At the start of the Second World War, Britain was at the height of its imperial power, and it is no surprise that it drew upon the global resources of the Empire once war had been declared. Whilst this international aspect of Britain’s war effort has been well-studied in relation to the military contribution of individual dominions and colonies, relatively little has been written about the Empire as a whole. As such, An Imperial World at War makes an important contribution to the historiography relating to the British Empire and its wartime experience. It argues that the war needs to be viewed in imperial terms, that the role of forces drawn from the Empire is poorly understood and that the war's impact on colonial societies is barely grasped at all in conventional accounts. Through a series of case studies, the volume demonstrates the fundamental role played by the Empire in Britain’s war effort and highlights some of the consequences for both Britain and its imperial territories.Themes include the recruitment and utilization of military formations drawn from imperial territories, the experience of British forces stationed overseas, the use of strategic bases located in the colonies, British policy in the Middle East and the challenge posed by growing American power, the occupation of enemy colonies and the enemy occupation of British colonies, colonial civil defence measures, financial support for the war effort supplied by the Empire, and the commemoration of the war. The Afterword anticipates a new, decentred history of the war that properly acknowledges the role and importance of people and places throughout the colonial and semi-colonial world.’ This volume emanates from a conference organized as part of the ‘Home Fronts of the Empire – Commonwealth’ project. The project was generously funded by the Arts and Humanities Research Council and led by Yasmin Khan and Ashley Jackson with Gajendra Singh as Postdoctoral Research Assistant.

At the start of the Second World War, Britain was at the height of its imperial power, and it is no surprise that it drew upon the global resources of the Empire once war had been declared. Whilst this international aspect of Britain’s war effort has been well-studied in relation to the military contribution of individual dominions and colonies, relatively little has been written about the Empire as a whole. As such, An Imperial World at War makes an important contribution to the historiography relating to the British Empire and its wartime experience. It argues that the war needs to be viewed in imperial terms, that the role of forces drawn from the Empire is poorly understood and that the war's impact on colonial societies is barely grasped at all in conventional accounts. Through a series of case studies, the volume demonstrates the fundamental role played by the Empire in Britain’s war effort and highlights some of the consequences for both Britain and its imperial territories.Themes include the recruitment and utilization of military formations drawn from imperial territories, the experience of British forces stationed overseas, the use of strategic bases located in the colonies, British policy in the Middle East and the challenge posed by growing American power, the occupation of enemy colonies and the enemy occupation of British colonies, colonial civil defence measures, financial support for the war effort supplied by the Empire, and the commemoration of the war. The Afterword anticipates a new, decentred history of the war that properly acknowledges the role and importance of people and places throughout the colonial and semi-colonial world.’ This volume emanates from a conference organized as part of the ‘Home Fronts of the Empire – Commonwealth’ project. The project was generously funded by the Arts and Humanities Research Council and led by Yasmin Khan and Ashley Jackson with Gajendra Singh as Postdoctoral Research Assistant.

WINNER OF THE MARK LYNTON HISTORY PRIZE • A prize-winning historian’s “effervescent” (The New Yorker) account of a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism “High-speed, four-lane storytelling . . . Cohen’s all-action narrative bursts with colour and incident.”—Financial Times NEW YORK TIMES EDITORS’ CHOICE • WINNER OF THE GOLDSMITH BOOK PRIZE • FINALIST FOR THE PROSE AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, BookPage, Booklist They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles, sometimes gliding through countries in the splendor of a first-class sleeper car. While empires collapsed and fledgling democracies faltered, they chased deposed empresses, international financiers, and Balkan gun-runners, and then knocked back doubles late into the night. Last Call at the Hotel Imperial is the extraordinary story of John Gunther, H. R. Knickerbocker, Vincent Sheean, and Dorothy Thompson. In those tumultuous years, they landed exclusive interviews with Hitler and Mussolini, Nehru and Gandhi, and helped shape what Americans knew about the world. Alongside these backstage glimpses into the halls of power, they left another equally incredible set of records. Living in the heady afterglow of Freud, they subjected themselves to frank, critical scrutiny and argued about love, war, sex, death, and everything in between. Plunged into successive global crises, Gunther, Knickerbocker, Sheean, and Thompson could no longer separate themselves from the turmoil that surrounded them. To tell that story, they broke long-standing taboos. From their circle came not just the first modern account of illness in Gunther’s Death Be Not Proud—a memoir about his son’s death from cancer—but the first no-holds-barred chronicle of a marriage: Sheean’s Dorothy and Red, about Thompson’s fractious relationship with Sinclair Lewis. Told with the immediacy of a conversation overheard, this revelatory book captures how the global upheavals of the twentieth century felt up close.

“Monumental… [A] vast and detailed study that is surely the finest single-volume history of World War II. Richard Overy has given us a powerful reminder of the horror of war and the threat posed by dictators with dreams of empire.” – The Wall Street Journal A thought-provoking and original reassessment of World War II, from Britain’s leading military historian A New York Times bestseller Richard Overy sets out in Blood and Ruins to recast the way in which we view the Second World War and its origins and aftermath. As one of Britain’s most decorated and respected World War II historians, he argues that this was the “last imperial war,” with almost a century-long lead-up of global imperial expansion, which reached its peak in the territorial ambitions of Italy, Germany and Japan in the 1930s and early 1940s, before descending into the largest and costliest war in human history and the end, after 1945, of all territorial empires. Overy also argues for a more global perspective on the war, one that looks broader than the typical focus on military conflict between the Allied and Axis states. Above all, Overy explains the bitter cost for those involved in fighting, and the exceptional level of crime and atrocity that marked the war and its protracted aftermath—which extended far beyond 1945. Blood and Ruins is a masterpiece, a new and definitive look at the ultimate struggle over the future of the global order, which will compel us to view the war in novel and unfamiliar ways. Thought-provoking, original and challenging, Blood and Ruins sets out to understand the war anew.

10 "India is a fine country after all!": the cultivation of military morale in colonial India -- 11 Waiting for their ship to come: changing perceptions of the Japanese in postwar Southeast Asia -- 12 Remembrance Day, the colonial press and 'deserving ex-servicemen' in late-colonial Nigeria -- Afterword: many worlds at war: beyond the belligerents -- Index

Gruhl's narrative makes clear why Japan's World War II aggression still touches deep emotions with East Asians and Western ex-prisoners of war, and why there is justifiable sensitivity to the way modern Japan has dealt with this legacy. Knowledge of the enormity of Japan's total war is also necessary to assess the United States' and her allies' policies toward Japan, and their reactions to its actions, extending from Manchuria in 1931 to Hiroshima in 1945. Gruhl takes the view that World War II started in 1931 when Japan, crowded and poor in raw materials but with a sense of military invincibility, saw empire as her salvation and invaded China. Japan's imperial regime had volatile ambitions but limited resources, thus encouraging them to unleash a particularly brutal offensive against the peoples of Asia and surrounding ocean islands. Their 1931 to 1945 invasions and policies further added to Asia's pre-war woes, particularly in China, by badly disrupting marginal economies, leading to famines and epidemics. Altogether, the victims of Japan's World War Two aggression took many forms and were massive in number. Gruhl offers a survey and synthesis of the historical literature and documentation, statistical data, as well as personal interviews and first-hand accounts to provide a comprehensive overview analysis. The sequence of diplomatic and military events leading to Pearl Harbor, as well as those leading to the U.S. decision to drop the atom bomb, are explored here as well as Japan's war crimes and postwar revisionist/apologist views regarding them. This book will be of intense interest to Asian specialists, and those concerned with human rights issues in a historical context.