Steph Cha, a rising star who brings a fresh perspective as series editor, takes the helm of the new The Best American Mystery and Suspense, with best-selling crime novelist Alafair Burke joining her as the first guest editor. "Crime writers, forgive the pun, are killing it right now creatively," writes guest editor Alafair Burke in her introduction. "It was difficult--painful even--to narrow this year's Best American Mystery and Suspense to only twenty stories." Spanning from a mediocre spa in Florida, to New York's gritty East Village, to death row in Alabama, this collection reveals boundless suspense in small, quiet moments, offering startling twists in the least likely of places. From a powerful response to hateful bullying, to a fight for health care, to a gripping desperation to vote, these stories are equal parts shocking, devastating, and enthralling, revealing the tension pulsing through our everyday lives and affirming that mystery and suspense writing is better than ever before. The Best American Mystery and Suspense 2021includes JENNY BHATT- GAR ANTHONY HAYWOOD- GABINO IGLESIAS- AYA DE LEÓN- LAURA LIPPMAN DELIA C. PITTS- ALEX SEGURA- FAYE SNOWDEN- LISA UNGER and others

Classic American Crime Writing of the 1920s—including House Without a Key, The Benson Murder Case, The Tower Treasure, The Roman Hat Mystery, The Tower Treasure, and Little Caesar—offers some of the very best of that decade’s writing. Earl Derr Biggers wrote about Charlie Chan, a Chinese-American detective, at a time when racism was rampant. S. S. Van Dine invented Philo Vance, an effete, rich amateur psychologist who flourished while America danced and the stock market rose. Edwin Stratemeyer, a man of mystery himself, singlehandedly created the juvenile mystery, with the beloved Hardy Boys series. The quintessential American detective Ellery Queen leapt onto the stage, to remain popular for fifty years. W. R. Burnett, created the indelible character of Rico, the first gangster antihero. Each of the five novels included is presented in its original published form, with extensive historical and cultural annotations and illustrations added by Edgar-winning editor Leslie S. Klinger, allowing the reader to experience the story to its fullest. Klinger's detailed foreword gives an overview of the history of American crime writing from its beginnings in the early years of America to the twentieth century.

The Anthony Award–winning author presents a “highly readable” anthology featuring mysteries by Stephen King, Megan Abbott, Elmore Leonard and more (Publishers Weekly). “What you’ll find in this volume are stories that demonstrate a mastery of plotting; stories that compel you to keep turning the pages because of plot and because of setting; stories that wield suspense like a sword; stories of people getting their comeuppance; stories that utilize superb point of view; stories that plumb one particular and unfortunate attribute of a character,” promises guest editor Elizabeth George in her introduction. The Best American Mystery Stories 2016 is a feast of both literary crime and hard-boiled detection, featuring a seemingly innocent murderer, a drug dealer in love, a drunken prank gone terribly wrong, and plenty of other surprising twists and turns. The Best American Mystery Stories 2016 includes entries by Steve Almond, Megan Abbott, Matt Bell, Lydia Fitzpatrick, Tom Franklin, Stephen King, Elmore Leonard, Kristine Kathryn Rusch, and others. “There isn’t enough Xanax in anyone’s medicine cabinet to calm the jitters these 20 skillful stories will unleash on a worried world.” —Kirkus Reviews

A collection of the year's best mystery short fiction selected by New York Times best-selling and Edgar Award-winning author C. J. Box. C. J. Box, #1 New York Times best-selling author of the hugely popular Joe Pickett series, selects the best short mystery and crime fiction of the year in this annual "treat for crime-fiction fans" (Library Journal).

Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.

The editors present a collection of the best mystery writing culled from a variety of sources.

A guide to research on American mystery and detective novels emphasizing the historical development of the genre and major critical approaches to the literature.