Latest work on Arthur by respected scholars.

This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.

The series] epitomises what is best in Arthurian scholarship today.' ZEITSCHRIFT F R ROMANISCHE PHILOLOGIE Since the first volume in 1982, edited by Richard Barber, Arthurian Literaturehas appeared annually. Its original purpose was to offer a forum for long scholarly articles on all aspects - literary, historic, and artistic - of the Arthurian legend in Europe in the medieval and early modern periods, and bibliographical studies of all periods. Under new editors, whose first volume is Arthurian Literature 12 (1993), that original intention has been expanded to include shorter items of under 5000 words, along with the regular Updates to earlier volumes. All articles are refereed, and ArthurianLiterature has become the year-book of serious Arthurian scholarship. An indispensable component of any historical or Arthurian library.' NOTES AND QUERIES

The tenth volume of Arthurian Literature continues some ofthe themes of earlier issues, as well as exploring unfamiliar andcontroversial ground. The second part of CHRISTINE POULSON's survey of the Arthurian legend in 19th-century art is an analysisby subject of the works catalogued by artist in Arthurian Literature IX. A. H. W. SMITH provides a substantial update to MaryWildman's bibliography of modern Arthurian literature which appearedin Arthurian Literature II, adding not only recent works butalso many items missing from the earlier list. Mr Smith also contributesan article on Ponticus Virumnius and the text of Gildas, one of themore intriguing mysteries of Arthurian text history, and sets outVirumnius' claim to have seen a poem by Gildas which has since disappeared. ARMEL DIVERRES writes on the origins of Chretien de Troyes'Conte del Graal; he argues that we should seek the poet's inspiration in the crusading activities of Philip of Flanders, supporting his case with a careful examination of many otherwise difficult passages in the poem.

King Arthur is arguably the most recognizable literary hero of the European Middle Ages. His stories survive in many genres and many languages, but while scholars and enthusiasts alike know something of his roots in Geoffrey of Monmouth's Latin History of the Kings of Britain, most are unaware that there was a Latin Arthurian tradition which extended beyond Geoffrey. This collection of essays will highlight different aspects of that tradition, allowing readers to see the well-known and the obscure as part of a larger, often coherent whole. These Latin-literate scholars were as interested as their vernacular counterparts in the origins and stories of Britain's greatest heroes, and they made their own significant contributions to his myth.

From the twelfth century onwards the legends of King Arthur and his knights, including the Tristan legend, spread across Europe, producing a vast range of adaptations and new stories. German and Dutch literature were of central importance in this expansion of Arthurian material from the 12th to 16th century. This title deals with this topic.

Arthurian literature is a popular field, but most of the published work focuses on the vernacular tradition. This book, uniquely, looks at Latin Arthurian works. Geoffrey of Monmouth is treated at length and this is the first book to put him in a context which includes other Latin histories, monastic chronicles, saints' lives and other Latin prose Arthurian narratives. Like Geoffrey's works, most can be associated with the Angevin court of Henry II and by placing these works against the court background, this book both introduces a new set of texts into the Arthurian canon and suggests a way to understand their place in that tradition. The unfamiliar works are summarized for the reader, and there are extensive quotations, with translations, throughout. The result is a thorough exploration of Latin Arthurian narrative in the foundational period for the Arthurian tradition.