A renaissance man of Indian modernism, Aditya Prakash (1923-1988) trained as an architect in London and also studied at the Glasgow School of Art. His buildings adhered to the strictest principles of modernism as adapted to the Indian climatic and living conditions. His work in all forms is characterised by rigorous authenticity and directness. He began his career as an architect in the Chandigarh Capital Project and later went to work for the Punjab Agricultural University before he became the principal of the Chandigarh College of Architecture. Besides practising architecture, Prakash was a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. As an academic, his first love was sustainable urbanism. He published two books and several papers on the subject. This book traces the width of Prakash's career and obsessions, and includes critical essays, interviews and a chronology of works, along with lavish illustrations of a portfolio of select works.

Praise for the First Edition "Because of its exceptionally wide perspective, even architectural historians who do not teach general survey courses are likely to enjoy and appreciate it." —Annali d'architettura "Not only does A Global History of Architecture own the territory (of world architecture), it pulls off this audacious task with panache, intelligence, and—for the most part—grace." —Journal of the Society of Architectural Historians Revised and updated—the compelling history of the world's great architectural achievements Organized along a global timeline, A Global History of Architecture, Second Edition has been updated and revised throughout to reflect current scholarship. Spanning from 3,500 b.c.e. to the present, this unique guide is written by an all-star team of architectural experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history. The architectural history of the world comes to life through a unified framework for interpreting and understanding architecture, supplemented by rich drawings from the renowned Frank Ching, as well as brilliant photographs. This new Second Edition: Delivers more coverage of non-Western areas, particularly Africa, South Asia, South East Asia, and Pre-Columbian America Is completely re-designed with full-color illustrations throughout Incorporates additional drawings by Professor Ching, including new maps with more information and color Meets the requirements set by the National Architectural Accrediting Board (NAAB) for "non-Western" architecture in history education. Offers new connections to a companion Web site, including Google EarthTM coordinates for ease of finding sites. Architecture and art enthusiasts will find A Global History of Architecture, Second Edition perpetually at their fingertips.

Written by an esteemed scholar and former resident of the city, this fascinating book re-evaluates Le Corbusier's work in Chandigarh in terms of the pressing challenges of the present, in particular climate change, globalization, neo-nationalism and information technology.

The gold-standard exploration of architecture's global evolution A Global History of Architecture provides a comprehensive tour through the ages, spinning the globe to present the landmark architectural movements that characterized each time period. Spanning from 3,500 b.c.e. to the present, this unique guide is written by an architectural all-star team who emphasize connections, contrasts and influences, reminding us that history is not linear and that everything was 'modern architecture' in its day. This new third edition has been updated with new drawings from Professor Ching, including maps with more information and color, expanded discussion on contemporary architecture, and in-depth chapter introductions that set the stage for global views. The all-new online enhanced companion site brings history to life, providing a clearer framework through which to interpret and understand architecture through the ages. Unique in its non-Eurocentrism, this book provides a fresh survey of architectural history with a truly global perspective, fulfilling the National Architectural Accrediting Board's requirements for 'non-Western' architecture in history education. Track the history of architecture through a comparative timeline that spans the globe Learn how disparate design styles evolved side-by-side, and which elements migrated where Delve into non-Western architecture with expert insight and an historical perspective Explore further with an online Interactive Resource Center featuring digital learning tools Escalating globalization has expanded our perspective of both history and architecture beyond Europe and the U.S. Today's architects are looking far beyond the traditional boundaries, and history shows us that structures' evolution from shelter to art mirrors the hopes and fears of society along the way. A Global History of Architecture takes you inside history itself to witness the the growth and movements that built our world.

Modern Asian Design provides a comprehensive introduction to the development of Asian design in the modern period, both tracing historical threads and offering a theoretical framework within which to chart the history of design in Asia. Rather than a singular “Asian history”, this book presents a series of studies centred on trade routes, colonial relationships, regional networks and cross-cultural exchanges. Modern Asian Design builds on existing resources beyond design history in an effort to map the field, focusing particularly on relations between Asia and the West and also across Asian design cultures. Opening with a brief overview of trade and exchange networks in the 17th and 18th centuries, the bulk of this study comprises analysis of the development of modern design in Asia during the later 19th and early 20th centuries, a period of rapid modernisation. The book's final two chapters bring these central ideas into a contemporary and highly relevant context.

In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art

Shivdatt Sharma (b. 1931) is one of the most prolific Indian modernist architects. Starting out as an architect in the Chandigarh Capital Project Team led by Le Corbusier and Pierre Jeanneret, Sharma subsequently became Chief Architect of the Indian Space Research Organisation. He then went into private practice. Sharmas architecture is a distinct blend of the core principles of Modernism, interpreted through the lens of contemporary Indian realities. Modernism was adopted as both symbol and instrument of nation-building in Nehruvian India. Working alongside designers and artists, architects went to work building innumerable small townships, universities, public institutions, housing estates and infrastructural projects across the country. Progressive businesses also patronized Modernism as full participants in the project of nation-building. The Modernism in India Series documents the extensive heritage of Modernism and modern architecture in India. Bringing to light the work of a forgotten generation, this series documents work that is currently under threat by the forces of globalization. This well-illustrated book documents Sharmas work from the early days, when it was a part of the experimental and innovative ethos of Chandigarh, to the present. He has designed for a range of public and private clients across the world. Along with a portfolio of selected works, this book includes critical essays, interviews and a chronology of projects.