This dazzling little book explores the role of US media in foreignpolicy, not only at the present moment, but with an eye to thefuture. Written by a veteran Hollywood film executive and aninternationally known columnist in foreign affairs Explains how American movies, TV shows, and pop music providethe images of America to the rest of the world, and the rest of theworld to Americans Includes discussions of the cartoons of the Prophet MohammedDanish daily newspapers, Tibetan monks censored out of Chinese TVnews reports only to show up on You Tube, and the Vatican's assaulton the Da Vinci Code movie Argues that Hollywood is a key player in the 'deep coalition'required to support a 'smart power' foreign policy and build aglobal cultural infrastructure that will make the world safe forinterdependence

Untangling the world's love-hate relationship with America

The USA and The World 2020–2022 provides students with vital information on these countries through a thorough and expert overview of political and economic histories, current events, and emerging trends.

Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the "Star-Spangled Banner" at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection. There's nothing wrong with the human instinct to safeguard beloved music . . . except, perhaps, when this instinct leads us to hurt or neglect fellow human beings in turn: say, by heaping outsized shame upon those who seem to do music wrong; or by rushing to defend a conductor's beautiful recordings while failing to defend the multiple victims who have accused this maestro of sexual assault. Loving Music Till It Hurts is a capacious exploration of how people's head-over-heels attachments to music can variously align or conflict with agendas of social justice. How do we respond when loving music and loving people appear to clash?

Instant interpretive history is a difficult and demanding task, and certainly more of an art than some would suggest. USA and the World describes not only what happened, but puts events in the context of the past and criticizes policy actions as appropriate. The result goes deeper than most of what appears in current publications. Updated annually and part of the renowned “World Today Series,” USA and the World presents an unusually penetrating look into America and its relationship to the rest of the world. The combination of factual accuracy and up-to-date detail along with its informed projections make this an outstanding resource for researchers, practitioners in international development, media professionals, government officials, potential investors and students. Now in its 13th edition, the content is thorough yet perfect for a one-semester introductory course or general library reference. Available in both print and e-book formats and priced low to fit student budgets.

The World Today Series: USA and The World describes not only what happened, but puts events in the context of the past and criticizes policy actions as appropriate. The result goes deeper than most of what appears in current publications. Updated annually and part of the renowned “World Today Series,” USA and the World presents an unusually penetrating look into America and its relationship to the rest of the world. The combination of factual accuracy and up-to-date detail along with its informed projections make this an outstanding resource for researchers, practitioners in international development, media professionals, government officials, potential investors and students. Now in its 16th edition, the content is thorough yet perfect for a one-semester introductory course or general library reference.

This is an excellent source which puts students in the heart of the contemporary discussion and encourages them to form opinions. It is a great resource for seminars as well as gateways to research. - Paul Matthews, University College Birmingham "An excellent text that covers not only how the media cover acts of terrorism but also how terror groups can manipulate the media." - David Lowe, Liverpool John Moores University Have the media contributed to exacerbating the political, cultural and religious divides within Western societies and the world at large? How can media be deployed to enrich, not inhibit, dialogue? To what extent has the media, in all its forms, questioned, celebrated or simply accepted the unleashing of a ′war on terror′? Media and Terrorism: Global Perspectives brings together leading scholars to explore how the world′s media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is an essential handbook on the dynamics of war and the media in a global context.