In a future where most of the men are dead, Cole and her twelve-year-old son Miles are on the run from the most dangerous person she knows ... her sister. Miles is one of the lucky survivors of a global epidemic. But, in a world of women, that also makes him a hot commodity. The Department of Men wants to lock him away in quarantine, forever, maybe. A sinister cult of neon nuns wants to claim him for their own; the answer to their prayers. And boy traffickers are close on their heels, thanks to Billie, Cole’s ruthless sister, who Cole thought she left for dead. In a desperate chase across a radically changed America, Cole will do whatever it takes to get Miles to safety. Because she’s all he’s got.

Psychedelic Dystopia. Vangelis meets Jodorowsky. Love, dreams and magic conspire to overthrow the powers of an evil, mechanized society.

The 2016 winner of the Walt Whitman Award of the Academy of American Poets, selected by Carolyn Forché When I make the crossing, you must not be taken no matter what the current gives. When we reach the camp, there will be thousands like us. If I make it onto the plane, you must follow me to the roads and waiting pastures of America. We will not ride the water today on the shoulders of buffalo as we used to many years ago, nor will we forage for the sweetest mangoes. I am refugee. You are too. Cry, but do not weep. —from “Transmigration” Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture’s ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.

Great natural disasters are rare, but their aftermath can change the fortunes of a city or region forever. This book and its companion Policy Focus Report identify lessons from different parts of the world to help communities and government leaders better organize for recovery after future disasters. The authors consider the processes and outcomes of community recovery and reconstruction following major disasters in six countries: China, New Zealand, India, Indonesia, Japan, and the United States. Post-disaster reconstruction offers opportunities to improve construction and design standards, renew infrastructure, create new land use arrangements, reinvent economies, and improve governance. If done well, reconstruction can help break the cycle of disaster-related impacts and losses, and improve the resilience of a city or region.

"A single mother's personal, unflinching look at America's class divide (Barack Obama)," this New York Times bestselling memoir is the inspiration for the Netflix limited series, hailed by Rolling Stone as "a great one." At 28, Stephanie Land's dreams of attending a university and becoming a writer quickly dissolved when a summer fling turned into an unplanned pregnancy. Before long, she found herself a single mother, scraping by as a housekeeper to make ends meet. Maid is an emotionally raw, masterful account of Stephanie's years spent in service to upper middle class America as a "nameless ghost" who quietly shared in her clients' triumphs, tragedies, and deepest secrets. Driven to carve out a better life for her family, she cleaned by day and took online classes by night, writing relentlessly as she worked toward earning a college degree. She wrote of the true stories that weren't being told: of living on food stamps and WIC coupons, of government programs that barely provided housing, of aloof government employees who shamed her for receiving what little assistance she did. Above all else, she wrote about pursuing the myth of the American Dream from the poverty line, all the while slashing through deep-rooted stigmas of the working poor. Maid is Stephanie's story, but it's not hers alone. It is an inspiring testament to the courage, determination, and ultimate strength of the human spirit. "A single mother's personal, unflinching look at America's class divide, a description of the tightrope many families walk just to get by, and a reminder of the dignity of all work." -PRESIDENT BARACK OBAMA, Obama's Summer Reading List

All my life, I’ve dreamed of the sea. Mermaids, stormy skies, daring adventures, pirates…it was little wonder I sprinted to the docks the moment I left the orphanage. Eager to begin my new life, I searched for a ship that would have me—and found a thief instead. I chased the bastard. Now I’m trapped. I’m told this place is Neverland, but everything I touch is dead or dying; what’s left is hellbent on killing each other. Monsters lurk around every corner, and everyone I meet hides a damning secret. I’m thrust in the middle of a deadly feud, and the only one capable of unraveling the curse that plagues us. Neverland is my home now. Until it’s done with me? It will never let go. Peter Pan meets Pirates of the Caribbean in A Land of Never After, but reader beware: this children’s tale has been reimagined for adult lovers of all things dark and deadly, with an LGBTQ+ positive twist. Content warnings include language, violence, and mentions of gender dysphoria and suicide.

The former European editor for "Harper's Bazaar" recounts her formative apprenticeship in Andy Warhol's studio, sharing insider perspectives into the iconic artist's enduring influence on the art world, pop culture, society, and fashion.