"A first-rate whodunnit set in the 1960s New York art world, a time and place Helen Harrison has recreated with a page-turning mix of history, gossip, and fun!"—Bob Colacello, author of Holy Terror: Andy Warhol Close Up One artist. One student. One deadly mystery. When Regionalist painter Thomas Hart Benton's corpse is discovered behind the easels of Manhattan's famed art school, whispers in the art community say he had it coming. As Benton's list of enemies lengthens to include the school's instructors, Vietnam War protesters, and members of Andy Warhol's entourage, one art student is ultimately painted as the murderer. The only problem: the suspect has vanished. Why would an art student murder Benton? And if he were innocent, why would he run? When TJ Fitzgerald, son of Detective Juanita Diaz and Captain Brian Fitzgerald of the NYPD, discovers his classmate is the prime suspect, he uses his own investigative skills to try and clear his name. But as TJ and his girlfriend work to unravel the clues to the art mystery, he begins to wonder if the police got it wrong and one secret may be the key to it all... Helen Harrison's An Artful Corpse is a clever mystery sure to please art enthusiasts and armchair detectives alike.

From the author of Lost Souls, Drawing Blood, and Wormwood comes a thrilling and chilling novel that bestselling author Peter Straub says serves as a “guidebook to hell.” To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits even Compton hadn’t previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese-American runaway, Tran, whom they deem to be the perfect victim. Swiftly moving from the grimy streets of London’s Piccadilly Circus to the decadence of the New Orleans French Quarter, Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. Exquisite Corpse confirms Brite as a writer who defies categorization. It is a novel for those who dare trespass where the sacred and profane become one.

Accidents happen. But so does murder... On the night of August 11, 1956, in a quiet East Hampton hamlet, Jackson Pollock crashed his car into a tree. The accident killed Pollock, the world-renowned abstract painter and notorious alcoholic, and his 25-year old passenger, Edith Metzger...or did it? Metzger's autopsy reveals that she was already dead before the crash. Was it murder? This shocking question draws vacationing Detective Juanita Diaz and her husband, Captain Brian Fitzgerald, of the NYPD into a homicide investigation that implicates famous members of East Hampton's art community—including Pollock himself. "Edifying and juicy."—Newsday

Murder is a work of art... When the acclaimed Cuban painter Wifredo Lam turns up dead in his Greenwich Village studio, officers Juanita Diaz and Brian Fitzgerald of the NYPD, must investigate the crime. But what they find is much more gruesome than they ever could have imagined. Suspicion soon falls on a tight-knit circle of Surrealist refugees who fled Nazi-occupied Europe during World War II, and Diaz and Fitzgerald must traverse the city, from Chinatown's underworld to Spanish Harlem's gangland, to find the truth. Did one of the artists' bizarre parlor games turn deadly? Or is there something even more sinister afoot? "Smart, witty, filled with so much history of the period, beautifully written, and suspenseful."—Jonathan Santlofer, author of The Death Artist

London, 1868: visiting Australian Aboriginal cricketer Charles Rose has died in Guy's Hospital. What happened next is shrouded in mystery. The only certainty is that Charles Rose's body did not go directly to a grave. Written with clarity and verve, and drawing on a rich array of material, Possessing the Dead explores the disturbing history of the cadaver trade in Scotland, England and Australia, where laws once gave certain officials possession of the dead, and no corpse lying in a workhouse, hospital, asylum or gaol was entirely safe from interference. With a rare blend of curiosity, delight in the unexpected and an eye for detail, award-winning historian Helen MacDonald brings to life this gruesome past to reveal the chicanery at play behind the procuring of bodies for dissections, autopsies and collections.

Agatha DeLacey’s family isn’t rich or titled, so studying nursing at Ingold’s East End hospital in London is a rare opportunity for her. Despite the school’s focus on the innovative Bio-Mechanical program, Aggie cares more about the desperately poor human patients who flood the hospital, even if that means providing unauthorized treatment after-hours…and trusting a charming, endlessly resourceful thief. But the Artful Dodger is barely a step ahead of his underworld rivals, the menacing Bill Sykes and mercurial Oliver Twist, and Aggie’s association with him soon leads her into danger. When a brutal attack leaves her blind, she and the Dodger find themselves at the mercy of an experimental Bio-Mech surgery. Though the procedure restores Aggie’s sight, her new eyes come at an unnerving cost, and the changes in Dodger are even more alarming—instead of seeing Aggie as the girl he fancies, he now views her as a potential threat. As war between England and Germany brews on the horizon and a sinister medical conspiracy threatens to shatter the uneasy peace in Europe, Aggie and the Dodger must find a way to work together so they can protect their friends and expose the truth…even if it means risking their own survival.

Renowned bone detective Bill Brockton and his intrepid assistant, Miranda, are about to get immersed in murder and intrigue in Avignon, France, home of the popes for most of the fourteenth century. But first, in this artful prequel to The Inquisitor's Key, other mischief is afoot in the ancient walled city. Inspector René Descartes of the French National Police is roused from a deep sleep to investigate a break-in at the Petit Palais, Avignon's museum of medieval masterpieces. Descartes's discovery plunges him into an elaborate, art-lined labyrinth: a labyrinth that leads him to a master forger's studio . . . and to a charred corpse. Just as he's finally closing the case, Descartes gets called to an even more bizarre death scene, where his path—and his fate—will collide with those of Brockton and Miranda.