Africa is certainly not only a continent of small villages in the jungle and savannah. The urbanisation of the continent is advancing rapidly, while African cities and metropolitan regions are among the fastest growing in the world. Africa Drawn presents one hundred of the most connected and important cities of the continent. The approach of this book is an effort to map the urban form and structure of African cities, and to describe and illustrate how these different places were formed. Therefore, it presents the historic character of African locations as a valuable resource for imagining the future of the continent's cities. A visual feast of 300 images and masterfully drawn plans illustrate contemporary and historical place-making actions in Africa. The result is a fascinating documentation of African urban space and at the same time a convincing analysis of its structure and morphology. The drawings are accompanied by introductory texts and, for the first time, render possible a comparison of diversity of ­urban form on the continent.

Geography is essential to a child's education. And basic to that study is a simple outline of states, countries and continents. In Draw Africa I have tried to give students an easy introduction to committing the map of Africa to memory. Through simple, step-by-step instructions, students learn to draw each country as it connects to its neighbors and, with a little practice, will be able to draw Africa as a whole.

This exquisitely illustrated study takes us into the traditionally built dwellings of African society. This life-in-architecture material culture reveals the socioeconomic and cosmological organization and the world views of these societies. Bourdier and Trinh connect structural patterns - setting, design, decoration, orientation - to factors such as kinship, gender, history, religion, poetry, and oral traditions. The authors focus on a variety of African peoples, including the Fulbe, Tokolor, Sereer, Joola, Soninke, Mandingo, Jaxanke, and Bassari. Through photographs, beautifully detailed drawings, and theoretical reflections, Bourdier and Trinh challenge the common perception that traditional dwellings are static artifacts.

Around 1600, the English geographer and cleric Richard Hakluyt sought to honour his nation by publishing a compilation of every document he could find relating to its voyages and trade beyond the boundaries of Europe. The resulting collection of travel narratives, royal letters, ships’ logs, maps, lists, and commentaries was published as Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation. Spanning two thousand pages and documenting more than two hundred voyages, Principal Navigations is a window onto how the world appeared to England in 1600. Lines Drawn across the Globe unlocks Richard Hakluyt’s work for modern readers. Mary Fuller traces the history of the book’s compilation and gives order and meaning to its famously diverse contents. From Sierra Leone to Iceland, from Spanish narratives of New Mexico to French accounts of the Saint Lawrence and Portuguese accounts of China, Hakluyt’s shaping of this many-authored book provides a conceptual map of the world’s regions and of England’s real and imagined relations to them: exchange, alliance, aggression, extraction, translation, imitation – always depending on the needs of the moment. At the height of the British imperial project, Principal Navigations came to be seen and valued as a founding document of English national identity. It remains a crucial piece of evidence on the history of empire, the nation, and the world. Yet after a century and a half of modern scholarship, Hakluyt’s book needs to be disentangled from the perspectives of the nineteenth century and read anew. Lines Drawn across the Globe works across the scales of Hakluyt’s collection to deliver a dazzling account of an editorial project that was fundamental to England’s encounter with the world – and the nation’s idea of itself.