First published in 2004. This version of the life of Adelaide Smith Casely Hayford is largely autobiographical but, while one can honestly express feelings and describe important events in the course of one’s own life time, others can better see the setting in which one lived and how one’s life impacted on and was affected by others. This book looks at life in Settler country of Liberia, Sierra Leone and Freetown and as a former British colony.

This work traces the genesis and evolution of African American women's feminist discourse and intellectual enterprise from the beginning of slavery in the United States to the end of the 19th century. It does so in three ways. First, Dr. Tsenes-Hills almost solely utilizes the primary and secondary sources of African American women in order to locate and excavate the truly fascinating and extraordinary world of the 19th century Black woman. Second, she discusses this world via examination of the interior, exterior, and alternative realities that delineated the 19th century Black woman's experience. And how the combination of these realities ultimately developed, from a 'grassroots' expression of identity re-claimation and re-formation, to an intellectualized articulation of Black feminist thought and action. Third, Dr. Tsenes-Hills identifies and examines the palpable presence of African American women at the Columbian Exposition, in Chicago Illinois (1893), as one of the earliest public instances of a coherent expression of a distinct Black feminist discourse and intellectual enterprise. The end result is an innovative and in-depth examination of the unique, complex, and contradictory inner-workings of a largely unexplored sub-group of American and African American History-Black Victorian Feminists.

This title was first published 2000: This text is intended to draw together two important developments in contemporary geography: firstly, the recognition of the need to write critical histories of geographical thought and, particularly, the relationship between modern geography and European imperialism; and secondly, the attempt by feminist geographers to countervail the absence of women in the histories. The author focuses on the narratives of British women travellers in West Africa between 1840 and 1915, exploring their contributions to British imperial culture, teh ways in which they wer empowered in the imperial context by virtue of both "race" and class, and their various representations of West African landscapes and peoples. The book argues for the inclusion of women and their experiences in histories of geographical thought and explores the possibilities and problems of combining feminist and post-colonial approaches to these histories.

This collection of original essays brilliantly interrogates the often ambivalent place of Africa in the imaginations, cultures and politics of its “New World” descendants. Combining literary analysis, history, biography, cultural studies, critical theory and politics, Imagining Home offers a fresh and creative approach to the history of Pan-Africanism and diasporic movements. A critical part of the book’s overall project is an examination of the legal, educational and political institutions and structures of domination over Africa and the African diaspora. Class and gender are placed at center stage alongside race in the exploration of how the discourses and practices of Pan-Africanism have been shaped. Other issues raised include the myriad ways in which grassroots religious and cultural movements informed Pan-Africanist political organizations; the role of African, African-American and Caribbean intellectuals in the formation of Pan-African thought—including W.E.B. DuBois, C.L.R. James and Adelaide Casely Hayford; the historical, ideological and institutional connections between African-Americans and South Africans; and the problems and prospects of Pan-Africanism as an emancipatory strategy for black people throughout the Atlantic.

The implicit link between white women and "the dark races" recurs persistently in nineteenth-century English fiction. Imperialism at Home examines the metaphorical use of race by three nineteenth-century women novelists: Charlotte Brontë, Emily Brontë, and George Eliot. Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England. In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. Her analysis is supported by careful attention to textual details and thorough grounding in recent scholarship on the idea of race, and on literature and imperialism.