Every part of the human body has a name - and story. But how familiar are you with your arachnoid mater or your Haversian canals? Anatomical Oddities is an artistic and linguistic adventure, taking the reader on a journey to discover the hidden landscape of the human body: its crypts and caverns, gorges, islets and mountains. Along the way, we dip into the history of our relationship with the human body and the discoveries that paved the way for modern anatomy and medicine. Quirky, bizarre and beautiful, these pages feature original artworks from Professor Alice Roberts. The intricate details of the human body, the stories of people who unearthed its secrets, and the meanings of the words we use to describe it are laid bare.

From acclaimed science writer, presenter, and illustrator Alice Roberts, a visual and linguistic adventure through the strange, astonishing worlds within our anatomy Did you know you have cobwebs in your head, hair in your lungs, and snails in your ears? In the world of anatomy, every name paints a picture: from the arachnoid mater, a brain membrane resembling a spider’s web, to the ciliated epithelium of the respiratory tract (from the Latin for “eyelash”) and the curlicue cochleas (from the Greek for “snail”) that power our hearing. Quirky, bizarre, and beautiful, Anatomical Oddities traverses the body’s crypts, islets, and mountains to reveal a secret map of organ, tissue, and bone—complete with peculiar place names (duodenum, from the Greek for “twelve-fingers-long part of the gut”) and overlooked but essential regions (like the orbicularis oculi, the muscle that lets us blink). Featuring stunning original artwork by the author—acclaimed science writer and presenter Alice Roberts— these fifty-seven brief lessons in anatomy lay bare the intricate details of the human body, the history of those who unearthed its secrets, and the rich world of language that gives us form.

Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini's Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It - or, better, she - was conceived of as a means to teach human anatomy without need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a beatific foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students, but also delighted the general public. Deftly crafted dissectable female wax models and slashed beauties of the world's anatomy museums and fairgrounds of the 18th and 19th centuries take centre stage in this disquieting volume. Since their creation in late 18th-century Florence, these wax women have seduced, intrigued and amazed. Today, they also confound, troubling the edges of our neat categorical divides: life and death, science and art, body and soul, effigy and pedagogy, spectacle and education, kitsch and art. Incisive commentary and captivating imagery reveal the evolution of these enigmatic sculptures from wax effigy to fetish figure and the embodiment of the uncanny.

With a foreword by James Randi Paranormal investigator Joe Nickell has spent more than thirty years solving the world's most perplexing mysteries. This new casebook reveals the secrets of the Winchester Mystery House, the giant Nazca drawings of Peru, the Shroud of Turin, the "Mothman" enigma, the Amityville Horror house, the vicious goatsucking El Chupacabras, and numerous other "unexplainable" paranormal phenomena. Nickell has traveled far and wide to solve cases, which include a weeping icon in Russia, the elusive Bigfoot-like "yowie" in Australia, the reputed power of a headless saint in Spain, and an "alien hybrid" in Germany. He has gone undercover—often in disguise—to reveal the tricks of those who pretend to talk to the dead, accompanied a Cajun guide into a Louisiana swamp in search of a fabled monster, and gained an audience with a voodoo queen. Superstar psychic medium John Edward, pet psychic Sonya Fitzpatrick, evangelist and healer Benny Hinn, and many other well-known figures have found themselves under Nickell's careful scrutiny. The Mystery Chronicles examines more than three dozen intriguing mysteries. Nickell uses a hands-on approach and the scientific method to steer between the extremes of mystery mongering and debunking. His investigative skills have won him both acclaim and controversy during his long career as one of the world's foremost paranormal investigators.

Up the close and down the stair, Up and down with Burke and Hare. Burke's the butcher, Hare's the thief, Knox the man who buys the beef. —anonymous children's song On Halloween night 1828, in the West Port district of Edinburgh, Scotland, a woman sometimes known as Madgy Docherty was last seen in the company of William Burke and William Hare. Days later, police discovered her remains in the surgery of the prominent anatomist Dr. Robert Knox. Docherty was the final victim of the most atrocious murder spree of the century, outflanking even Jack the Ripper's. Together with their accomplices, Burke and Hare would be accused of killing sixteen people over the course of twelve months in order to sell the corpses as "subjects" for dissection. The ensuing criminal investigation into the "Anatomy Murders" raised troubling questions about the common practices by which medical men obtained cadavers, the lives of the poor in Edinburgh's back alleys, and the ability of the police to protect the public from cold-blooded murder. Famous among true crime aficionados, Burke and Hare were the first serial killers to capture media attention, yet The Anatomy Murders is the first book to situate their story against the social and cultural forces that were bringing early nineteenth-century Britain into modernity. In Lisa Rosner's deft treatment, each of the murder victims, from the beautiful, doomed Mary Paterson to the unfortunate "Daft Jamie," opens a window on a different aspect of this world in transition. Tapping into a wealth of unpublished materials, Rosner meticulously portrays the aspirations of doctors and anatomists, the makeshift existence of the so-called dangerous classes, the rudimentary police apparatus, and the half-fiction, half-journalism of the popular press. The Anatomy Murders resurrects a tale of murder and medicine in a city whose grand Georgian squares and crescents stood beside a maze of slums, a place in which a dead body was far more valuable than a living laborer.

Three cities, two years, one chance: from the author of the critically acclaimed debut So It Is — shortlisted for best first book at the Scottish Book Awards 2013 — comes the hard-hitting story of a young man determined to find his voice. Plucked from obscurity in Glasgow, Rab Dillon is about to become the next great protest singer. Seduced by promises of stardom, carrying only the guitar given to him by the girl who broke his heart, he travels down to London. There he records the debut album that will speak to the dispossessed, the disenfranchised and disheartened. One year later, he is sleeping rough on the streets of Brighton. A modern-day ballad set across three cities and two years, The Busker is a richly comic exposé of the music industry, the Occupy movement, homelessness, squatting — and failing to live up to the name you (almost) share with your hero. It is also the story of what survives when the flimsy dreams of fame fall apart.

“A normally taboo topic claims attention with the surprising—and sometimes horrifying—history of cultural reactions to menstruation.” —Publishers Weekly In this hip, hilarious and truly eye-opening cultural history, menstruation is talked about as never before. Flow spans its fascinating, occasionally wacky and sometimes downright scary story: from mikvahs (ritual cleansing baths) to menopause, hysteria to hysterectomies—not to mention the Pill, cramps, the history of underwear, and the movie about puberty they showed you in 5th grade. Flow answers such questions as: What’s the point of getting a period? What did women do before pads and tampons? What about new drugs that promise to end periods—a hot idea or not? Sex during your period: gross or a turn-on? And what’s normal, anyway? With color reproductions of (campy) historical ads and early (excruciating) femcare devices, it also provides a fascinating (and mind-boggling) gallery of this complex, personal and uniquely female process. As irreverent as it is informative, Flow gives an everyday occurrence its true props—and eradicates the stigma placed on it for centuries. “Its contents, I found, are plainspoken—perhaps it will start chipping away at the taboo . . . the style is important and groundbreaking.” —The New Yorker “In many ways, Flow is a breakthrough.” —Daily Beast “Flow isn’t just a book; it’s a movement.” —January Magazine “A witty look at the history of ‘the nuisance’ . . . for women of all ages. Who hasn’t wondered why we get a period, what women did before the invention of the tampon—let alone the pad. Flow explains all.” —Body and Soul Magazine