Craft production and its significance for understanding social relations are one of the essential topics in prehistoric archaeology. Standardization of raw materials, products, and manufacturing procedures, and the presence or absence of specialized artisans still challenge scholars engaged in the studies of technology, social archaeology, exchange and distribution networks and economy in the past. In this volume, seven case studies covering a chronological span from the Neolithic to La Tène Europe explore the notions of standardization and specialization, the nature of their interrelationship, the methods for assessing their presence in the archaeological record, and their significance for the reconstruction of social relations and emergence of social complexity, while two ethnoarchaeological studies focus on the organization of production and methods of estimation of a number of artisans. This volume brings together research from prominent scholars, based on different theoretical perspectives, thus giving new insight into the fundamental issues related to artisans and their crafts.

The manufacture and trade in crafted goods and the men and women who were involved in this industry - including metalworkers, ceramicists, silk weavers, fez-makers, blacksmiths and even barbers - lay at the social as well as the economic heart of the Ottoman empire. This comprehensive history, by leading Ottoman historian Suraiya Faroqhi, presents the definitive view of the subject, from the production and distribution of different craft objects to their use and enjoyment within the community. Faroqhi sheds new light on all aspects of artisan life, setting the concerns of individual craftsmen within the context of the broader cultural themes that connect them to the wider world. Combining social, cultural, economic, religious and historical insights, this will be the authoritative work on Ottoman artisans and guilds for many years to come. 'A display of unrivalled knowledge of the sources by one of the leading historians of the Ottoman Empire.' - Erik J. Zürcher, Professor of Turkish Studies at the University of Leiden

It began with a cannon blast. It ended with a world in chains. Rising from the darkness, a visionary order shakes back the cloak of superstition and raises the lamp of Reason. The fires of that lamp burn the magi of these Mythic Times, and now they unite to save the future of their Arts. Across the world, magick, faith and reason grapple in the twilight, while in the distance the witch-fires grow bright and hungry. Be a wizard. Be a priest. Be a dragon or dragon-slayer. Dance to the tune of a Renaissance revel. It's a hell of a time to be alive. The source on the craftsmen and engineers of the Dark Fantastic world.

This title was first published in 2001. A comparative sociological examination of artisans, exploring historical examples and theoretical references to the stratum. The book also investigates empirical case studies and analyzes the variegated careers of contemporary artisans.