Of the many themes occurring in young adult literature, one that bears more extensive exploration is the adolescent-animal connection. Although substantial critical commentary has addressed children's animal stories and animals in adult fiction, very few studies have been devoted to adolescent-animal encounters. In Animals in Young Adult Fiction, Walter Hogan examines several hundred novels and stories to explore the ways in which animals are represented in these works. In additional to providing an historical survey, Hogan looks at both realistic fiction and speculative works, including fantasy, supernatural, horror, and science fiction. Hogan reviews stories that feature wild animal encounters, stories centered on relationships with horses, dogs, and other working and performing animals, and those featuring relationships with pets. Drawing upon established scholarship, this book examines human-animal relationships from multiple angles, making it an invaluable resource for librarians, teachers, and students of children's and young adult literature.

This book is the first to offer a justice-focused cognitive reading of modern YA speculative fiction in its narrative and filmic forms. It links the expansion of YA speculative fiction in the 20th century with the emergence of human and civil rights movements, with the communitarian revolution in conceptualizations of justice, and with spectacular advances in cognitive sciences as applied to the examination of narrative fiction. Oziewicz argues that complex ideas such as justice are processed by the human mind as cognitive scripts; that scripts, when narrated, take the form of multiply indexable stories; and that YA speculative fiction is currently the largest conceptual testing ground in the forging of justice consciousness for the 21st century world. Drawing on recent research in the cognitive and evolutionary sciences, Oziewicz explains how poetic, retributive, restorative, environmental, social, and global types of justice have been represented in narrative fiction, from 19th century folk and fairy tales through 21st century fantasy, dystopia, and science fiction. Suggesting that the appeal of these and other nonmimetic genres is largely predicated on the dream of justice, Oziewicz theorizes new justice scripts as conceptual tools essential to help humanity survive the qualitative leap toward an environmentally conscious, culturally diversified global world. This book is an important contribution to studies of children’s and YA speculative fiction, adding a new perspective to discussions about the educational as well as social potential of nonmimetic genres. It demonstrates that the justice imperative is very much alive in YA speculative fiction, creating new visions of justice relevant to contemporary challenges.

“Like a queer version of The Wicker Man, Julia Lynn Rubin's Primal Animals is a wonderfully-creepy mystery set under sunshine and fresh air, where nothing is what it seems and no one is what you expect. Keep your eyes open, watch your back, and beware of the flies.” —Emma Berquist, author of Missing, Presumed Dead The Female of the Species meets Midsommar for fans of Yellowjackets At an elite summer program, a teen girl gets sucked into a secret society, with deadly consequences. Protect the girls. Arlee Gold has always lived in the shadow of her successful mom; even after everything Arlee’s been through, her mother still expects nothing but the best. In an effort to get her daughter back on track after a less-than-stellar few school years, she’s enrolled Arlee as a legacy at Camp Rockaway, an elite college prep summer camp deep in the North Carolina wilderness. On her own for the first time and buzzing with anxiety, Arlee is intimidated by the camp’s shiny exterior, suffocated by the relentless, thick summer heat...and tormented by the ceaseless stream of crawling, slimy, flapping bugs that seem to come straight from her nightmares. In the midst of her brewing dread, Arlee is relieved to find a queer sanctuary in her bunkmates, and is especially drawn to Winnie, the enigmatic girl who sleeps in the bunk above her. Except Arlee starts to notice whispers in her wake, and how so many others recoil from her as if she were as creepy as the insects that terrify her. Struggling in her prep classes and feeling increasingly paranoid, Arlee can no longer suppress her panicked “glitches.” Winnie, too, seems to become wary, and Arlee’s worst fear is confirmed: even here, in the place her mother promised was “going to change everything,” she’s been found out as a freak. Just as she’s facing a summer completely alone, another rising junior slips her a mysterious invitation, and Arlee finds herself caught up in a secret society that expects its sisterhood to protect each other from any and all who would harm them—by any means necessary. Here, finally, Arlee feels like a part of something bigger, something that matters. Guided by their cunning leader, Lisha, a rising senior with a smile sharp enough to cut bone, the sisterhood will stand against any threat, unquestioningly. But when Winnie is put in grave danger, Arlee is forced to confront just how far her sisters will go, and whether they truly protect the girls.

Talking-animal tales have conveyed anticruelty messages since the 18th-century beginnings of children's literature. Yet only in the modern period have animal characters become true subjects rather than objects of human neglect or benevolence. Modern fantasies reflect the shift from animal welfare to animal rights in 20th-century public discourse. This revolution in literary animal-human relations began with Lewis Carroll's Alice's Adventures in Wonderland and continued with the work of Kenneth Grahame, Hugh Lofting, P.L. Travers and E. B. White. Beginning with the ideas of literary theorist Mikhail Mikhailovich Bakhtin, this book examines ways in which animal characters gain an aura of authority through using language and then participate in reversals of power. The author provides a close reading of 10 acclaimed British and American children's fantasies or series published before 1975. Authors whose work has received little scholarly attention are also covered, including Robert Lawson, George Selden and Robert C. O'Brien.

Animal characters abound in graphic narratives ranging from Krazy Kat and Maus to WE3 and Terra Formars. Exploring these and other multispecies storyworlds presented in words and images, Animal Comics draws together work in comics studies, narrative theory, and cross-disciplinary research on animal environments and human-animal relationships to shed new light on comics and graphic novels in which animal agents play a significant role. At the same time, the volume's international team of contributors show how the distinctive structures and affordances of graphic narratives foreground key questions about trans-species entanglements in a more-than-human world. The writers/artists covered in the book include: Nick Abadzis, Adolpho Avril, Jeffrey Brown, Sue Coe, Matt Dembicki, Olivier Deprez, J. J. Grandville, George Herriman, Adam Hines, William Hogarth, Grant Morrison, Osamu Tezuka, Frank Quitely, Yu Sasuga, Charles M. Schultz, Art Spiegelman, Fiona Staples, Ken'ichi Tachibana, Brian K. Vaughan, and others.

Young adult readers have special needs and concerns, and librarians have become increasingly interested in selecting books suitable for them. This reference provides information about 290 books for young adults. These books received major awards between 1997 and 2001, reflect the voices of 242 different authors, and range from new to familiar themes. Included are nearly 750 alphabetically arranged entries for individual works, authors, characters, and settings. Many of these books were originally written for adults but have become popular among younger readers. Entries for works provide plot summaries and critical assessments, while author entries focus on those aspects of the writers' lives most relevant to literature for young people. The reference is a valuable selection tool for librarians and teachers and a useful guide for students.