Air And Jungle Comic CollectionPopular Select Air and Jungle Covers and Stories From Various ComicsContaining covers and stories from:Airboy Comics Vol. 5 #6, Vol. 5 #8, Vol. 5 #12, Vol. 6 #1, Vol. 6 #2, Vol. 6 #3,Soldiers of Fortune #1, #4Funny Pages #7Toby's Danger Is Our Business #2Action Adventure Comics #4War Comics #3Molly O' Day Super Sleuth #1Operation Peril #1, #2 & #3Now you can re-live (or, enjoy for the first time) these great adventures from generations past, with Golden Age Reprints line of comic reprints. The comic reprints from Golden Age Reprints and UP History and Hobby are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available - if you are EVER unhappy with the experience or quality of a book, return the book to us to exchange for another title or the upgrade as new files become available.

Jungle action straight out of the pulps, just as you like it! Heroic Men, beautiful women, real danger!

Jungle action straight out of the pulps, just as you like it! Heroic Men, beautiful women, real danger!

Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.

Jungle action straight out of the pulps, just as you like it! Heroic Men, beautiful women, real danger!

This is it!When it comes to jungle adventure comics, JUNGLE COMICS was the first, and the longest running of its kind. The series spans the entirety of what most people call the Golden Age of comics (1940-1954), and brought ever type of jungle-based action a comic reader could want. We're publishing all 163 issues individually --- OR you can find them in the 54-part JUNGLE COMICS COLLECTION --- OR you can find long-running characters such as "Ka'a'nga - Jungle Lord in his own compilation in CLASSIC COMICS LIBRARY #46!CLASSIC COMICS LIBRARY ALWAYS ALL STORIES - NO ADSGet the complete catalog by [email protected]

Near the end of World War II and after, a small-town Nebraska youth, Jimmy Kugler, drew more than a hundred double-sided sheets of comic strip stories. Over half of these six-panel tales retold the Pacific War as fought by “Frogs” and “Toads,” humanoid creatures brutally committed to a kill-or-be-killed struggle. The history of American youth depends primarily on adult reminiscences of their own childhoods, adult testimony to the lives of youth around them, or surmises based on at best a few creative artifacts. The survival then of such a large collection of adolescent comic strips from America’s small-town Midwest is remarkable. Michael Kugler reproduces the never-before-published comics of his father’s adolescent imagination as a microhistory of American youth in that formative era. Also included in Into the Jungle! A Boy's Comic Strip History of World War II are the likely comic book models for these stories and inspiration from news coverage in newspapers, radio, movies, and newsreels. Kugler emphasizes how US propaganda intended to inspire patriotic support for the war gave this young artist a license for his imagined violence. In a context of progressive American educational reform, these violent comic stories, often in settings modeled on the artist’s small Nebraska town, suggests a form of adolescent rebellion against moral conventions consistent with comic art’s reputation for “outsider” or countercultural expressions. Kugler also argues that these comics provide evidence for the transition in American taste from war stories to the horror comics of the late 1940s and early 1950s. Kugler’s thorough analysis of his father’s adolescent art explains how a small-town boy from the plains distilled the popular culture of his day for an imagined war he could fight on his audacious, even shocking terms.