The title story portrays the birth of democracy in Eastern Europe, Standing Ground is set in an abortion clinic and features a teenage girl, and the story, Poacher, offers a new twist on Sleeping Beauty.

This volume includes the major Eranos lecture "The Animal Kingdom in the Human Dream," and Hillman's contributions to the out-of-print "bestiary" Dream Animals (with Margot McLean), as well as the essays "Going Bugs"; "Nature in the Doghouse"; "The Elephant in the Garden of Eden"; "Imagination is Bull"; and shorter interviews and penetrating conversations on the animal theme.

Stories and poems deal with coyotes, lions, ants, cats, donkeys, horses, hawkes, plants, and rocks

This bracing volume collects work on Italian writers and filmmakers that engage with nonhuman animal subjectivity. These contributions address 3 major strands of philosophical thought: perceived borders between man and animals, historical and fictional crises, and human entanglement with the nonhuman and material world.

Since the 1980s James Hillman, the best-selling author and founder of Archetypal Psychology has written and lectured extensively on the presence of animals in our conscious and unconscious lives. Volume 9 of the Uniform Edition of the Writings of James Hillman unites, for the first time, his papers and lectures on the subjects of animals, including "Animal Kingdom in the Human Dream" (1982), "Dream Animals" (1997), "Culture and the Animal Soul" (1994/1997), and "Learning from Animals" (1999).

Modernism in the Green traces a trans-Atlantic modernist fascination with the creation, use, and representation of the modern green. From the verdant public commons in the heart of cities to the lookout points on mountains in national parks, planned green spaces serve as felicitous stages for the performance of modernism. In its focus on designed and public green zones,Modernism in the Green offers a new perspective on modernism’s overlapping investments in the arts, politics, urbanism, race, class, gender, and the nature-culture divide. This collection of essays is the first to explore the prominent and diverse ways greens materialize in modern literature and culture, along with the manner in which modernists represented them. This volume presents the idea of "the green" as a point of exploration, as our contributors analyze social-organic spaces ranging from public parks to roadways and refuse piles. Like the term "green," one that evokes both more-than-human natural zones and crafted public meeting places, these chapters uncover the social and spatial intersection of nature and culture in the very architecture of parks, gardens, buildings, highways, and dumps. This book argues that such greens facilitate modernists’ exploration of how nature can manifest in an era of increasing urbanization and mechanization and what identities and communities the green now enables or prevents.