The Thrie Estaitis was first performed in the mid-sixteenth century to an audience of royalty and commoners alike. With its high style and penetrating political satire, it pressed for reform in Church and State and even in kingship itself with a hilarious masque of vice and corruption in high places. Sir David Lindsay's great play is a milestone in world drama. After almost 400 years it was revived by Tyrone Guthrie in a famous production for the Edinburgh Festival of 1948. Ever since then this masterpiece has been recognised as a key text in the resurgence of political theatre in modern Scotland and it appears as irreverent today as it was in Lindsay's troubled times.

This is the first ever English translation of Sir David Lindsay’s masterpiece of 16th-century Scottish political theatre, Ane Pleasant Satyre of the Thrie Estaitis in Commendatioun of Vertew and Vituperatioune of Vyce. The work’s importance lies in its status as a well-known piece of national literature, and as a historical document of interest to historians of Scottish and European court politics.The verse translation available here is of over 3,000 lines, in an edition which combines a historical and critical introduction with the possibilities of modern performance. Besides issues of text and translation, the introduction examines the background of Scotland in 1552, the author and his audience, the play’s performance history and its position as a Renaissance text. A work on a grand scale with a cast of over 40, the play confronts and resolves the ill-counselled, misrule of young King Humanity through the intervention, not only of King Correction and of learned contemporaries, but also through the fearless condemnations of the Poor Man and the political resolution of John The Common Weal. Its conclusions are humanly centred, popularly representative and yet strikingly realistic. They, and their manner of expression, make an ideal object for the study of a society poised between the pluralism of the Renaissance and the rigour of the Reformation.