From the world's foremost collector, here is the new, fully illustrated standard guide to America's first golden age of tile making. American Art Tile presents more than 2,000 tiles, arranged geographically and chronologically, made by more than 100 American potteries and manufacturers from the Civil War to the 194Os. Full-color photographs illustrate these collectible and rare tiles from all regions of the United States, as well as historic landmark tile installations, from the New York subway to Catalina Island. Tile collectors will appreciate the meticulously researched history of each pottery, biographies of tile makers, and rare examples (seldom seen even in museums) from little-known potteries in Norman Karlson's personal collection.

Over 4500 images appear in this beautiful and comprehensive, four-volume set. This massive compilation reveals the great diversity and intrinsic beauty of art tiles produced across the length and breadth of the United States from the late nineteenth through the twentieth centuries. Tile installations of great beauty include panels, individual tiles, and inserts adorning building facades, interiors, furniture, and garden ornaments. These volumes explore the wildly varying themes and distinctive art styles of six regions of the nation. Among the 161 companies represented are A. E. Hull, American Encaustic, Brayton Laguna, California Art Tile, Catalina Pottery, Flint Faience, Gladding McBean, Grueby, Marblehead, Newcomb, Niloak, Pacific Clay Products, Rookwood, Saturday Evening Girls, and Weller. The text includes tile identification as well as valuable advice on collecting art tiles, a glossary, an index, and bibliography. This set is an essential reference for all who are fascinated with the ceramic arts. Region 3: Over 1300 images display art tiles produced in the Midwestern states Ohio, Michigan, Indiana, Illinois, Wisconsin, Minnesota, North & South Dakota, Iowa, and Missouri by many companies, including: A. E. Hull, American Encaustic, Biloxi Art Pottery, Cowan, Flint Faience, National Tile, Pewabic, Rookwood, Rushmore, U.S. Encaustic, and Weller.

Over 4500 images appear in this beautiful and comprehensive, four-volume set. This massive compilation reveals the great diversity and intrinsic beauty of art tiles produced across the length and breadth of the United States from the late nineteenth through the twentieth centuries. Tile installations of great beauty include panels, individual tiles, and inserts adorning building facades, interiors, furniture, and garden ornaments. These volumes explore the wildly varying themes and distinctive art styles of six regions of the nation. Among the 161 companies represented are A. E. Hull, American Encaustic, Brayton Laguna, California Art Tile, Catalina Pottery, Flint Faience, Gladding McBean, Grueby, Marblehead, Newcomb, Niloak, Pacific Clay Products, Rookwood, Saturday Evening Girls, and Weller. The text includes tile identification as well as valuable advice on collecting art tiles, a glossary, an index, and bibliography. This set is an essential reference for all who are fascinated with the ceramic arts. Regions 4 & 5: Art tiles manufactured in the Southern states of Kentucky, Tennessee, Arkansas, Louisiana, Texas, and Colorado, as well as the Northwestern states of Washington, and Northern California are displayed in over 700 striking images. Included are tiles from many companies, including: Abington, Arequipa, California Faience, Cathedral Oaks, Newcomb, Niloak, Pigeon Forge, San Jose, Solon & Schemmel, Van Briggle, and Waco.

On the art and meaning of the tile Club

This book tells the story of a striking achievement in the last quarter of the 19th century by the largely forgotten Low Art Tile Company. The author first envisioned a simple picture book showcasing the lovely tiles, but as he researched his subject he was struck by the richness of the Low adventure. One short biography of Low stated that "few men had wider and more intimate friendships among American artists than he." This group included painters William Morris Hunt, Elihu Vedder, Childe Hassam and various members of New York's Tile Club. Sculptor William Rimmer was Low's mentor, and writers Sylvester Baxter and Francis Davis Millet helped write his biography. The most important and perhaps the most gifted artist, Englishman Arthur Osborne, was hired by Low in 1878 to model his clay. During the decades that this enigmatic genius labored for Low it seems he seldom rested, creating hundreds of beautiful designs that graced fireplace surrounds, soda fountains, cast iron stoves and a multitude of other products. The story is most often told in the words of the writers of the era, and when possible, contemporary photographs provide a visual explanation of a time when artistic expression reached a new zenith, particularly in the fields of painting, architecture and the decorative arts. The Low Art Tile company pioneered the use of quality photography to market its products, and this book has the complete contents of its tile, soda fountain, and "Plastic Sketches" catalogues. The latter sketches were Osborne's most heralded creations, forty-seven large tiles that were framed and hung on walls like oil paintings.This book begins with Low's birth in 1835 and ends in the 1950's when an enormous cache of Low's tiles was discovered in a Cambridge warehouse, all in perfect condition and crated in boxes unopened for more than half a century.