America, do you love me? Acclaimed author-artist Daria Peoples-Riley invites readers to answer timely—and timeless—questions beating inside the hearts of children across America. Exquisitely illustrated, with a powerful, lyrical text, America, My Love, America, My Heart will challenge readers of all ages to examine and evaluate personal beliefs and attitudes toward the many different colors of America. America, do you love me? My black. My brown. My pride. My crown. What begins as a single question from a single child multiplies as America, My Love, America, My Heart sweeps across the country with every page turn, inviting in more and more children of color—and their questions. Does America love them when they speak? Or whisper? Or shout? When they stand? Does America love them just as they are? Inspired by the questions of her own childhood, author and artist Daria Peoples-Riley has created a powerful and important book for Americans of all ages—an essential addition to every bookshelf and classroom. Her poetic text encourages readers to confront bias, prejudice, and discrimination and invites readers to reflect and respond with their own answers, while honoring the identities of black and brown children and people of color. The unforgettable monochromatic oil paintings incorporate patriotic colors—red, white, and blue—to evoke deeply felt emotion and unique perspective. This rich, resonant book is a conversation starter for children, for families, for classrooms, and for communities.

Named one of the best books of 2018 by NPR, Real Simple, Lit Hub, The Boston Globe, San Francisco Chronicle, The New York Post, Kirkus Reviews, and The New York Public Library "A saga rich with origin myths, national and personal . . . Castillo is part of a younger generation of American writers instilling literature with a layered sense of identity." --Vogue How many lives fit in a lifetime? When Hero De Vera arrives in America--haunted by the political upheaval in the Philippines and disowned by her parents--she's already on her third. Her uncle gives her a fresh start in the Bay Area, and he doesn't ask about her past. His younger wife knows enough about the might and secrecy of the De Vera family to keep her head down. But their daughter--the first American-born daughter in the family--can't resist asking Hero about her damaged hands. An increasingly relevant story told with startling lucidity, humor, and an uncanny ear for the intimacies and shorthand of family ritual, America Is Not the Heart is a sprawling, soulful debut about three generations of women in one family struggling to balance the promise of the American dream and the unshakeable grip of history. With exuberance, grit, and sly tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave one home to grasp at another.

First published in 1943, this classic memoir by well-known Filipino poet Carlos Bulosan describes his boyhood in the Philippines, his voyage to America, and his years of hardship and despair as an itinerant laborer following the harvest trail in the rural West.

A rich celebration of the United States features a selection of stories, poems, patriotic songs, and history by some of America's most notable writers and poets, as well as discussions of important documents--the Constitution and Declaration of Independence--and what they mean.

One overeducated Florida State fan confronts the religiously perverted, racially suspect, and sexually fraught nature of the sport she hates to love: college football. Diane Roberts is a self-described feminist with a PhD from Oxford. She's also a second-generation season ticket holder—and an English professor—at one of the elite college football schools in the country. It's not as if she approves of the violence and hypermasculinity on display; she just can't help herself. So every Saturday from September through December she surrenders to her Inner Barbarian. The same goes for the rest of her "tribe," those thousands of hooting, hollering, beer-swilling Seminoles who, like Roberts, spent the 2013–14 season basking in the loping, history-making Hail Marys of Jameis Winston, the team's Heisman-winning quarterback, when they weren't gawking, dumbstruck, at the headlines in which he was accused of sexual assault. In Tribal, Roberts explores college football's grip on the country at the very moment when gender roles are blurring, social institutions are in flux, and the question of who is—and is not—an American is frequently challenged. For die-hard fans, the sport is a comfortable retreat into tradition, proof of our national virility, and a reflection of an America without troubling ambiguities. Yet, Roberts argues, it is also a representation of the buried heart of this country: a game and a culture built upon the dark past of the South, secrets so obvious they hide in plain sight. With her droll Southern voice and a phrase-turning style reminiscent of Roy Blount Jr. and Sarah Vowell, Roberts offers a sociological unpacking of the sport's dubious history that is at once affectionate and cautionary.

Describes the various subcultures trying to reshape America today, and includes interviews with modern bohemians, who share their views on life.

In her third and final diary, by Kathryn Lasky, Sofia continues to face the hardship of her new life in America with her cheerful and courageous spirit. Sofia continues to chronicle life in her new home, the North End of Boston, as her best friend Maureen comes to live with her, and her parents open their own store. Sofia describes the daily hardships and joys that she meets as a new American.