Combining critical reflections from scholars around the globe as well as experiential records from some of the world’s most tenacious explorers, this book interrogates the concept of the ‘frontier’ as a realm of transformation, exploration and adventure. We discover the affective power of social, physical, spiritual and political frontiers in shaping humanity’s abilities to change and become. We collectively unpack the enduring conceptualization of the frontier as a site of nation-state identity formation, violent colonization, masculine prowess and the triumph of progress. In its place, this book charts a more complex and subtle emotional geography amidst an array of frontiers: the expanding human psyche that is induced under free-diving narcosis and tales of survival on one of the most technically difficult mountains in the world, ‘The Ogre’. Chapters consider solitude in the Sahara, near-death experiences in Tibetan Buddhism, the aftermath of a volcanic eruption in Bali, the Spanish Imaginary, snatched moments of sexual curiosity, and many more. This book will be of upmost importance to researchers working on theories of affect, the Anthropocene, frontier theory and human geography. It will be vital supplementary reading for undergraduates and postgraduates on courses such as Heritage Studies, Human and Cultural Geography, Anthropology, Tourism Studies and History.

How do places manipulate our emotions? How are spaces affectious in their articulation and design? This book provides theoretical frameworks for exploring affective dimensions of architectural sites based on the notion that heritage, as an embodied experience, is embedded in places and spaces. Drawing together an interdisciplinary collection of essays spanning geographically diverse architectural sites — including Ford’s Theater, the site of President Lincoln’s assassination; the Estadio Nacional of Santiago, Chile, where 12,000 detainees were held following the ouster of President Salvador Allende; and Unit 731, the site of a biological and chemical warfare research unit of the Imperial Japanese army in Harbin, China, amongst others — this edited collection assembles critical dialogue amongst scholars and practitioners engaging in affective and other more-than-representational approaches to cultural memory, heritage, and identity-making. Broken into three main sections: Affective Politics; Embedded Geographies; and Affective Methodologies, this book draws together multidisciplinary perspectives from the arts, social sciences and humanities to understand the role of architecture in generating embodied experiences at places of memory. This book offers interdisciplinary perspectives on fundamental questions of memory, identity and space. It will be of interest to students and scholars in the fields of geography, architecture, cultural studies, and museum and heritage studies.

Bringing affect and emotion to the forefront of tourism studies, this book presents a new generation of scholars who consolidate emerging affective approaches and establish a route for scholarship that examines the roles of emotion and affect in tourism. Attuning to affect and emotion, this book steers the affective turn to encompass touring bodies and tourism places. Engaging the concept of affect as a constitutive element of social life often leaves academics grasping for terminology to describe something that is, by its very nature, beyond words. For this reason, as evident in the four interconnected sections of this volume, studying affect poses a significant and fruitful challenge to the status-quo of social scientific method and analysis. From African-American emotional labour while travelling, to visiting Banksy's Dismaland park, to affective heritagescapes, self-love, and travelling mittens, and across socio-spatial theories of emotions, decolonial feminist theory, and atmospheric politics, this book demonstrates the epistemic and empirical richness of affective tourism. Along with the contributors to this volume, the editors make a case for thinking about emotions and affects through collective and individual practices as interrelated shaping tourism encounters in and with places. That is, to break it down as doing, and as shared between bodies and places through the doing. The chapters in this book were originally published as a special issue of Tourism Geographies.

This book is the first edited collection to offer an intersectional account of gender in mountaineering adventure sports and leisure. It provides original theoretical, methodological, and empirical insights into mountain spaces as sites of socio-cultural production and transformation. The book shows how gender matters in the twenty-first century, and illustrates that there is a need for greater efforts to mainstream difference in representations and governance structures if we are to improve equality in adventure, sporting and leisure spaces. The interdisciplinary volume represents scholars from theoretical as well as applied perspectives across adventure, tourism, sport science, sports coaching, psychology, geography, sociology and outdoor studies.

The conventional lineage of World Literature starts with Goethe and moves through Marx, Said, Moretti, and Damrosch, among others. What if there is another way to trace the lineage, starting with Simone de Beauvoir and moving through Hannah Arendt, Assia Djebar, Octavia Butler, Donna Haraway, Karen Barad, and Gayatri Spivak? What ideas and issues get left out of the current foundations that have institutionalized World Literature, and what can be added, challenged, or changed with this tweaking of the referential terminology? Feminism as World Literature redefines the thematic and theoretical contents of World Literature in feminist terms as well as rethinking feminist terms, analyses, frameworks, and concepts in a World Literature context. Other ideas built into World Literature and its criticism are viewed here by feminist framings, including the environment, technology, immigration, translation, work, race, governance, image, sound, religion, affect, violence, media, future, and history. The authors recognize genres, strategies, and themes of World Literature that demonstrate feminism as integral to the world-making gestures of literary form and production. In other words, this volume looks to readings and modes of reading that expose how the historical worldliness of texts allows for feminist interventions that might not sit clearly or comfortably on the surfaces.

This book reframes commemoration through distinctly geographical lenses, locating it within experiential and digital worlds. It interrogates the role of power in representations of memory and shows how experiences of commemoration sit within, alongside and in contrast to its official normative forms. The book charts how memories, places and experiences of commemoration play out and have, or have not, changed in and through a digital world. Key to the book’s exploration is a new epistemology of memory, underpinned by an embodied research approach.

The stories we tell, published or otherwise, condition our mountain experiences in practice and reinforce cultural memory and representation. Yet, as this book and the authors within it set out to demonstrate, if we look beyond the boundaries of this ‘singular white history’ there is a rich diversity of stories to tell. This volume contributes to a growing body of scholarship that calls for a heterogeneity of voices in mountain memoir genres. For the first time, this diverse scholarship interrogates how mountaineering literary and media culture impact bodies, spaces, and places, in order to nuance how commodification intersects across social categories and is embodied in multi-dimensional ways. In this volume, we explore a burgeoning tradition of mountaineering literature, of cinema and of memoir to appreciate difference, beyond the habitual heroic, white male, adventurer that dominates screens and bookshelves. Through exploring multidimensional axes of social differentiation from gender, race, class, and age to dis/ability and sexuality, the book will demonstrate how commodification is embodied through representation in mountaineering literature, media, film and memoir in mountaineering spaces. Amongst our aims, this book intends to understand how multiple social dimensions overlap and work to produce independent systems of exclusion and inclusion that focus on untraditional ways to be a mountaineer.