The dawn of the twenty-first century marked a turning period for American Yiddish culture. The 'Old World' of Yiddish-speaking Eastern Europe was fading from living memory - yet at the same time, Yiddish song enjoyed a renaissance of creative interest, both among a younger generation seeking reengagement with the Yiddish language, and, most prominently via the transnational revival of klezmer music. The last quarter of the twentieth century and the early years of the twenty-first saw a steady stream of new songbook publications and recordings in Yiddish - newly composed songs, well-known singers performing nostalgic favourites, American popular songs translated into Yiddish, theatre songs, and even a couple of forays into Yiddish hip hop; musicians meanwhile engaged with discourses of musical revival, post-Holocaust cultural politics, the transformation of language use, radical alterity and a new generation of American Jewish identities. This book explores how Yiddish song became such a potent medium for musical and ideological creativity at the twilight of the twentieth century, presenting an episode in the flowing timeline of a musical repertory - New York at the dawn of the twenty-first century - and outlining some of the trajectories that Yiddish song and its singers have taken to, and beyond, this point.

Winner of the Jewish Music Special Interest Group Paper Prize of 2018 Mazal Tov, Amigos! Jews and Popular Music in the Americas seeks to explore the sphere of Jews and Jewishness in the popular music arena in the Americas. It offers a wide-ranging review of new and old trends from an interdisciplinary standpoint, including history, musicology, ethnomusicology, ethnic studies, cultural studies, and even Queer studies. The contribution of Jews to the development of the music industry in the United States, Argentina, or Brazil cannot be measured on a single scale. Hence, these essays seek to explore the sphere of Jews and popular music in the Americas and their multiple significances, celebrating the contribution of Jewish musicians and Jewishness to the development of new musical genres and ideas.

The Routledge Handbook of Judaism in the 21st Century is a cutting-edge volume that addresses central questions and issues animating Judaism, Jewish identity, and Jewish society in a global, integrated, and forward-looking way. It introduces readers to the complexity of Judaism as it has developed and continues to develop throughout the 21st century through the prism of three contemporary sets of issues: identities and geographies; structures and power; and knowledge and performances. Within these sections, international contributors examine central issues, topics, and debates, including: individual and collective identity; globalization and localization; Jewish demography; diversity, denominations, and pluralism; interreligious relations; political orientations; community organization; family and gender; the Bible and Talmud today; Jewish philosophy and authority in Jewish thought; digital Judaism; antisemitism; Jewish spirituality and rituals; memory; language; religious education; material culture, literature, music, and art; approaches to the environment; and contemporary Zionism and Israel. The handbook also includes an extensive bibliography to help orient readers to the most important and leading work in the field. The Routledge Handbook of Judaism in the 21st Century is essential reading for students and researchers in religious studies and Jewish studies. It will also be useful for those in related fields, such as cultural studies, literature, sociology, anthropology, and history, as well as Jewish professionals and lay leaders.

The Routledge Handbook to Contemporary Jewish Cultures explores the diversity of Jewish cultures and ways of investigating them, presenting the different methodologies, arguments and challenges within the discipline. Divided into themed sections, this book considers in turn: How the individual terms "Jewish" and "culture" are defined, looking at perspectives from Anthropology, Music, Literary Studies, Sociology, Religious Studies, History, Art History, and Film, Television, and New Media Studies. How Jewish cultures are theorized, looking at key themes regarding power, textuality, religion/secularity, memory, bodies, space and place, and networks. Case studies in contemporary Jewish cultures. With essays by leading scholars in Jewish culture, this book offers a clear overview of the field and offers exciting new directions for the future.

The language of a thousand years of European Jewish civilization that was decimated in the Nazi Holocaust, Yiddish has emerged as a vehicle for young people to engage with their heritage and identity. Although widely considered an endangered language, Yiddish has evolved as a site for creative renewal in the Jewish world and beyond in addition to being used daily within Hasidic communities. Yiddish Lives On explores the continuity of the language in the hands of a diverse group of native, heritage, and new speakers. The book tells stories of communities in Canada and abroad that have resisted the decline of Yiddish over a period of seventy years, spotlighting strategies that facilitate continuity through family transmission, theatre, activism, publishing, song, cinema, and other new media. Rebecca Margolis uses a multidisciplinary approach that draws on methodologies from history, sociolinguistics, ethnography, digital humanities, and screen studies to examine the ways in which engagement with Yiddish has evolved across multiple planes. Investigating the products of an abiding dedication to cultural continuity among successive generations, Yiddish Lives On offers innovative approaches to the preservation, promotion, and revitalization of minority, heritage, and lesser-taught languages.

Winner of an Honorable Mention in the Latin American Jewish Studies Association (LAJSA) 2017 Book Award competition for an outstanding book on a Latin American Jewish topic in the social sciences or humanities published in English, Spanish, or Portuguese. Landscapes of Memory and Impunity chronicles the aftermath of the most significant terrorist attack in Argentina’s history—the 1994 AMIA bombing that killed eighty-five people, wounded hundreds, and destroyed the primary Jewish mutual aid society. This volume, edited by Annette H. Levine and Natasha Zaretsky, presents the first comprehensive, multidisciplinary work about this decisive turning point in Jewish Argentine history—examining the ongoing impact of this violence and the impunity that followed. Chapters explore political protest movements, musical performance, literature, and acts of commemoration. They emphasize the intersecting themes of memory, narrative and representation, Jewish belonging, citizenship, and justice—critical fault lines that frame Jewish life after the AMIA attack, while also resonating with historical struggles for pluralism in Argentina.

How can a traditional music with little apparent historical connection to Berlin become a way of hearing and making sense of the bustling German capital in the twenty-first century? In Sounding Jewish in Berlin, author Phil Alexander explores the dialogue between the city's contemporary klezmer scene and the street-level creativity that has become a hallmark of Berlin's decidedly modern urbanity and cosmopolitanism. By tracing how klezmer music engages with the spaces and symbolic meanings of the city, Alexander sheds light on how this Eastern European Jewish folk music has become not just a product but also a producer of Berlin. This engaging study of Berlin's dynamic Yiddish music scene brings together ethnomusicology, cultural studies, and urban geography to evoke the sounds, atmospheres, and performance spaces through which klezmer musicians have built a lively set of musical networks in the city. Transcending a restrictive framework that considers this music solely in the context of troubled German-Jewish history and notions of guilt and absence, Alexander shows how Berlin's current klezmer communitya diverse group of Jewish and non-Jewish performersimaginatively blend the genre's traditional musical language with characteristically local tones to forge an adaptable and distinctively twenty-first-century version of klezmer. Ultimately, the music's vital presence in Berlin is powerful evidence that if traditional music is to remain audible amid the noise of the urban, it must become a meaningful part of that noise.