Collection of letters and essays on religion, atheism, and related subjects.

Today, H. P. Lovecraft is both more popular and controversial than ever: the influence of his "Cthulhu mythos" is everywhere in popular culture, his cosmic pessimism has reemerged as a major theme in contemporary philosophy, and his racism continues to spark controversy in the media. The Love of Ruins takes a fresh look at a figure widely acknowledged as the father of modern horror or "weird" fiction. In these pages, Lovecraft emerges not as the atheist and nihilist he is often claimed to be, but as a kind of "psychonaut" and mystic whose stories, through their own imaginative rigor, expose the intellectual bankruptcy of their author's racism. The Love of Ruins is itself written in the form of letters, in order to do homage to Lovecraft's love of the form of the personal letter (he wrote more than 100,000), and to emulate Lovecraft's lifetime practice of thinking-as-corresponding.

"The Other Gods" is a fantasy short story written by American author H. P. Lovecraft, on August 14, 1921. It was first published in the November 1933 issue of The Fantasy Fan. Barzai the Wise, a high priest and prophet greatly learned in the lore of the "gods of earth", or Great Ones, attempts to scale the mountain of Hatheg-Kla in order to look upon their faces, accompanied by his young disciple Atal. Upon reaching the peak, Barzai at first seems overjoyed until he finds that the "gods of the earth" are not there alone, but rather are overseen by the "other gods, the gods of the outer hells that guard the feeble gods of earth!" Atal flees, and Barzai is never seen again. Famous works of the author Howard Phillips Lovecraft: At the Mountains of Madness, The Dreams in the Witch House, The Horror at Red Hook, The Shadow Out of Time, The Shadows over Innsmouth, The Alchemist, Reanimator, Ex Oblivione, Azathoth, The Call of Cthulhu, The Cats of Ulthar, The Festival, The Silver Key, The Outsider, The Temple, The Picture in the House, The Shunned House, The Terrible Old Man, The Tomb, Dagon, What the Moon Brings.

A comprehensive biography of the Treatise of the Three Impostors, a controversial nonexistent medieval book. Like a lot of good stories, this one begins with a rumor: in 1239, Pope Gregory IX accused Frederick II, the Holy Roman Emperor, of heresy. Without disclosing evidence of any kind, Gregory announced that Frederick had written a supremely blasphemous book—De tribus impostoribus, or the Treatise of the Three Impostors—in which Frederick denounced Moses, Jesus, and Muhammad as impostors. Of course, Frederick denied the charge, and over the following centuries the story played out across Europe, with libertines, freethinkers, and other “strong minds” seeking a copy of the scandalous text. The fascination persisted until finally, in the eighteenth century, someone brought the purported work into actual existence—in not one but two versions, Latin and French. Although historians have debated the origins and influences of this nonexistent book, there has not been a comprehensive biography of the Treatise of the Three Impostors. In The Atheist’s Bible, the eminent historian Georges Minois tracks the course of the book from its origins in 1239 to its most salient episodes in the seventeenth and eighteenth centuries, introducing readers to the colorful individuals obsessed with possessing the legendary work—and the equally obsessive passion of those who wanted to punish people who sought it. Minois’s compelling account sheds much-needed light on the power of atheism, the threat of blasphemy, and the persistence of free thought during a time when the outspoken risked being burned at the stake.

This hugely controversial work demonstrates convincingly how the world’s three major monotheistic religions—Christianity, Judaism, and Islam—have attempted to suppress knowledge, science, pleasure, and desire, condemning nonbelievers often to death. Not since Nietzsche has a work so groundbreaking and explosive questioned the role of the world’s three major monotheistic religions. If Nietzsche proclaimed the death of God, Onfray insists that not only is God still very much alive but also increasingly controlled by fundamentalists who pose a danger to the nature of human morality. Documenting the ravages of religious intolerance over the centuries, the author makes a strong case against the three religions for their obsession with purity and their contempt for reason and intelligence, individual freedom, desire, and the human body, as well as their disdain for women, sexuality, and pleasure. In their place, all three demand faith and belief, obedience and submission, extolling the “next life” to the detriment of the here and now. Tightly argued, this is a work that is sure to stir debate on the role of religion in American society—and politics.

He was the premier writer of horror fiction in the first half of the 20th Century, perhaps the major American practitioner of the art between the time of Edgar Allan Poe and Stephen King. Born into an upper middle class family in Providence, Rhode Island, Howard Phillips Lovecraft (1890-1937) had a lonely childhood, but read voraciously from his earliest years. He soon became interested in science and astronomy and began penning stories, poetry, and essays in great profusion, publishing them himself when no other market was available. The advent of Weird Tales in 1923 gave him a small outlet for his work, and he attracted a large number of followers, with whom he exchanged literally tens of thousands of letters, many of them quite lengthy. A number of these young correspondents eventually became professional writers and editors themselves. Lovecraft's fame began spreading beyond fandom with the publication of his first significant collection, The Outsider and Others, in 1939, two years after his untimely death. Book jacket.

"Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future. Now it's 1949, and the government that stole Aphra's life needs her help"--