Antebellum Natchez is most often associated with the grand and romantic aspects of the Old South and its landed gentry. Yet there was, as this book so amply illustrates, another Natchez—the Natchez of ordinary citizens, small businessmen, and free Negroes, and the Natchez under-the-Hill of brawling boatmen, professional gamblers, and bold-faced strumpets. Antebellum Natchez not only takes a critical look at the town’s aristocracy but also examines the depth of its commercial activities and the life of its middle- and lower-class elements. Author D. Clayton James brings the political, economic, and social aspects of antebellum Natchez into perspective and debunks a number of myths and illusions, including the notion that the town was a stronghold of Federalism and Whiggery. Starting with the Natchez Indians and their “Sun God” culture, James traces the development of the town from the native village through the plotting and intrigue of the changing regimes of the French, Spanish, British, and Americans. James makes a perceptive analysis of the aristocrats’ role in restricting the growth of the town, which in 1800 appeared likely to become the largest city in the transmontane region. “The attitudes and behavior of the aristocrats of Natchez during the final three decades of the antebellum period were characterized by escapism and exclusiveness,” says James. “With the aristocrats sullenly withdrawing into their world...Natchez lost forever the opportunity to become a major metropolis, and Mississippi was led to ruin.” Quoting generously from diaries, journals, and other records, the author gives the reader a valuable insight into what life in a Southern town was like before the Civil War. Antebellum Natchez is an important account of the role of Natchez and its colorful figures—John Quitman, Robert Walker, Manuel Gayoso de Lemos, William C. C. Claiborne, and a host of others—in the colonial affairs of the Lower Mississippi Valley and the growth of the Old Southwest.

Charting the Plantation Landscape from Natchez to New Orleans examines the hidden histories behind one of the nineteenth-century South’s most famous maps: Norman’s Chart of the Lower Mississippi River, created by surveyor Marie Adrien Persac before the Civil War and used for decades to guide the pilots of river vessels. Beyond its purely cartographic function, Persac’s map depicted a world of accomplishment and prosperity, while concealing the enslaved and exploited laborers whose work powered the plantations Persac drew. In this collection, contributors from a variety of disciplines consider the histories that Persac’s map omitted, exploring plantations not as sites of ease and plenty, but as complex legal, political, and medical landscapes. Essays by Laura Ewen Blokker and Suzanne Turner consider the built and designed landscapes of plantations as they were structured by the logics and logistics of both slavery and the effort to present a façade of serenity and wealth. William Horne and Charles D. Chamberlain III delve into the political activity of formerly enslaved people and slaveholders respectively, while Christopher Willoughby explores the ways the plantation health system was defined by the agro-industrial environment. Jochen Wierich examines artistic depictions of plantations from the antebellum years through the twentieth century, and Christopher Morris uses the famed Uncle Sam Plantation to explain how plantations have been memorialized, remembered, and preserved. With keen insight into the human cost of the idealized version of the agrarian South depicted in Persac’s map, Charting the Plantation Landscape encourages us to see with new eyes and form new definitions of what constitutes the plantation landscape.

"Natchez, Mississippi, once had more millionaires per capita than anywhere else in America, and its wealth was built on slavery and cotton. Today it has the greatest concentration of antebellum mansions in the South, and a culture full of unexpected contradictions. Prominent white families dress up in hoopskirts and Confederate uniforms for ritual celebrations of the Old South, yet Natchez is also progressive enough to elect a gay black man for mayor with 91 percent of the vote"--

Since prehistory, the bluffs of Natchez have called to the bold, the cruel and the quietly determined. The diverse opportunists who heeded that call have left behind more than three hundred years of colorful and tragic stories. The Natchez Indians, who inhabited the bluffs at the time of European contact, made a calculated but ultimately catastrophic decision to massacre the French who had settled nearby. William Johnson, a Black man who occupied a tenuous position between two worlds, found wealth and status in antebellum Natchez. In the wake of Union occupation, thousands of the formerly enslaved became the city's protective garrison. Join authors Ryan Starrett and Josh Foreman and rediscover the people who toiled and bled to make Natchez one of the most unique and interesting cities in America.

From the Greek Revival grandeur of Belle Helene, to the Moorish fantasy of Longwood, to the simplicity of Rosella, the plantation homes of Louisiana and the Natchez area powerfully recall the brief flowering of the unique civilization of the Old South. In their noble façades, sculptured interiors, and scattered outbuildings can be seen the feudal splandor of the great cotton and sugar planters, and the doomed glory of the Confederate war effort. In these 120 resonant full-color photographs, David King Gleason fully captures the aura of Louisiana's plantation homes -- some beautiful in the morning light, some shaded by trees and hanging moss, some crumbling in decay and neglect. Taking each house on its own terms, Gleason's photographs present the buildings and their environs sharply and without deception. Accompanying the photographs are captions that give a brief architectural evaluation of each house and provide notes on its construction, history, and present condition. Gleason has organized his book as a journey along the waterways that were the lifeline of Louisiana's plantations, their link to New Orleans and to the markets and factories of the North. Beginning in the vicinity of New Orleans and the lower Mississippi, Gleason presents such houses as Evergreen, with its columns and twin circular staircases; the exuberant San Francisco; and Oak Alley, set at the end of a spectacular avenue of 28 oak trees. Continuing along the bayous that lead into the western part of the state, he shows us the palatial Madewoood, constructed from seasoned timbers and 60,000 slave-made bricks; the meticulously restored Shadows-on-the-Teche; the ramshackle Darby House; and Bubenzer, which served as a Union army headquarters during the Civil War.From Cane River country and north Louisiana, the photographs portray Magnolia, burned by Union troops and then rebuilt to its original specifications; Melrose, built in the early 1830s by a freed slave; and Oakland, the location for the Civil War movie The Horse Soldiers. Moving overland towards Natchez; the elaborate, octagonal Longwood; Rosemont, the boyhood home of Jefferson Davis; Oakley, where John James Audubon was once engaged as a tutor; and Rosedown, with its elaborate gardens.Continuing south of Baton Rouge along the River Road, Gleason closes his tour with homes including Mount Hope, built in the eighteenth century; Nottoway, the largest plantation home in the South, completed on the eve of the Civil War; Indian Camp, a leprosarium for most of its existence; and the pillared galleries of Belle Helene. The plantation homes of Louisiana were highly personal expressions of pride and faith in the future. Yet the building of these spectacular monuments was a brief phenomenon. In the wake of the Civil War, the South's economy was devoted to survival, not luxury. A tribute to the plantation home, David King Gleason's photographs reveal the beauty, grandeur, and poignance of these monuments.

In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society. To understand their success, Welch argues that we must understand the language that they used--the language of property, in particular--to make their claims recognizable and persuasive to others and to link their status as owner to the ideal of a free, autonomous citizen. In telling their stories, Welch reveals a previously unknown world of black legal activity, one that is consequential for understanding the long history of race, rights, and civic inclusion in America.