In An Arena for Higher Powers Olof Sundqvist offers an account of the role played by religion in political undertakings among the pre-Christian ruling elites at ceremonial buildings in in Late Iron Age Scandinavia (i.e. AD 550-1050/1100).

This book analyses the Nordic pre-Christian ideology of rulership, and its confrontation with, survival into and adaptation to the European Christian ideals during the transition from the Viking to the Middle Ages from the ninth to the thirteenth century.

When describing the transition from Old Norse religion to Christianity in recent studies, the concept of "Christianization" is often applied. To a large extent this historiography focuses on the outcome of the encounter, namely the description of early Medieval Christianity and the new Christian society. The purpose of the present study is to concentrate more exclusively on the Old Norse religion during this period of change and to analyze the processes behind its disappearance on an official level of the society. More specifically this study concentrates on the role of Viking kings and indigenous agency in the winding up of the old religion. An actor-oriented perspective will thus be established, which focuses on the actions, methods and strategies applied by the early Christian Viking kings when dismantling the religious tradition that had previously formed their lives. In addition, the resistance that some pagan chieftains offered against these Christian kings is discussed as well as the question why they defended the old religious tradition.

In Scandinavia in the Age of Vikings, Jón Viðar Sigurðsson returns to the Viking homeland, Scandinavia, highlighting such key aspects of Viking life as power and politics, social and kinship networks, gifts and feasting, religious beliefs, women's roles, social classes, and the Viking economy, which included farming, iron mining and metalworking, and trade. Drawing of the latest archeological research and on literary sources, namely the sagas, Sigurðsson depicts a complex and surprisingly peaceful society that belies the popular image of Norsemen as bloodthirsty barbarians. Instead, Vikings often acted out power struggles symbolically, with local chieftains competing with each other through displays of wealth in the form of great feasts and gifts, rather than arms. At home, conspicuous consumption was a Viking leader's most important virtue; the brutality associated with them was largely wreaked abroad. Sigurðsson's engaging history of the Vikings at home begins by highlighting political developments in the region, detailing how Danish kings assumed ascendency over the region and the ways in which Viking friendship reinforced regional peace. Scandinavia in the Age of Vikings then discusses the importance of religion, first pagan and (beginning around 1000 A.D.) Christianity; the central role that women played in politics and war; and how the enormous wealth brought back to Scandinavia affected the social fabric—shedding new light on Viking society.

The End of the World in Scandinavian Mythology is a detailed study of the Scandinavian myth on the end of the world, the Ragnarök, and its comparative background. The Old Norse texts on Ragnarök, in the first place the 'Prophecy of the Seeress' and the Prose Edda of the Icelander Snorri Sturluson, are well known and much discussed. However, Anders Hultgård suggests that it is worthwhile to reconsider the Ragnarök myth and shed new light on it using new comparative evidence, and presenting texts in translation that otherwise are available only to specialists. The intricate question of Christian influence on Ragnarök is addressed in detail, with the author arriving at the conclusion of an independent pre-Christian myth with the closest analogies in ancient Iran. People in modern society are concerned with the future of our world, and we can see these same fears and hopes expressed in many ancient religions, transformed into myths of the future including both cosmic destruction and cosmic renewal. The Ragnarök myth can be said to be the classical instance of such myths, making it more relevant today than ever before.

Old Norse literature abounds with descriptions of magic acts that allow ritual specialists of various kinds to manipulate the world around them, see into the future or the distant past, change weather conditions, influence the outcomes of battles, and more. While magic practitioners are known under myriad terms, the most iconic of them is the völva. As the central figure of the famous mythological poem Völuspá (The Prophecy of the Völva), the völva commands both respect and fear. In non-mythological texts similar women are portrayed as crucial albeit somewhat peculiar members of society. Always veiled in mystery, the völur and their kind have captured the academic and popular imagination for centuries. Bringing together scholars from various disciplinary backgrounds, this volume aims to provide new insights into the reality of magic and its agents in the Viking world, beyond the pages of medieval texts. It explores new trajectories for the study of past mentalities, beliefs, and rituals as well as the tools employed in these practices and the individuals who wielded them. In doing so, the volume engages with several topical issues of Viking Age research, including the complex entanglements of mind and materiality, the cultural attitudes to animals and the natural world, and the cultural constructions of gender and sexuality. By addressing these complex themes, it offers a nuanced image of the völva and related magic workers in their cultural context. The volume is intended for a broad, diverse, and international audience, including experts in the field of Viking and Old Norse studies but also various non-professional history enthusiasts. The Norse Sorceress: Mind and Materiality in the Viking World is a key output of the project Tanken bag Tingene (Thoughts behind Things) conducted at the National Museum of Denmark from 2020 to 2023 and funded by the Krogager Foundation.

All our lives, we are told tales of heroes; heroes from far-off lands battling mystical creatures and braving unknown perils. They face the odds at whatever cost to rescue the beautiful princess. We are told of villains so dark and powerful that the last of our hope is placed in the hands of the gods. But on the world called Hajun, the fairytale doesn't have a happy ending. But then, with the vast universe itself being threatened; how many heroes are there that really could bring a happily ever?