This first volume of Collected Works of the ERC Project TYPARABIC focuses on the history of printing during the 18th century in the Ottoman Empire and the Romanian Principalities among diverse linguistic and confessional communities. Although "most roads lead to Istanbul," the many pathways of early modern Ottoman printing also connected authors, readers and printers from Central and South-Eastern Europe, Western Europe and the Levant. The papers included in this volume are grouped in three sections. The first focuses on the first Turkish-language press in the Ottoman capital, examining the personality and background of its founder, İbrahim Müteferrika, the legal issues it faced, and its context within the multilingual Istanbul printing world. The second section brings together studies of printing and readership in Central and South-East Europe in Romanian, Greek and Arabic. The final section is made up of studies of the Arabic liturgical and biblical texts that were the main focus of Patriarch Athanasios III Dabbās' efforts in the Romanian Principalities and Aleppo. This volume will be of interest to scholars of the history of printing, Ottoman social history, Christian Arabic literature and Eastern Orthodox liturgy.

Arabic printing began in Eastern Europe and the Ottoman Levant through the association of the scholar and printer Antim the Iberian, later a metropolitan of Wallachia, and Athanasios III Dabbās, twice patriarch of Antioch, when the latter, as metropolitan of Aleppo, was sojourning in Bucharest. This partnership resulted in the first Greek and Arabic editions of the Book of the Divine Liturgies (Snagov, 1701) and the Horologion (Bucharest, 1702). With the tools and expertise that he acquired in Wallachia, Dabbās established in Aleppo in 1705 the first Arabic-type press in the Ottoman Empire. After the Church of Antioch divided into separate Greek Orthodox and Greek Catholic Patriarchates in 1724, a new press was opened for Arabic-speaking Greek Catholics by ʻAbdallāh Zāḫir in Ḫinšāra (Ḍūr al-Šuwayr), Lebanon. Likewise, in 1752-1753, a press active at the Church of Saint George in Beirut printed Orthodox books that preserved elements of the Aleppo editions and were reprinted for decades. This book tells the story of the first Arabic-type presses in the Ottoman Empire which provided church books to the Arabic-speaking Christians, irrespective of their confession, through the efforts of ecclesiastical leaders such as the patriarchs Silvester of Antioch and Sofronios II of Constantinople and financial support from East European rulers like prince Constantin Brâncoveanu and hetman Ivan Mazepa.

Examines the 'Nahda', a cultural renaissance in the Arab world, through the utopian visions of Arab intellectuals during the nineteenth century.

France's Le FabShop has extensive experience testing 3D printers and creating digital models for them. From an articulated Makey Robot to a posable elephant model, Samuel N. Bernier and the rest of Le FabShop's team have created some of the most-printed designs in the 3D printing world. This book uses their work to teach you how to get professional results out of a desktop 3D printer without needing to be trained in design. Through a series of tutorials and case studies, this book gives you the techniques to turn a product idea into a 3D model and a prototype. Focusing on free design software and affordable technologies, the exercises in this book are the perfect boost to any beginner looking to start designing for 3D printing. Designing for the tool and finding a good tool to fit the design--these are at the core of the product designer's job, and these are the tools this book will help you master. Foreword by Carl Bass, Autodesk's CEO, a passionate and prolific Maker. In Design For 3D Printing, you'll: Learn the different 3D printing technologies Choose the best desktop 3D printer Discover free 3D modeling software Become familiar with 3D scanning solutions Find out how to go from a bad to a good 3D source file, one that's ready-to-print

This volume investigates how the peace and trade agreements, better known as capitulations, regulated Catholics in the Ottoman Empire. As one of the many non-Muslim groups that made up Ottoman society, Catholic communities were scattered around the Empire, from the Hungarian plains to the Aegean Islands and Palestine. Besides the more famous cases of the French capitulations of 1604 and 1673, this work explores the evolution of often ignored religious privileges granted by the Ottoman sultans to the Catholic rulers of Venice, the Holy Roman Empire, and Poland-Lithuania, as well as to the Protestant Dutch Republic and Orthodox Russia. While focused on the seventeenth century, precedents of the fifteenth century and later developments in the eighteenth century are also considered. This volume shows that capitulations essentially addressed the presence and religious activities of Catholic laymen and clerics and the status of churches. Furthermore, it demonstrates that European translations, the primary sources of previous scholarly works, offered a flawed perspective over the status of Catholics under Muslim rule. By drawing heavily on both original Ottoman-Turkish texts and previously unpublished archival material, this volume is an ideal resource for all scholars interested in the history of Catholicism in the seventeenth-century Ottoman Empire.

From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature.