International in scope and heterogeneous in aesthetics, modern dance reaches across all boundaries, defying or redefining the conventions and time periods of countries where it has flourished. Out of his long experience as dance critic for the New York Times and the Dancing Times of London, Jack Anderson gives us this important, comprehensive history of one of the liveliest and most unpredictable of the arts, illustrated with thirty-six images of dancers, dances, and choreographers. Treating modern dance as a self-renewing art, Anderson follows its changes over the decades and discusses the visionary choreographers (some of whose lives are as colourful and tumultuous as their creations) who have devised new modes of movement. 'Art without Boundaries' begins with an analysis of the rich mixture of American and European influences at the end of the nineteenth century that prompted dancers to react against established norms. Anderson shows how reformist social and educational ideas as well as the impact of the arts of Asia and ancient Greece led such pioneers as Loie Fuller, Maud Allan, Isadora Duncan, and Ruth St. Denis to forge deeply personal views. Anderson discusses the increasingly bold approaches of choreographers and dancers after World War I, how the politically troubled thirties gave rise to social protest dance in America, and how the menace of facism was reflected in the work of European practitioners. Following World War II many European nations turned to ballet, whereas American modern dance prospered under inventive new choreographers like lose Limon, Merce Cunningham, Paul Taylor, and Alwin Nikolais. The book concludes with an authoritative view of how modern dance thrives once again on a worldwide basis. Renowned for his dance criticism, Jack Anderson is also an accomplished and widely published poet. For many years his colourful and precise writing on dance has appeared in such leading dance publications as the New York Times, Dancing Times, and Dance Magazine. He has taught and served on critical panels at dance seminars and festivals throughout the world. He is also the author of Choreography Observed, Ballet and Modern Dance: A Concise History, and The American Dance Festival, among others.

Organized like a cookbook, Watercolor without Boundaries allows you to jump in, and try any idea presented. The step-by-step demos are cross-referenced to direct you right to the techniques. You'll follow basic 'recipes' but can add or substitute ingredients to create your own interpretations. Demos include foliage as a way to frame your subject; starting with a range of values; layering color; combining traditional with non-traditional techniques; creating paths of light on wet and dry papers; and much more.

Tammy Garcia, Form Without Boundaries, is a collection of images portraying Tammy’s extraordinary talent. She is regarded as the foremost Native American potter in the world today and in this magnificent coffeetable book provides glimpses of her sculpture and jewelry. Today, collectors buy her work by lottery as her pieces have become so sought after and her production for the public market is limited. The book tells of her heritage as a fourth generation Santa Clara pueblo potter and what inspires this beautiful, young, soft-spoken artisan. The narrative also introduces the layperson to pottery and the Native American culture. It is written by acknowledged experts in the field of Native American culture, art and collections. The book is a spectacular result of collaboration between an artist and those who are committed to preserving a culture through museums, collections and writing. This is the most dramatic, most beautiful,coffeetable book that will be available for the fall in 2003.

Through the works and thoughts of three protagonists of the Outsider art, Hans Prinzhorn (1886-1933), Jean Dubuffet (1901-1981), and Harald Szeemann (1933-2005), the catalogue attempts to portray the evolution of the perception of oeuvres that had no contact with the mainstream art world. The curator Carine Fol proposes a dynamic approach based on the dialogue between art and its limits, where discriminations and oppositions are overtaken by a universal message of art that at the same time respects multiple identities.

A pioneering neuroscientist shows how the long-sought merger of brains with machines is about to become a paradigm-shifting reality Imagine living in a world where people use their computers, drive their cars, and communicate with one another simply by thinking. In this stunning and inspiring work, Duke University neuroscientist Miguel Nicolelis shares his revolutionary insights into how the brain creates thought and the human sense of self—and how this might be augmented by machines, so that the entire universe will be within our reach. Beyond Boundaries draws on Nicolelis's ground-breaking research with monkeys that he taught to control the movements of a robot located halfway around the globe by using brain signals alone. Nicolelis's work with primates has uncovered a new method for capturing brain function—by recording rich neuronal symphonies rather than the activity of single neurons. His lab is now paving the way for a new treatment for Parkinson's, silk-thin exoskeletons to grant mobility to the paralyzed, and breathtaking leaps in space exploration, global communication, manufacturing, and more. Beyond Boundaries promises to reshape our concept of the technological future, to a world filled with promise and hope.