Cree is the most widespread native language in Canada. The Alberta Elders' Cree Dictionary is a highly usable and effective dictionary that serves students, business, governments, and media. Designed for speakers, students, and teachers of Cree; includes Cree-English and English-Cree sections.

Arts of Engagement focuses on the role that music, film, visual art, and Indigenous cultural practices play in and beyond Canada’s Truth and Reconciliation Commission on Indian Residential Schools. Contributors here examine the impact of aesthetic and sensory experience in residential school history, at TRC national and community events, and in artwork and exhibitions not affiliated with the TRC. Using the framework of “aesthetic action,” the essays expand the frame of aesthetics to include visual, aural, and kinetic sensory experience, and question the ways in which key components of reconciliation such as apology and witnessing have social and political effects for residential school survivors, intergenerational survivors, and settler publics. This volume makes an important contribution to the discourse on reconciliation in Canada by examining how aesthetic and sensory interventions offer alternative forms of political action and healing. These forms of aesthetic action encompass both sensory appeals to empathize and invitations to join together in alliance and new relationships as well as refusals to follow the normative scripts of reconciliation. Such refusals are important in their assertion of new terms for conciliation, terms that resist the imperatives of reconciliation as a form of resolution. This collection charts new ground by detailing the aesthetic grammars of reconciliation and conciliation. The authors document the efficacies of the TRC for the various Indigenous and settler publics it has addressed, and consider the future aesthetic actions that must be taken in order to move beyond what many have identified as the TRC’s political limitations.

Cree Language of the Plains: Nehiyawewin Paskwawi-pikiskwewin explores some of the intricate grammatical features of a language spoken by a nation which extends from Quebec to Alberta. This book presents the grammatical structure of Cree that everyone can understand, along with selected technical linguistic explanations. The accompanying workbook, sold separately, has exercises which provide practice with the concepts described in the textbook as well as dialogue about everyday situations which provide practice in the conversational Cree.

The struggle of Native American peoples after the arrival of the Europeans is well documented, even in poetry. Yet Blue Marrow introduces a unique voice and perspective to this tension, one that is poignant and simultaneously reminiscent of all that is already familiar. In this haunting collection, Halfe brings to light the hypocrisy shaped by the conflict of Christianity and tradition-unique, informative, artistic and memorable, a combination worthy of note. (KLIATT).

While Indigenous media have gained increasing prominence around the world, the vibrant Aboriginal media world on the Canadian West Coast has received little scholarly attention. As the first ethnography of the Aboriginal media community in Vancouver, Sovereign Screens reveals the various social forces shaping Aboriginal media production including community media organizations and avant-garde art centers, as well as the national spaces of cultural policy and media institutions. Kristin L. Dowell uses the concept of visual sovereignty to examine the practices, forms, and meanings through which Aboriginal filmmakers tell their individual stories and those of their Aboriginal nations and the intertribal urban communities in which they work. She explores the ongoing debates within the community about what constitutes Aboriginal media, how this work intervenes in the national Canadian mediascape, and how filmmakers use technology in a wide range of genres--including experimental media--to recuperate cultural traditions and reimagine Aboriginal kinship and sociality. Analyzing the interactive relations between this social community and the media forms it produces, Sovereign Screens offers new insights into the on-screen and off-screen impacts of Aboriginal media.