This publication has articles written by men and women who stutter themselves and who are now or have been speech pathologists.

Malcolm Fraser knew from personal experience what the person who stutters is up against. His introduction to stuttering corrective procedures first came at the age of fifteen under the direction of Frederick Martin, M.D., who at that time was Superintendent of Speech Correction for the New York City schools. A few years later, he worked with J. Stanley Smith, L.L.D., a stutterer and philanthropist, who, for altruistic reasons, founded the Kingsley Clubs in Philadelphia and New York that were named after the English author, Charles Kingsley, who also stuttered. The Kingsley Clubs were small groups of adult stutterers who met one night a week to try out treatment ideas then in effect. In fact, they were actually practicing group therapy as they talked about their experiences and exchanged ideas. This exchange gave each of the members a better understanding of the problem. The founder often led the discussions at both clubs. In 1928 Malcolm Fraser joined his older brother Carlyle who founded the NAPA-Genuine Parts Company that year in Atlanta, Georgia. He became an important leader in the company and was particularly outstanding in training others for leadership roles. In 1947, with a successful career under way, he founded the Stuttering Foundation of America. In subsequent years, he added generously to the endowment so that at the present time, endowment income covers over fifty percent of the operating budget. In 1984, Malcolm Fraser received the fourth annual National Council on Communicative Disorders' Distinguished Service Award. The NCCD, a council of 32 national organizations, recognized the Foundation's efforts in "adding to stutterers', parents', clinicians', and the public's awareness and ability to deal constructively with stuttering." Book jacket.

In the sequel to the Newbery Honor-winning novel Paperboy, Victor Vollmer sets off to fulfill a final request of Mr. Spiro, the aging neighbor who became his friend and mentor. Now a few years older and working as a newspaper copyboy, Victor plans to spread Mr. Spiros ashes at the mouth of the Mississippi River as the former merchant marine wished. But the journey will not be a simple one. Victor will confront a strange and threatening world, and when his abilities and confidence get put to the test, hell lean on a fascinating girl named Philomene for help. Together theyll venture toward the place where river meets sea, and theyll race to evade Hurricane Betsy as it bears down.

Explains the characteristics and psychological affects of stuttering and helps adults learn how to build the child's confidence and alleviate the stammer. Original.

This workbook, designed for parents, teachers, and health care professionals, provides strategies for helping the child who stutters feel good about talking, stuttering, and himself/herself, while also understanding and using speech modification techniques to become a more effective communicator.

Nina G bills herself as “The San Francisco Bay Area’s Only Female Stuttering Comedian.” On stage, she encounters the occasional heckler, but off stage she is often confronted with people’s comments toward her stuttering; listeners completing her sentences, inquiring, “Did you forget your name?” and giving unwanted advice like “slow down and breathe” are common. (As if she never thought about slowing down and breathing in her over thirty years of stuttering!) When Nina started comedy nearly ten years ago, she was the only woman in the world of stand-up who stuttered—not a surprise, since men outnumber women four to one amongst those who stutter and comedy is a male-dominated profession. Nina’s brand of comedy reflects the experience of many people with disabilities in that the problem with disability isn’t in the person with it but in a society that isn’t always accessible or inclusive.

A fresh, engaging account of a young woman's journey, first to find a cure for a lifelong struggle with stuttering, and ultimately to embrace the voice that has defined her character. It offers a fresh perspective on the obsession with physical perfection.