African Sky by Tony Park, the author of Red Earth, is a full-throttle historical thriller that will engross fans of Clive Cussler. Rhodesia, 1943. A nation at war. Paul Bryant hasn't been able to get back in a plane since a fatal bombing mission over Germany. So, instead, the Squadron Leader is flying a desk at a pilot training school at Kumalo air base. But one of his trainees has just been reported missing. Pip Lovejoy, a volunteer policewoman, is also trying to suppress painful memories. When Felicity Langham, a high profile WAAF from the air base, is found raped and murdered, Pip and Bryant's paths cross. Suspicion immediately falls on the local black community, but Pip's investigations unearth a link between the Squadron Leader, the controversial heiress Catherine De Beers and the dead woman, which throws the case in a new, disturbing direction. What Pip thinks is a singular crime of passion soon escalates into a crisis that could change the course of the war.

Under the African Sky provides you with the history of a family following their dream against the backdrop of a stunning and often surprising continent, which is Africa. Their travels take you on a breathtaking journey of peril, hardship, and love into the heart of Africa.

Western literature has become more influential in Africa since the independence of many of that continent's countries in the early 1960s. In particular, Greek tragedy has grown as model and inspiration for African theatre artists. This work begins with a discussion of the affinity that modern-day African playwrights have for ancient Greek tragedy and the factors that determine their choice of classical texts and topics. The study concentrates on how African playwrights transplant the dramatic action and narrative of the Greek texts by rewriting both the performance codes and the cultural context. The methods by which African playwrights have adapted Greek tragedy and the ways in which the plays satisfy the prevailing principles of both cultures are examined. The plays are The Bacchae of Euripides by Wole Soyinka, Song of a Goat by J.P. Clark, The Gods Are Not to Blame by Ola Rotimi, Guy Butler's Demea, Efua Sutherland's Edufa, Orestes by Athol Fugard, The Song of Jacob Zulu by Tug Yourgrau, Femi Osofisan's Tegonni, Edward Kamau Brathwaite's Odale's Choice, The Island by Fugard, John Kani, and Winston Ntshona, and Sylvain Bemba's Black Wedding Candles for Blessed Antigone.

The author has been visiting the same village in Mauritania on the remote edge of the Sahara for over twenty years. This is the story of his most recent journey there—an intense and engaging day-by-day account through which global change and inequality are made human. The Sahel—the "shore" of the Sahara—is where cultures, customs, and climates meet, merge, and clash. Through the numerous characters we meet and from the obviously deep and sympathetic nature of the relationship the author has with the local people, with whom he now runs agricultural projects, we learn of the realities of life in one of the harshest, most marginalised, but also quietly inspiring corners of the world. Searingly honest and refreshing, this is a superbly written piece of travel writing about a little-known part of the world. The author gets under the surface and gives a sensitive account of what life is like. He understands not just the culture and complex social dealings but also how economics and geo-political forces that can profoundly affect the lives of people in a remote community. Illustrated with maps and line drawings, Under an African Sky is a unique journey for the armchair traveler and those interested in development, climate change, global politics, and economics. Peter Hudson has traveled widely in Mauritania and other parts of West Africa and has written several books including Leaf in the Wind, Travels in Mauritania, and Two Rivers.

Though Laurel Binet and Darren Grant both love their work in exotic Africa, they can't stand each other. Their opposing passions spark arguments over what's really important: she's investing her life in the study of wildlife for a master's degree; he has no time for people who waste their energies serving animals when people need food and shelter. When their worlds collide during calamitous seasons of starvation and epidemic, Darren and Laurel have to learn to work together. Encounters with deadly snakes, the unscrupulous acts of a fanatical conservationist, and a frightening kidnapping force both Laurel and Darren to examine their faith -- and their feelings for one another. Can love bring harmony where once there was war?

Sandy lived and worked in South Africa between 1988 and 2003, years coinciding with some of the most tumultuous and significant events in the history of the nation, including the release of Mandela. Set against a background of profound political and social change, Sandy tells her personal story with honesty, passion, intelligence and humour. As a community development worker in the townships she witnessed the brutality of life under the apartheid regime yet at the same time she was bewitched by the uncrushable richness and vibrancy of the culture and traditions of the people, and the grandeur and beauty of the land. Her encounters were intense and often dangerous. While living with a black family in a township she was caught up in the violence of the 1990 Seven Day War between Inkatha and ANC factions, in which hundreds were killed. She was forced to flee from gun-wielding attackers and watched helplessly as a young man was shot dead in the driveway of her home. Through her work she met the man who was to become her husband, and began the next phase of her life as a member of an extended and welcoming traditional, rural black South African Family. Together she and her husband sought to contribute to the rebuilding and transformation of a post apartheid nation. At first it seemed their love and commitment were strong enough to overcome the prejudice of the white and black communities, prejudices that were exacerbated by their adoption of her husband's young niece, followed by the birth of their own son. But having given up so much for the love of a man of Africa, Sandy found that no amount of commitment and determination could prevent the rifts that formed within her marriage. Her final choice was unavoidable, she left her marriage and the land she loved to return to Australia and begin a new life. But she will carry forever in her heart the land that changed her life, and which she in turn sought to support on its journey towards freedom.

Though delighted that an orphan boy has come into his life, an old man becomes insatiably curious about the boy's mysterious powers.