |
Publisher | John Wiley & Sons |
Total Pages | 306 |
Release | 2010-10-18 |
Genre | Philosophy |
ISBN | 1444337874 |
Through a series of essays, Art and Ethical Criticism explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious New Directions in Aesthetics series, which confronts the most intriguing problems in aesthetics and the philosophy of art today
Artistic Creation and Ethical Criticism
Title | Artistic Creation and Ethical Criticism PDF eBook |
Author | Ted Nannicelli |
Publisher | Oxford University Press |
Total Pages | 256 |
Release | 2020-05-05 |
Genre | Philosophy |
ISBN | 0197507255 |
Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.
Aesthetics and Ethics
Title | Aesthetics and Ethics PDF eBook |
Author | Jerrold Levinson |
Publisher | Cambridge University Press |
Total Pages | 344 |
Release | 1998 |
Genre | Art |
ISBN | 9780521788052 |
This major collection of essays examines issues surrounding aesthetics and ethics.
Art, Emotion and Ethics
Title | Art, Emotion and Ethics PDF eBook |
Author | Berys Gaut |
Publisher | Oxford University Press |
Total Pages | 280 |
Release | 2007-05-24 |
Genre | Art |
ISBN | 0199263213 |
Can a good work of art be evil? 'Art, Ethics, and Emotion' explores this issue, arguing that artworks are always aesthetically flawed insofar as they have a moral defect that is aesthetically relevant. This book will be of interest to anyone who wants to understand the relation of art to morality.
Art, Emotion and Ethics
Title | Art, Emotion and Ethics PDF eBook |
Author | Berys Gaut |
Publisher | OUP Oxford |
Total Pages | 288 |
Release | 2007-05-24 |
Genre | Philosophy |
ISBN | 0191532436 |
Art, Emotion and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is often an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations. Art, Emotion and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.