Hopi traditional elder Thomas Banyacya once described the American Southwest as "the spiritual center of our continent." Author, photographer, and adventurer John Annerino retraces ancient trails to show us why this is so. Through recent and historical photos, essays, and literary quotes, he takes us across what the Spaniards often feared as despoblados, or unknown lands, from Old Mexico to the Four Corners of ancient cities, painted deserts, and trilingual cultural landscapes--some of the most inaccessible land on the continent. Juxtaposed with tales of his own perilous excursions, the book contains oral histories and remarkable images of terrain that few of today's tourists have ever seen. Told from a current point of view, this throwback to the days of Geronimo and Navajo headman Manuelito will appeal to adventurers, historians, and those interested in the mesmerizing mystique of our own American outback.

"Examines how inhabitants of the Oklahoma Panhandle throughout the 20th century used the semiarid lands that Kansas, Colorado, and New Mexico did not want, and that Texas, after entering the Union as a slave state, could not have. Focuses particularly on agriculture and production of natural gas and helium"--Provided by publisher.

Richard Menzies has logged a quarter of a million miles on his vintage Volkswagon bus in pursuit of pictures and unusual stories. His favorite destination is Nevada, which encloses more open public land than any other state in the lower forty-eight. "Nevada's backcountry is sparsely populated yet surprisingly rich in diversity," he writes. "Her social fabric is a colorful tapestry of cultures and ethnicities, fringed by eccentrics who simply defy categorization. Think of the Silver State as a haven for those irregular souls who could never be content with a nine-to-five job or a three bedroom, split-level in suburbia."Passing Through is a compilation of the most memorable "misfits" Menzies has encountered in the course of his peripatetic wanderings across the American Outback.

This is a non fiction account of my struggles to balance a life of responsibilities with a need for nature and solitude

Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.

Since his girlfriend dumped him, Jayden has been avoiding school-and life in general. When his eccentric uncle Mel invites him to help with his biology research at an Australian university, he figures he has nothing to lose. Once he arrives, he discovers Mel is obsessed with finding a new species of lizard and is determined to be the first to discover it. Unfortunately, this means an expedition into the scorching desert heat of the Australian outback...with the increasingly paranoid Mel and an unfriendly biology student named Natalie. Then disaster strikes, and Jayden and Nat find themselves many miles from civilization fighting for their survival. Also available in Spanish.