Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.

At the time of the World's Columbian Exposition of 1893, the United States was fast becoming the world's leading economy. Chicago, the host city, had grown in less than half a century from a village to the country's second-largest metropolis. During this, the Gilded Age, the world's most extensive railroad and steamship networks poured ceaselessly through Chicago, carrying the raw goods and finished products of America's great age of invention and industrial expansion. The Fair was the largest ever at the time, with 65,000 exhibitors and millions of visitors. It has been called the "Blueprint of the American Future" and marked the beginning of the national economy and consumer culture.

Agricultural Fairs in America includes thirteen historical and contemporary articles exploring agricultural fairs in America. Featured throughout the book are paintings and posters from this unique collection, created in the last decades of the 19th century for promotional posters for fairs. Historic and contemporary photographs are also prominent.

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Pierre, sole survivor of an aristocratic family in the French Revolution, escapes to America aboard the Fair American with the aid of Sally, Andrew, and Andrew's father.

A photographic journey through the county fairs of America, discussing the lasting appeal of the community celebrations that began in 1811 in Pittsfield, Massachusetts, when a gentleman farmer invited neighbors to display their best livestock for prizes.