'America's Uncivil Wars' explores the social & cultural issues that preoccupied America in the years 1954-1974.

In this well researched and carefully argued book, Horowitz traces the origins of the reparations movement and its implications for American education and culture.

In An Uncivil War, the Washington Post’s Greg Sargent sounds an urgent alarm about the deeper roots of our democratic backsliding—and how we can begin to turn things around between now and 2020. American democracy is facing a crisis as fraught as we’ve seen in decades. Donald Trump’s presidency has raised the specter of authoritarian rule. Extreme polarization and the scorched-earth war between the parties drags on with no end in sight. The recent Kavanaugh confirmation hearings are only the latest example of this, and of the GOP’s continued ability to steamroll the Democrats and their supporters. At the heart of this dangerous moment is a paradox: It took a figure as uniquely menacing as Trump to rivet the nation’s attention on the fragility of our democracy. Yet the causes of our dysfunction are long-running—they predate Trump, helped facilitate his rise, and, distressingly, will outlast his presidency. In An Uncivil War, Sargent reveals why we’ve fallen into the ditch—and how to get out of it. Drawing upon years of research and reporting, he exposes the unparalleled sophistication and ambition of GOP tactics, including computer-generated gerrymandering, underhanded voter suppression, and ever-escalating legislative hardball. We are also plagued by other brutal, seemingly intractable problems such as dismal turnout and powerful, built-in temptations to tilt the political playing field with unscrupulous partisan trickery. All of this has been accompanied by foreign-government intervention and an unprecedented level of political disinformation that threatens to undermine the very possibility of shared agreement on facts and poses profound new challenges to the media’s ability to inform the citizenry. Yet the Republican Party is only part of the problem. As Sargent provocatively reveals, Democrats share culpability for helping to accelerate this slide. But our plight is far from hopeless, and Sargent offers a series of doable prescriptions for saving our democracy, including a shift of focus toward state legislatures, creative voter registration policies, innovative approaches to fairer districting, and a new sense of purpose. The result is a book that could not be more essential as we head toward the elections that most matter.

The first English-language book to place the works of Elena Garro (1916–1998) and Octavio Paz (1914–1998) in dialogue with each other, Uncivil Wars evokes the lives of two celebrated literary figures who wrote about many of the same experiences and contributed to the formation of Mexican national identity but were judged quite differently, primarily because of gender. While Paz’s privileged, prize-winning legacy has endured worldwide, Garro’s literary gifts garnered no international prizes and received less attention in Latin American literary circles. Restoring a dual perspective on these two dynamic writers and their world, Uncivil Wars chronicles a collective memory of wars that shaped Mexico, and in turn shaped Garro and Paz, from the Conquest period to the Mexican Revolution; the Spanish Civil War, which the couple witnessed while traveling abroad; and the student massacre at Tlatelolco Plaza in 1968, which brought about social and political changes and further tensions in the battle of the sexes. The cultural contexts of machismo and ethnicity provide an equally rich ground for Sandra Cypess’s exploration of the tandem between the writers’ personal lives and their literary production. Uncivil Wars illuminates the complexities of Mexican society as seen through a tense marriage of two talented, often oppositional writers. The result is an alternative interpretation of the myths and realities that have shaped Mexican identity, and its literary soul, well into the twenty-first century.

Buying and Selling Civil War Memory explores the ways in which Gilded Age manufacturers, advertisers, publishers, and others commercialized Civil War memory. Advertisers used images of the war to sell everything from cigarettes to sewing machines; an entire industry grew up around uniforms made for veterans rather than soldiers; publishing houses built subscription bases by tapping into wartime loyalties; while old and young alike found endless sources of entertainment that harkened back to the war. Moving beyond the discussions of how Civil War memory shaped politics and race relations, the essays assembled by James Marten and Caroline E. Janney provide a new framework for examining the intersections of material culture, consumerism, and contested memory in the everyday lives of late nineteenth-century Americans. Each essay offers a case study of a product, experience, or idea related to how the Civil War was remembered and memorialized. Taken together, these essays trace the ways the buying and selling of the Civil War shaped Americans’ thinking about the conflict, making an important contribution to scholarship on Civil War memory and extending our understanding of subjects as varied as print, visual, and popular culture; finance; and the histories of education, of the book, and of capitalism in this period. This highly teachable volume presents an exciting intellectual fusion by bringing the subfield of memory studies into conversation with the literature on material culture. The volume’s contributors include Amanda Brickell Bellows, Crompton B. Burton, Kevin R. Caprice, Shae Smith Cox, Barbara A. Gannon, Edward John Harcourt, Anna Gibson Holloway, Jonathan S. Jones, Margaret Fairgrieve Milanick, John Neff , Paul Ringel, Natalie Sweet, David K. Thomson, and Jonathan W. White.

Was it really a civil war? Textbooks, popular history books, and documentary films, among others, have established that myth in the collective consciousness of the American people. Yet the war of 1861-1865 was no more a war to overthrow the U.S. government than the American War of Independence was a fight to topple King George and Parliament. - Back cover.