Acrylic is often used as a substitute for oil paint or watercolor, but the real gold mine is in allowing the medium freedom to do what it does best. This book shows how today’s artists are doing exactly that. It’s loaded with original artwork and valuable insight from 64 artists, incredibly diverse in styles and subjects, each using acrylic in unique ways to create expressive and personal art. • 64 artists offer their individual ideas, approaches and inspirations for working with acrylic paints • 29 styles, ranging from photorealism to minimal color field and everything in between, are explored through artist profiles, artwork and boundary-breaking “challenges” that provide dynamic starting points for your own art • 29 step-by-step demonstrations illustrate acrylic-driven techniques you can take straight to your work, including collage and assemblage, reverse painting, printmaking, accidental stenciling, working with metallic mixtures and more A follow-up to the best-selling Acrylic Revolution,Acrylic Innovation takes you outside your comfort zone. Dip in whenever you feel the urge to experiment, have fun and see fresh and exciting results.

Liberate Your Creativity with Acrylic Paints! Acrylic Revolution is your essential, all-in-one guide for acrylic painting techniques and more. It features over 101 ways to break through the boundaries of conventional painting and re-define the creative potential of this all-purpose medium. Every page provides insight on how to use acrylic paint in ways you never thought possible to create stunning visual effects and textures. Ten complete sections detail a range of empowering applications, including how to: • Prepare and paint on virtually any surface • Create textures of all kinds • Work with transfers, collage, resists and mixed media • Achieve innovative stenciling and line work • Customize your paint to adjust thickness, transparency and drying time • Simulate other mediums, such as oil, tempera or watercolor • Create faux finishes, magical effects, sheens and more To give you additional insight and inspiration, this book features a gallery of finished works by fellow painting revolutionaries that blend various acrylic techniques to create amazing effects. You'll also find practical advice that covers the basics and beyond—from selecting materials and cleaning your brushes to finishing and preserving your artwork. There's even a complete glossary of terms for fast and easy referencing. Pick up a brush and start your own acrylic revolution today! Use the techniques in this book to free your creative spirit and create the paintings you've always dreamed of.

This classic reference examines the mechanisms driving adhesion, categories of adhesives, techniques for bond formation and evaluation, and major industrial applications. Integrating recent innovation and improved instrumentation, the work offers broad and comprehensive coverage. This edition incorporates several new adhesive classes, new application topics, and recent developments with nanoadhesives and bio-based adhesives. Existing chapters are thoroughly updated, revised, or replaced and authored by top specialists in the field. Abundant figures, tables, and equations appear throughout the work.

This work examines the science and technology used in the manufacture of acrylic fibre for both mass-produced commodity products and premium products. It elucidates the chemistry and fibre production techniques of speciality acrylics such as flame-retardant, water-reversible bicomponent, producer dyed and others. Capacity figures for developing countries are published here.;This work is intended for: polymer, fibre and textile scientists, chemists and engineers; physical and dye chemists; textile company managers; and upper-level undergraduate and graduate students in these disciplines.

The book is warmly recommended to practitioners and academics from both the legal and the economic field. Guido Westkamp, Journal of Intellectual Property Law and Practice . . . Glader offers strong commentary and case explanation, coupled with insightful analysis, in this complex area. . . This book is strong on both the relevant law, and the economics arena in which the law must be applied, and deals equally well with the US and EC principles and practice. Mark Furse, European Competition Law Review The pace and scope of technological change is increasing, but some innovative technologies take years before they give rise to saleable products. Before they do, there is competition in ideas and research, but the ideas cannot be market tested, because there are no products or services to offer to consumers. Competition law, in Europe and the USA, cannot be applied to competition in research for innovation as if it was competition between products. Completely different problems arise and a completely different approach is needed. This book, the first on innovation markets, shows how this new approach has been used by competition authorities on both sides of the Atlantic in a wide variety of cases. It analyses in depth and detail the comparative law and economics of the problems arising from the different stages of these markets . It considers how far conclusions can be drawn about the future and comes to interesting, practical and sensible conclusions. And it avoids both unjustified scepticism and exaggerated enthusiasm about the theories of innovation markets. John Temple Lang, Cleary Gottlieb Steen & Hamilton LLP, Brussels and London; Trinity College Dublin, Ireland and Oxford University, UK This book examines the legal standards and their underlying economic rationale for the protection of competition in the innovation process, in both European competition law and American antitrust law. Apart from relevant regulatory frameworks, the author also reviews a range of case laws, which assess whether a transaction or unilateral conduct would limit market participants incentives and abilities for continued innovation and future competition. At the centre of this study is the innovation market concept. This concept entails the delineation, for purposes of antitrust analysis, of an upstream market for competing R&D. Questions of market definition, the assessment of innovation competition in defined markets, the role of efficiencies in the appraisal of transactions and possible remedies to alleviate anti-competitive effects are also explored. Updating the field of research in light of new developments and broadening and deepening the categorization and analysis of the innovation market area, this book will be of great interest to academics, practitioners and consultants, and also public policymakers.

50 dazzling techniques...for work that shines above the rest! From the author of the best-selling books Acrylic Revolution and Acrylic Innovation, this book blazes new creative territory with 50 techniques that harness the artistic power of light. Ranging from subtle glazing on metal leaf, to pearly sheens, to boldly colored optical effects and glossy surfboard finishes, these approaches represent the most requested aspects of Nancy Reyner's popular workshops. • 50 eye-catching techniques feature metal leaf, reflective paints, pouring, fluorescent and phosphorescent paints, refractive layering and optical color effects. • Possibilities are vividly illustrated with diverse work from 44 artists. • A "Crash Course on Acrylic" chapter offers an overview of how to use these versatile paints and products to their fullest potential. This hands-on guide provides clear step-by-step directions to successfully execute these new and exciting techniques. Explore matte skin construction, sheen shifting, embedding objects, patinas and polished stone effects. Use these approaches for organic, abstract or realistic styles...as backgrounds, top layers, or accents layered in between...combine, experiment, and let your paintings shine.

Amy Ione's Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance. Integrated case studies allow Ione to put aside C.P. Snow's "two culture" framework in favor of cross-disciplinary examples that refute the science/humanities dichotomy. The themes, which range from cognitive science to illuminated manuscripts and media studies, will appeal to specialists (artists, art historians, cognitive scientists, etc.) interested in comparing our image saturated culture with the environments of earlier eras. The scope of the examples will appeal to the generalist.