Ancient Alterity in the Andes is the first major treatment on ancient alterity: how people in the past regarded others. At least since the 1970s, alterity has been an influential concept in different fields, from art history, psychology and philosophy, to linguistics and ethnography. Having gained steam in concert with postmodernism’s emphasis on self-reflection and discourse, it is especially significant now as a framework to understand the process of ‘writing’ and understanding the Other: groups, cultures and cosmologies. This book showcases this concept by illustrating how people visualised others in the past, and how it coloured their engagements with them, both physically and cognitively. Alterity has yet to see sustained treatment in archaeology due in great part to the fact that the archaeological record is not always equipped to inform on the subject. Like its kindred concepts, such as identity and ethnicity, alterity is difficult to observe also because it can be expressed at different times and scales, from the individual, family and village settings, to contexts such as nations and empires. It can also be said to ‘reside’ just as well in objects and individuals, as it may in a technique, action or performance. One requires a relevant, holistic data set and multiple lines of evidence. Ancient Alterity in the Andes provides just that by focusing on the great achievements of the ancient Andes during the first millennium AD, centred on a Precolumbian culture, known as Recuay (AD 1-700). Using a new framework of alterity, one based on social others (e.g., kinsfolk, animals, predators, enemies, ancestral dead), the book rethinks cultural relationships with other groups, including the Moche and Nasca civilisations of Peru’s coast, the Chavín cult, and the later Wari, the first Andean empire. In revealing little known patterns in Andean prehistory the book illuminates the ways that archaeologists, in general, can examine alterity through the existing record. Ancient Alterity in the Andes is a substantial boon to the analysis and writing of past cultures, social systems and cosmologies and an important book for those wishing to understand this developing concept in archaeological theory.

Nasca pots, Quimbaya figurines, Moche porn figures, stone shamans. Fakes and forgeries run rampant in the Andean art collections of international museums and private individuals. Authors Karen Bruhns and Nancy Kelker examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated as early as the 19th century. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. This is an important accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Mesoamerican archaeology.

Andean peoples recognize places as neither sacred nor profane, but rather in terms of the power they emanate and the identities they materialize and reproduce. This book argues that a careful consideration of Andean conceptions of powerful places is critical not only to understanding Andean political and religious history but to rethinking sociological theories on landscapes more generally. The contributors evaluate ethnographic and ethnohistoric analogies against the material record to illuminate the ways landscapes were experienced and politicized over the last three thousand years.

Warfare in the pre-Columbian Andes took on many forms, from inter-village raids to campaigns of conquest. Andean societies also created spectacular performances and artwork alluding to war – acts of symbolism that worked as political rhetoric while drawing on ancient beliefs about supernatural beings, warriors, and the dead. In this book, Elizabeth Arkush disentangles Andean warfare from Andean war-related spectacle and offers insights into how both evolved over time. Synthesizing the rich archaeological record of fortifications, skeletal injury, and material evidence, she presents fresh visions of war and politics among the Moche, Chimú, Inca, and pre-Inca societies of the conflict-ridden Andean highlands. The changing configurations of Andean power and violence serve as case studies to illustrate a sophisticated general model of the different forms of warfare in pre-modern societies. Arkush's book makes the complex pre-history of Andean warfare accessible by providing a birds-eye view of its major patterns and contrasts.

This book argues that a careful consideration of Andean conceptions of powerful places is critical not only to understanding Andean political and religious history but to rethinking sociological theories on landscapes more generally.

Presenting studies in Andean archaeology and iconography by leading specialists in the field, this volume tackles the question of how researchers can come to understand the intangible, intellectual worlds of ancient peoples. Archaeological Interpretations is a fascinating ontological journey through Andean cultures from the fourth millennium BC to the sixteenth century, A.D. Through evidence-based case studies, theoretical models, and methodological reflections, contributors discuss the various interpretations that can be derived from the traces of ritual activity that remain in the material record. They discuss how to accurately comprehend the social significance of artifacts beyond their practical use and how to decode the symbolism of sacred images. Addressing topics including the earliest evidence of shamanism in Ecuador, the meaning of masks among the Mochicas in Peru, the value of metal in the Recuay culture, and ceremonies of voluntary abandonment among the Incas, contributors propose original and innovative ways of interpreting the rich Andean archaeological heritage. Contributors: Luis Jaime Castillo Butters | Peter Eeckhout | Christine Hastorf | Abigail Levine | Geroge F. Lau | Frank Meddens | Charles S. Stanish | Edward Swenson | Gary Urton | Francisco Valdez

The Islands of the Sun and the Moon in Bolivia's Lake Titicaca were two of the most sacred locations in the Inca empire. A pan-Andean belief held that they marked the origin place of the Sun and the Moon, and pilgrims from across the Inca realm made ritual journeys to the sacred shrines there. In this book, Brian Bauer and Charles Stanish explore the extent to which this use of the islands as a pilgrimage center during Inca times was founded on and developed from earlier religious traditions of the Lake Titicaca region. Drawing on a systematic archaeological survey and test excavations in the islands, as well as data from historical texts and ethnography, the authors document a succession of complex polities in the islands from 2000 BC to the time of European contact in the 1530s AD. They uncover significant evidence of pre-Inca ritual use of the islands, which raises the compelling possibility that the religious significance of the islands is of great antiquity. The authors also use these data to address broader anthropological questions on the role of pilgrimage centers in the development of pre-modern states.