An-My Lê On Contested Terrain is the first comprehensive survey of the Vietnamese American artist, published on the occasion of a major exhibition organized by Carnegie Museum of Art, Pittsburgh. Drawing, in part, from her own experiences of the Vietnam War, Lê has created a body of work committed to expanding and complicating our understanding of the activities and motivations behind conflict and war. Throughout her thirty-year career, Lê has photographed noncombatant roles of active-duty service members, often on the sites of former battlefields, including those reserved for training or the reenactment of war, and those created as film sets. This publication includes selections from her well-known series Viêt Nam, Small Wars, 29 Palms, and Events Ashore, in addition to never-before-seen images, including recent photographs from the US-Mexico border, formative early work, and lesser-known projects. Essays by the organizing curator Dan Leers and curator Lisa J. Sutcliffe, as well as a dialogue between Lê and Pulitzer Prize-winning author Viet Thanh Nguyen, address the ways in which Lê's quiet, nuanced work complicates the landscapes of conflict that have long informed American identity. Copublished by Aperture and Carnegie Museum of Art

Arriving in New York to pursue a creative career in the raucous 1970s art scene, Reno joins a group of dreamers and raconteurs before falling in love with the estranged son of an Italian motorcycle scion and succumbing to a radical social movement in 1977 Italy.

Following the success of Scotland's Coast, acclaimed landscape photographer Joe Cornish trained his lens on another outstanding feature of the country for which he holds so much affection - its mountains. He sets out to capture the unique character of each range, from the soaring peaks of the Southern Highlands to the fortress-like Torridonian and Assynt hills in the far north; from the Cuillin of Skye, almost Alpine in character, in the west, to the lofty Cairngorms, with their windswept plateaus and jewel-like ice formations to the east. With a brilliant eye for a picture and a masterly use of light, Joe depicts not only the peaks and ridges, the cliffs and buttresses of each mountain range, but the corresponding valleys and glens, the deep lochs, fast-flowing burns and spectacular waterfalls that are as integral to the landscape as the mountains themselves. Accompanying the photographs are Joe's fascinating accounts of his experiences in each region. He describes the physical and creative challenges he faced in order to capture the images, and his reflections on the remarkable landscapes and features he encountered. The result is one of the most acutely observed, engaging and inspirational portraits of Scotland's mountains ever published. It will delight not only Joe Cornish's numerous admirers but anyone who is drawn to this most magical of landscapes.

When American forces arrived in Vietnam, they found themselves embedded in historic village and frontier spaces already shaped by many past conflicts. American bases and bombing targets followed spatial and political logics influenced by the footprints of past wars in central Vietnam. The militarized landscapes here, like many in the world�s historic conflict zones, continue to shape post-war land-use politics. Footprints of War traces the long history of conflict-produced spaces in Vietnam, beginning with early modern wars and the French colonial invasion in 1885 and continuing through the collapse of the Saigon government in 1975. The result is a richly textured history of militarized landscapes that reveals the spatial logic of key battles such as the Tet Offensive. Drawing on extensive archival work and years of interviews and fieldwork in the hills and villages around the city of Hue to illuminate war�s footprints, David Biggs also integrates historical Geographic Information Systems (GIS) data, using aerial, high-altitude, and satellite imagery to render otherwise placeless sites into living, multidimensional spaces. This personal and multilayered approach yields an innovative history of the lasting traces of war in Vietnam and a model for understanding other militarized landscapes.

Small Wars brings together three interconnected series by photographer An-My Le. In "Viet Nam," Le returns to the country she left in her teens and attempts to reconcile memories of her childhood home with the contemporary landscape; in "Small Wars," she engages a small community of Vietnam War reenactors; and in "29 Palms," she documents the preparations of marines in the California desert as they undergo training for the recent conflict in the Middle East.

The definitive account of one of the most important battles of the twentieth century, and the Black River borderlands’ transformation into Northwest Vietnam This new work of historical and political geography ventures beyond the conventional framing of the Battle of Điện Biên Phủ, the 1954 conflict that toppled the French empire in Indochina. Tracking a longer period of anticolonial revolution and nation-state formation from 1945 to 1960, Christian Lentz argues that a Vietnamese elite constructed territory as a strategic form of rule. Engaging newly available archival sources, Lentz offers a novel conception of territory as a contingent outcome of spatial contests.