African American literature is over. With this provocative claim Kenneth Warren sets out to identify a distinctly African American literatureÑand to change the terms with which we discuss it. Rather than contest other definitions, Warren makes a clear and compelling case for understanding African American literature as creative and critical work written by black Americans within and against the strictures of Jim Crow America. Within these parameters, his book outlines protocols of reading that best make sense of the literary works produced by African American writers and critics over the first two-thirds of the twentieth century. In WarrenÕs view, African American literature begged the question: what would happen to this literature if and when Jim Crow was finally overthrown? Thus, imagining a world without African American literature was essential to that literature. In support of this point, Warren focuses on three moments in the history of Phylon, an important journal of African American culture. In the dialogues Phylon documents, the question of whether race would disappear as an organizing literary category emerges as shared ground for critical and literary practice. Warren also points out that while scholarship by black Americans has always been the province of a petit bourgeois elite, the strictures of Jim Crow enlisted these writers in a politics that served the race as a whole. Finally, WarrenÕs work sheds light on the current moment in which advocates of African American solidarity insist on a past that is more productively put behind us.

The first African American to publish a book in the South, the author of the first female slave narrative in the United States, the father of black nationalism in America--these and other founders of African American literature have a surprising connection to one another: they all hailed from the state of North Carolina. This collection of poetry, fiction, autobiography, and essays showcases some of the best work of eight influential African American writers from North Carolina during the nineteenth and early twentieth centuries. In his introduction, William L. Andrews explores the reasons why black North Carolinians made such a disproportionate contribution (in quantity and lasting quality) to African American literature as compared to that of other southern states with larger African American populations. The authors in this anthology parlayed both the advantages and disadvantages of their North Carolina beginnings into sophisticated perspectives on the best and the worst of which humanity, in both the South and the North, was capable. They created an African American literary tradition unrivaled by that of any other state in the South. Writers included here are Charles W. Chesnutt, Anna Julia Cooper, David Bryant Fulton, George Moses Horton, Harriet Jacobs, Lunsford Lane, Moses Roper, and David Walker.

In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca. Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics—contrary to expectations throughout American culture—has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America’s broader cultural integrity, one that is inclusive and historic. Outstanding Academic Title, Choice Magazine

A unique and vital guide that summarizes, explains and evaluates the greatest works of African-American literature -- including articles on writings from James Baldwin, W. E. B. DuBois, Langston Hughes, Malcolm X, Toni Morrison and many more.

A collection of eighty-five selections that exemplify the range and depth of the writing of Africian Americans. f.

African-American Literature is a thematically arranged, comprehensive survey of African-American Literature. The unique thematic organization of the anthology allows for a concise and coherent assessment of African-American literature. The thematic approach gives students a better sense of the intertextuality that binds a literary tradition together rather than a chronological approach that organizes material strictly on the basis of an author's birth date.